Fused-deposition modeling (FDM) printers have the lion’s share of the 3D-printing market, with cheap, easy-to-use printers slurping up thousands of kilos of filament every year. So where’s the challenge with 3D-printing anymore? Is there any room left to tinker? [Physics Anonymous] thinks so, and has started working on what might be the next big challenge in additive manufacturing for the hobbyist: hacking cheap stereolithography (SLA) printers. To wit, this teardown of and improvements to an Anycubic Photon printer.
The Photon, available for as little as $450, has a lot going for it in the simplicity department. There’s no need to worry about filament and extruder issues, since the print is built up a layer at a time by photopolymerization of a liquid resin. And with but a single moving part – the build platform that rises up gradually from the resin tank on a stepper-driven lead screw – SLA printers don’t suffer from the accumulated errors of three separate axes. But, Anycubic made some design compromises in the motion control area to meet their price point for the Photon, leaving a perfect target for upgrades. [Physics Anonymous] added quality linear bearings to each side of the OEM vertical column and machined a carrier for the build platform. The result is better vertical positioning accuracy and decreased slop. It’s a simple fix that greatly improves print quality, with almost invisible layers.
Sadly, the Photon suffered a major, unrelated injury to its LCD screen, but it looks like [PA] will be able to recover from that. We hope so, because we find SLA printing very intriguing and would like to dive right in. But maybe we should start small first.
An ultrasonic knife is a blade that vibrates a tiny amount at a high frequency, giving the knife edge minor superpowers. It gets used much like any other blade, but it becomes far easier to cut through troublesome materials like rubber or hard plastics. I was always curious about them, and recently made my own by modifying another tool. It turns out that an ultrasonic scaling tool intended for dental use can fairly easily be turned into a nimble little ultrasonic cutter for fine detail work.
I originally started thinking about an ultrasonic knife to make removing supports from SLA 3D prints easier. SLA resin prints are made from a smooth, hard plastic and can sometimes require a veritable forest of supports. These supports are normally removed with flush cutters, or torn off if one doesn’t care about appearances, but sometimes the density of supports makes this process awkward, especially on small objects.
I imagined that an ultrasonic blade would make short work of these pesky supports, and for the most part, I was right! It won’t effortlessly cut through a forest of support bases like a hot knife through butter, but it certainly makes it easier to remove tricky supports from the model itself. Specifically, it excels at slicing through fine areas while preserving delicate features. Continue reading “Making an Ultrasonic Cutter for Post-processing Tiny 3D Prints”→
Sure there are the occasional functional Christmas tree ornaments; we had one that plugged into the lights and was supposed to sound like a bird gently trilling its song, but was in fact so eardrum-piercing that we were forbidden from using it. But in general, ornaments are just supposed to be for looks, right? Not so fast — this 3D-printed ornament has a 3D-printer inside that prints other ornaments. One day it might just be the must-have in functional Christmas decor.
Given that [Sean Hodgins] had only a few days to work on this tree-dwelling 3D-printer, the questionable print quality and tiny print volume can be overlooked. But the fact that he got this working at all is quite a feat. We were initially surprised that he chose to build a stereolithography (SLA) printer rather than the more common fused deposition modeling (FDM) printer, but it makes sense. SLA only requires movement in the Z-axis, provided in this case by the guts of an old DVD drive. The build platform moves in and out of a tiny resin tank, the base of which has a small LCD screen whose backlight has been replaced by a bunch of UV LEDs. A Feather M0 controls the build stage height and displays pre-sliced bitmaps on the LCD, curing the resin in the tank a slice at a time.
Results were mixed, with the tiny snowflake being the best of the bunch. For a rush job, though, and one that competed with collaborating on a package-theft deterring glitter-bomb, it’s pretty impressive. Here’s hoping that this turns into a full-sized SLA build like [Sean] promises.
For one reason or another, the World Maker Faire in New York has become the preeminent place to launch 3D printers. MakerBot did it with the Thing-O-Matic way back when, and over the years we’ve seen some interesting new advances come out of Queens during one special weekend in September.
Today Prusa Research announced their latest creation. It’s the resin printer you’ve all been waiting for. The Prusa SL1 is aiming to become the Prusa Mk 3 of the resin printer world: it’s a solid printer, it’s relatively cheap (kit price starts at $1299/€1299), and it produces prints that are at least as good as resin printers that cost three times as much.
The tech inside the SL1 is about what you’d expect if you’ve been following resin printers for a while. The resin is activated by a bank of LEDs shining through a photomask, in this case a 5.5 inch, 1440p display. Everything is printed on a removable bed that can be transferred over to a separate ‘curing chamber’ after the print is done. It’s more or less what you would expect, but there are some fascinating refinements to the design that make this a resin printer worthy of carrying the Prusa name.
Common problems with a masked SLA printer that uses LEDs and an LCD are the interface between the LCD and the resin, and the temperature of the display itself. Resin is not kind to LCD displays, and to remedy this problem, Prusa has included an FEP film on the bottom of the removable tank. This is a user-replaceable part (technically a consumable, at least to the same extent as a PEI build plate on a filament printer), and Prusa will be selling those as spare parts on their store. The LCD is also cooled; one of the major drawbacks of shining several watts of UV through an LCD is the lifetime of the display. Cooling the display helps, and should greatly increase the lifetime of the printer. All of this is wrapped up in an exceptionally heavy metal case with the lovely hinged UV-opaque orange plastic lid.
Of course, saying you’ve built a resin printer is one thing, but how do the prints look? Exceptional. The Prusa booth at Maker Faire was loaded up with sample prints from the machine, and they’re of the same high quality you would expect from the Form 3D printers that have been the go-to in the resin printer world. The Prusa SLA also works with big-O Open resins, meaning you’re not tied to a single resin vendor.
This is just the announcement of the Prusa resin printer, but they are taking preorders. The price for the kit — no word on how complex of a kit it is — is $1300, while the assembled printer is $1600, with the first units shipping in January.
Smoothing the layer lines out of filament-based 3D prints is a common desire, and there are various methods for doing it. Besides good old sanding, another method is to apply a liquid coating of some kind that fills in irregularities and creates a smooth surface. There’s even a product specifically for this purpose: XTC-3D by Smooth-on. However, I happened to have access to the syrup-thick UV resin from an SLA printer and it occurred to me to see whether I could smooth a 3D print by brushing the resin on, then curing it. I didn’t see any reason it shouldn’t work, and it might even bring its own advantages. Filament printers and resin-based printers don’t normally have anything to do with one another, but since I had access to both I decided to cross the streams a little.
The UV-curable resin I tested is Clear Standard resin from a Formlabs printer. Other UV resins should work similarly from what I understand, but I haven’t tested them.
It is funny how we always seem to pay the same for a new computer. The price stays the same, but the power of the computer is better each time. It would appear 3D printers may be the same story. After all, it wasn’t long ago that sinking a thousand bucks or more on a 3D printer wouldn’t raise any eyebrows. Yet today you can better printers for a fraction of that and $1,300 will buy you an open source Moai SLA printer as a kit. [3D Printing Nerd] took a field trip to MatterHackers to check the machine out and you can see the results in the video below.
The printer uses a 150 mW laser to make parts up to 130 mm by 130 mm by 180 mm. The laser spot size is 70 micron (compare that to the typical 400 micron tip on a conventional printer). The prints require an alcohol bath after they are done followed by a UV curing step that takes a few hours.
Resin printing — or more appropriately, stereolithography apparatus printing — is a costly but cool 3D printing process. [Evan] from [Model3D] wondered if it was possible to produce a proper magnifying glass using SLA printing and — well — take a gander at the result.
A quick modeling session in Fusion 360 with the help of his friend, [SPANNERHANDS 3D Printing] and it was off to the printer. Unfortunately, [Evan] learned a little late that his export settings could have been set to a higher poly count — the resultant print looked a little rough — but the lens would have needed to be sanded anyway. Lucky coincidence! After an eight hour print on his Peopoly Moai using clear SLA resin, [Evan] set to work sanding.