DSLR Infrared Camera Conversion

April 22, 2011 by Mike Nathan 17 Comments

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[Jerry] recently got a shiny new DSLR camera and was looking to do something with the old Pentax DSLR it replaced. Having performed a few point and shoot IR conversions in the past, he was pretty confident he could tackle this conversion without too much trouble.

He located the service manual for the camera and got busy taking it apart. He had to desolder the main board to get to the CCD block, where the sensor, IR cut filter, and the shake reduction motors are all located. The IR cut filter was pried off without too much trouble as it is only secured with a clip and an adhesive foam gasket.

Once things were disassembled, the real work began. He had a little trouble cutting the IR filter he purchased, so it took a little bit of elbow grease to get things exactly the way he wanted. Once he got the filter in place, he carefully re-mounted the sensor block to ensure that it was set at the proper height.

Once things were fully reassembled, he tried taking a few test shots, but found that there were some focus issues due to the IR filter being thicker than the original IR cut filter. A few manual tweaks in the camera’s debug menu and he was in business.

Be sure to check out his photo stream to take a look at some of the pictures he snapped with his new IR camera.

Camera Software Learns To Pick You Out Of A Crowd

April 21, 2011 by Mike Nathan 42 Comments

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While the Kinect is great at tracking gross body movements and discerning what part of a person’s skeleton is moving in front of the camera, the device most definitely has its shortfalls. For instance, facial recognition is quite limited, and we’re guessing that it couldn’t easily track an individual’s eye throughout the room.

No, for tracking like that, you would need something far more robust. Under the guidance of [Krystian Mikolajczyk and Jiri Matas], PhD student [Zdenek Kalal] has been working on a piece of software called TLD, which has some pretty amazing capabilities. The software uses almost any computer-connected camera to simultaneously Track an object, Learn its appearance, and Detect the object whenever it appears in the video stream. The software is so effective as you can see in the video below, that it has been dubbed “Predator”.

Once he has chosen an object within the camera’s field of vision, the software monitors that object, learning more and more about how it looks under different conditions. The software’s learning abilities allow it to pick out individual facial features, follow moving objects in video, and can recognize an individual’s face amid a collection of others.

While the software can currently only track one object at a time, we imagine that with some additional development and computing horsepower, this technology will become even more amazing.

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Macro Lens And Image Stacking

April 2, 2011 by Mike Szczys 8 Comments

[Samuel Sargent] built his own lens for making stacked macro images.This project, which was completed as part of his senior thesis, utilizes a Zeiss enlarger lens. The aperture ring was broken, making it difficult to tell how much light was being let into the camera. Instead of scrapping the whole thing he turned it around, making it a macro lens when combined with a few other parts. He’s used a Nikon PB-5 belows, a PK-13 extension tube, and a body cap to provide a way to mount the lens to his camera. A hole was added to the body cap using his Dremel, and a liberal dose of epoxy putty seals all of the gaps.

After the break you can see a couple of photos that [Samuel] made of bismuth. He estimates the sharpest focal length by taking a few test shots. Next he captures a series of images, moving the bellows slightly between each shot. Finally, this set is combined using Helicon Focus image stacking software. Maybe for his graduate thesis he can build a mechanized platform to move the subject automatically.

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DIY Camera Stabilizer Keeps Your Video Shake Free On The Cheap

March 31, 2011 by Mike Nathan 12 Comments

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Commercial vest-based camera stabilizer systems are quite expensive, sometimes bearing price tags in the $700-$800 dollar range. Photographer [Miguel Vicente] has a pretty well-stocked workshop and decided there was no way he would shell out that much cash for a rig, so he simply built his own.

“Simply” is a bit of a misstatement, to be honest. The system looks relatively complex, judging by the build videos embedded below. Constructed of steel tubing, custom-built springs, and a really snazzy vest, the rig is adjustable in almost every direction. He has tested its capacity up to 2.5 Kg (roughly 5.5 pounds), though he says it’s pretty unruly to manage at that weight. [Miguel] says that 1.5 Kg (3.3 pounds) is a far more reasonable limit, and that the stabilizer works quite well at or below that weight.

While it looks pretty good to us, he says that there are plans to improve the design even further. One particular point that he wants to address is the ability for the stabilizer to accept asymmetric camera setups, i.e. cameras with attached lighting and microphones.

Stick around to see a short “highlight” film of the build process, as well as a video featuring a more thorough documentation of the stabilizer’s construction.

Interested in more DIY camera equipment? Check out this overhead camera dolly and this DIY gimbal mount we featured a short while back.

[via Make]

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Automatic Trigger For Lightning Photography

March 26, 2011 by Mike Nathan 19 Comments

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[Vicktor] has always been fascinated by photographs of lightning and decided to try his hand at capturing a few strikes on his camera. Every time he attempted it however, he didn’t have much success. Instead of trying to operate his camera manually to take the images, he decided to build a lightning trigger that would do it for him.

His circuit uses a large photodiode to sense when lightning strikes, triggering the camera via a hacked shutter release cable. A PIC micro controller is used to adjust the sensitivity of the device, as well as to send the actual trigger signal to the camera. His circuit is connected to the camera via a pair of opto couplers to ensure that his circuit cannot cause any harm to the camera.

When the box is powered on, it enters a calibration mode where the user can adjust the circuit to compensate for whatever amount of ambient light is present. Once armed, the box waits for a sudden change in ambient lighting, sending the exposure release signal to the camera.

A schematic is available on his site, and he will send you the code he use on request. There is currently no video of the trigger in action, but hopefully we’ll see one soon.

If you’re interested in seeing some other remote camera triggers, check out this one made from air freshener parts, and this one which uses lasers.

Photographing Stuff That’s Not There By Using Stencils

March 23, 2011 by Mike Szczys 8 Comments

This image was not made in post production, but captured during a long camera exposure. The method uses stencils to add components to a picture. [Alex] built a jig for his camera from a cardboard box. This jig positions a large frame in front of the camera lens where a printed stencil can be inserted. He printed two identical sheets of paper with black covering the area all around the 8-bit joggers. When properly aligned and inserted in the jig, the black parts of the stencil will act to mask the areas where he wants to capture the natural surroundings of the image. Once the camera shutter is triggered, he uses a flash to illuminated the stencil, then removes the the paper image from the jig and ambient light from the dark surrounding is captured during the remainder of the 20-30 second exposure time. The real trick is getting the light levels between the flash and the ambient light to balance and produce a result like the one seen above.

Is anyone else hearing the Punch Out cut-scene music in their heads right about now?

DIY Camera Dolly Frees Up Your Hands To Take Care Of The Important Stuff

March 18, 2011 by Mike Nathan 11 Comments

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Documenting your build process can sometimes be an incredible pain, as it’s quite difficult to take pictures or video while you are in the middle of soldering. Professionals who demonstrate things on TV for a living have the benefit of a camera crew and special rigs to catch the action from every angle – the rest of us don’t have that luxury.

[Steve] felt the same frustrations as many of us do, and decided to do something about it. He built a movable camera dolly that can be suspended from the ceiling above his work surface for less than $30. The bulk of his camera dolly is built from PVC piping, with assorted bolts and washers holding things together. Skateboard bearings were used as rollers to provide smooth 2-axis motion for the entire rig, then he hung the entire apparatus from the ceiling joists over his workspace.

According to [Steve], the build process seems relatively easy and should take no more than an hour or so, and it can support pretty much any full-size DSLR camera you can find.

Stick around for a quick video tour of his camera dolly build.

[via Make]

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