Two Hard Disks And One DJ Get Down With No Delay

July 29, 2012 by Brian Benchoff 15 Comments

Mixmaster [robelix] built a MIDI controller for DJs that uses two hard drives for scratching and cutting some wicked beats.

[robelix]’s project is called Hard DJ and was inspired by this earlier build capable of producing a droning appreciated chiptune music using the motor inside a hard drive. Instead of reading the out of phase sine waves produced when a hard drive platter is manually rotated, [robelix] used custom laser cut encoder wheels and an IR detector from old computer mice. This gives [robelix] far more resolution than would be possible by reading the drives stepper motors and allows him to scratch and cut to whatever his MC desires.

The electronics portion of the build are a little rough at this stage – just an Arduino Mega, a few buttons, and a trio of faders. [robelix] will be building a proper enclosure for his controller soon, something we can’t wait to see.

If you’d like to clone this DJ controller, all the files are up on the Git. Check out the video after the break.

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Cutting A Record… On A CD

July 23, 2012 by Brian Benchoff 28 Comments

Vinyl records are an amazingly simple technology, but surprisingly we haven’t seen many builds to capitalize on the ease of recording music onto a vinyl disk. [Seringson] made his own ~~vinyl~~ polycarbonate cutter to record his own records at home. The impressive thing is he did this with parts just lying around.

Just like the professional and obsolete record cutters of yore, [Seringson]’s build uses two speaker drivers mounted at a 45° angle to reproduce a stereo audio track. Each of these drivers reproduce the left and right audio track by carving them into the polycarbonate of a CD with an extremely sharp needle. From the video, the audio quality of [Seringson]’s record cutter is pretty good – more than enough to recreate the sound of a 1940’s 78 RPM record, but not quite up to the task of reproducing something produced and mastered recently.

We’re extremely impressed that [Seringson] was able to a record cutter out of scraps he had lying around. Now we’ll wait patiently until a combination record/CD is released.

Tip ‘o the billycock to [Gervais] for sending this one in.

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Reverse Engineering A Stylophone

July 22, 2012 by Brian Benchoff 10 Comments

The Stylophone – a musical toy from the 60s – is a surprisingly simple piece of engineering. With a simple metallic keyboard played with a stylus and just a handful of transistors, the Stylophone was able to produce a few marvelous for their time sounds, and is the equivalent of a pre-[Stradivarius] violin for the electronic music scene. [Simon] tore apart an original Stylophone, and did a complete teardown of the circuit, going over the ins and outs of why this ancient noise box is so cool.

There have been quite a few DIY Stylophone clones, but all of them suffered from the same raspy sound made by a 555 timer chip slightly misguided makers used instead of the relaxation oscillator (in the pic seen above) used in the original. Aside from the oscillator connect to the RC circuit of the metallic keyboard, [Simon] also looked into the vibrato circuit. This is just a simple oscillator producing an 8 Hz sine-ish wave. The keyboard, of course, is connected to the circuit with an array of resistors which [Simon] happily provided the values for.

[Simon] put up a schematic of his reverse engineered Stylophone, allowing you to clone this ancient electronic instrument. If you can source the transistors, that is.

MIDI Swiss Army Knife Built From An MSP430

July 18, 2012 by Brian Benchoff 4 Comments

[youtube=http://www.youtube.com/watch?v=0hvQUXcXlEg&w=470]

Hot off the heels of his web server for the TI MSP430, [Rob] shared a MIDI booster pack for the MSP430 LaunchPad, an exceedingly inexpensive and ever more capable microcontroller that is getting somewhat of a cult following.

[Rob]’s MIDI booster pack contains a MIDI in and out port as well as just about whatever MIDI manipulation apps his mind can dream up. So far, [Rob] has a MIDI arpeggiator, a harmonizer, an echo, filter, s MIDI monitor that displays incoming messages on a Nokia LCD, and a controller that interfaces with a light sensor or joystick to manipulate MIDI variables.

Back in the 80s (and 90s, and even into the aughts), a dedicated MIDI arp or harmonizer was a crazy expensive piece of kit, especially considering how simple the device is. Those dedicated rackmount boxes can now be replaced with a TI LaunchPad and [Rob]’s booster pack.

You can check out the arp and harmonizer in action after the break.

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A Replica DJ Controller To Rule Them All

July 15, 2012 by Jeremy Cook 22 Comments

So like many followers of Hackaday, maybe you’re into electronic music. We’d dare to say though that few of you have the dedication of [adamdzak] as he decided to replicate [Sasha]‘s custom controller for the [Abelton Live] software package. Apparently it’s more difficult than taking apart your DJ Hero controller and hacking it to interface songs on your computer.

The “new” controller is named Apollo, and is meant to be a replica of Sasha’s Maven controller. The build process is well laid out in his post, and the results so far look quite incredible. What’s particularly interesting is the effort taken to reverse engineer this device without ever having been able to use it. Both from a mechanical standpoint and trying to figure out how the buttons are used to control the software must have been quite a challenge. Check out the video after the break to see this new controller in action. Continue reading “A Replica DJ Controller To Rule Them All” →

[Jeri Ellsworth] On Making Her C64 Bass Keytar

July 9, 2012 by Mike Szczys 27 Comments

[Jeri Ellsworth] finally set aside some time to talk about the build process for her Commodore 64 bass keytar. We think what started by taking a band saw to the guitar body ended up as a fantastic new instrument.

When she was showing off the project at Maker Faire we really only got a cursory look at what it could do. Her most recent video covers all that went into pulling off the project. Once the bulk of the guitar body was gone she tore the guts out of a dead c64 in order to mate the case with the guitar neck. Always the craftsman, she altered the computer’s badge to preserve the iconic look, then went to work adding pickups to each string using piezo sensors. This was done with Maker Faire in mind because magnetic pickups would have been unreliable around all of the tesla coils one might find at the event. These were amplified and filtered before being processed via an FPGA which connects to the original c64 SID 6581 chip.

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Turning A Bunch Of Solenoids Into A Performance Of Stomp

July 6, 2012 by Brian Benchoff 3 Comments

Say you have a handful of solenoids, a copy of MaxMSP, an Arduino, and access to a whole bunch of parts in a textile museum. What do you do? If you’re like [Luke], you’ll probably come up with an Arduinofied performance of Stomp, played on dozens of old gears, light fixtures, and various other metal parts.

To control what noise sounds when, [Luke] used a Touch OSC interface running on an iPad to send MIDI information to Ableton. From there, MAX/MSP sends messages to an Arduino to actuate the solenoids on cue. The interface is set up so anyone can make their own compositions by reusing patterns into loops of solenoids making noise. Sure, it’s not the dulcet tones you would expect from a more traditional instrument, but [Luke] manages to put on a good show.

While [Luke]’s instrument may sound overly mechanical and dissonant, it’s entirely possible to replace the objects he’s hitting with the solenoids with something a little more melodious. Putting a few solenoids in a cave wouldn’t be a bad idea; too bad it’s already been done.