There was a time when a microphone for most people was a cheap plastic affair that probably came for free with their sound card, but in the age of pandemic video streaming no desktop is complete without a chunky model that looks for all the world as though it escaped from a studio. Few people make their own microphones, so the work of [DJJules] in building very high quality condenser microphones is a particularly fascinating read.
A condenser microphone is a capacitor in which one plate is formed by a conductive diaphragm. A bias voltage is supplied to the diaphragm via a resistor, and since the charge on the plate remains constant as its capacitance changes with the sound vibrations, the voltage on the capacitor changes accordingly. This is picked up by a high impedance buffer and from there fed to a normal microphone input. This Instructable uses a commercial condenser microphone capsule, and takes the reader through generating the bias voltage for it before describing the op-amp buffer circuit.
The most interesting part comes at the end, as we’re shown how the sensitivity pattern of a dual-microphone array can be tuned to be omnidirectional, cardoid, or figure-of-eight. This is probably the norm among audio engineers, but we rarely see this sort of insight in our community. We may never build a microphone of our own, but it’s fascinating to see this one from the ground up in the video below the break.
If you’re confused about the difference between a condenser microphone and the more common electret condenser microphone, we have published a guide to that topic. Continue reading “Taking A Capacitor Microphone To The Next Level”
Regular readers will know that here at Hackaday we have a penchant for poking fun at the more silly end of the audiophile world, with its dubious accessories and purple prose. It’s worth remembering though that this is not representative of the whole discipline of audio design, indeed the quest for perfect audio reproduction contains plenty of complex engineering problems.
We’re indebted to [macsimski] then for sending us a link to a page from Phaedrus Audio from a year or two ago, in which they discuss the history of an unusual pentode tube used as an impedance converter in a series of legendary post-war microphones. It’s unlikely that you’ll have a Neumann U47 or U48 broadcast microphone on your bench, but even so the story behind their design is one that should fascinate anyone.
It takes us back to the period immediately following the Second World War, when German electricity supplies were varied and unreliable, and radio receivers designed for them required new tubes from the manufacturers. Among these was the VF14, with an unusual high-voltage heater designed such that two of them could be connected in series across the supply. This and its compact shape prompted its selection for the professional microphones, even though its performance was so poor that only a third of the production passed the performance test.
Since it passed out of production in the early 1950s the remaining components are extremely rare, and the majority of those surviving do not meet the performance characteristics of the microphone. The Phaedrus write-up goes into significant technical detail which should be of note to anyone with an interest in tubes, and ends up with their reason for it all, a plug-in hardware simulation of the original tube’s properties. Vintage capacitor microphones may be out of the ordinary for Hackaday, but it’s still a good read.
For a bit more on capacitor microphones it’s worth a look at our dive into electrets.
Header image: JacoTen / CC BY-SA 3.0
When designing a microphone assembly the other day, I reached for an electret condenser microphone capsule without thinking. To be strictly accurate I ordered a pack of them, these small cylindrical microphones are of extremely high quality for their relatively tiny price.
It was only upon submitting the order that I had a thought for the first time in my life: Just what IS an electret condenser microphone?
A condenser microphone is easy enough to explain. It’s a capacitor formed from a very thin conductive sheet that functions as the diaphragm, mounted in front of another conductor, usually a piece of mesh. Sound waves cause the diaphragm to vibrate, and these vibrations change the capacitance between diaphragm and mesh.
If that capacitance is incorporated into an RC circuit with a very high impedance and a high voltage is applied, a near constant charge is placed upon it. Since the charge stays constant, changing the capacitance causes a tiny voltage fluctuation that can be retrieved as the audio signal from the microphone. Condenser microphones built in this way can be extremely high quality, but come at the expense of needing a high voltage power supply to supply the charge and an amplifier to buffer and magnify the audio.
Continue reading “A Bit More Than A Microphone: The Electret Story”