Those of us who aren’t familiar with woodworking might not expect that this curved wood and acrylic LED lamp by [Marija] isn’t the product of fancy carving, just some thoughtful design and assembly work. The base is a few inches of concrete in a plastic bowl, then sanded and given a clear coat. The wood is four layers of beech hardwood cut on an inverted jigsaw with the middle two layers having an extra recess for two LED strips. After the rough-cut layers were glued together, the imperfections were rasped and sanded out. Since the layers of wood give a consistent width to the recess for the LEDs, it was easy to cut a long strip of acrylic that would match. Saw cutting acrylic can be dicey because it can crack or melt, but a table saw with a crosscut blade did the trick. Forming the acrylic to match the curves of the wood was a matter of gentle heating and easing the softened acrylic into place bit by bit.
Giving the clear acrylic a frosted finish was done with a few coats of satin finish clear coat from a spray can, which is a technique we haven’t really seen before. Handy, because it provides a smooth and unbroken coating along the entire length of the acrylic. This worked well and is a clever idea, but [Marija] could still see the LEDs and wires inside the lamp, so she covered them with some white tape. A video of the entire process is embedded below.
When designing a microphone assembly the other day, I reached for an electret condenser microphone capsule without thinking. To be strictly accurate I ordered a pack of them, these small cylindrical microphones are of extremely high quality for their relatively tiny price.
It was only upon submitting the order that I had a thought for the first time in my life: Just what IS an electret condenser microphone?
A condenser microphone is easy enough to explain. It’s a capacitor formed from a very thin conductive sheet that functions as the diaphragm, mounted in front of another conductor, usually a piece of mesh. Sound waves cause the diaphragm to vibrate, and these vibrations change the capacitance between diaphragm and mesh.
If that capacitance is incorporated into an RC circuit with a very high impedance and a high voltage is applied, a near constant charge is placed upon it. Since the charge stays constant, changing the capacitance causes a tiny voltage fluctuation that can be retrieved as the audio signal from the microphone. Condenser microphones built in this way can be extremely high quality, but come at the expense of needing a high voltage power supply to supply the charge and an amplifier to buffer and magnify the audio.
When is a hot glue stick not a hot glue stick? When it’s PLA, of course! A glue gun that dispenses molten PLA instead of hot glue turned out to be a handy tool for joining 3D-printed objects together, once I had figured out how to print my own “glue” sticks out of PLA. The result is a bit like a plus-sized 3D-printing pen, but much simpler and capable of much heavier extrusion. But it wasn’t quite as simple as shoving scrap PLA into a hot glue gun and mashing the trigger; a few glitches needed to be ironed out.
Why Use a Glue Gun for PLA?
Some solutions come from no more than looking at two dissimilar things while in the right mindset, and realizing they can be mashed together. In this case I had recently segmented a large, hollow, 3D model into smaller 3D-printer-sized pieces and printed them all out, but found myself with a problem. I now had a large number of curved, thin-walled pieces that needed to be connected flush with one another. These were essentially butt joints on all sides — the weakest kind of joint — offering very little surface for gluing. On top of it all, the curved surfaces meant clamping was impractical, and any movement of the pieces while gluing would result in other pieces not lining up.
An advantage was that only the outside of my hollow model was a presentation surface; the inside could be ugly. A hot glue gun is worth considering for a job like this. The idea would be to hold two pieces with the presentation sides lined up properly with each other, then anchor the seams together by applying melted glue on the inside (non-presentation) side of the joint. Let the hot glue cool and harden, and repeat. It’s a workable process, but I felt that hot glue just wasn’t the right thing to use in this case. Hot glue can be slow to cool completely, and will always have a bit of flexibility to it. I wanted to work fast, and I wanted the joints to be hard and stiff. What I really wanted was melted PLA instead of glue, but I had no way to do it. Friction welding the 3D-printed pieces was a possibility but I doubted how maneuverable my rotary tool would be in awkward orientations. I was considering ordering a 3D-printing pen to use as a small PLA spot welder when I laid eyes on my cheap desktop glue gun.
At this year’s Chaos Communication Congress, we caught up with [muzy] and [overflo], who were there with a badge and soldering project they designed to teach young folks how to solder and program. Blinkenrocket is a basically a 64-LED matrix display and just enough support hardware to store and display animations, and judging by the number of blinking rockets we saw around the necks of attendees, it was a success.
Their talk at 34C3 mostly concerns the production details, design refinements, and the pitfalls of producing thousands of a thing. If you’re thinking of building a hardware kit or badge on this scale, you should really check it out and crib some of their production optimization tricks.
For instance, instead of labelling the parts “C2” or “R: 220 Ohms”, they used a simple color-coding scheme. This not only makes it easier for kids to assemble, but it also means that they didn’t have to stick 1,000 part labels on every component. Coupled with [overflo]’s Zerhacker, SMD parts in strips were cut to the right length and color-coded in one step, done by machine.
The coolest feature of the Blinkenrocket itself is the audio programming interface. It’s like in the bad old days of software stored on cassette tapes, but it’s a phenomenal interface for getting a simple animation out of a web app and straight into a piece of minimal hardware — just plug it into a laptop or cell phone’s audio out and press “play” in the browser. The original design tried to encode the data in the pulse-length of square waves, but this turned out to be very hardware dependent. The final design used frequency-shift keying. What’s old is new again.
Everything you could want to know about the design, its code, and even the website itself are up on the project’s GitHub page, so go check it out. If you’d like to arrange a Blinkenrocket workshop yourself, shoot [muzy] or [overflo] an e-mail. Full disclosure: [overflo] gave us a kit, the “hard-mode” SMD one with 0805 1206 parts, and it was fun to assemble and program.
In a project, repetitive tasks that break the flow of development work are incredibly tiresome and even simple automation can make a world of difference. [Simon Merrett] ran into exactly this while testing different stepper motors in a strain-wave gear project. The system that drives the motor accepts G-Code, but he got fed up with the overhead needed just to make a stepper rotate for a bit on demand. His solution? A grbl man-in-the-middle jog pendant that consists of not much more than a rotary encoder and an Arduino Nano. The unit dutifully passes through any commands received from a host controller, but if the encoder knob is turned it sends custom G-Code allowing [Simon] to dial in a bit acceleration-controlled motor rotation on demand. A brief demo video is below, which gives an idea of how much easier it is to focus on the nuts-and-bolts end of hardware when some simple motor movement is just a knob twist away.
The parts required to make this DIY weekend project are about as minimal as they get. An Arduino Uno controls it all with a rotary encoder for input and a character LCD to display settings. The turntable moves using a stepper motor and an EasyDriver. It even takes care of controlling the camera using an IR LED.
The biggest obstruction most likely to arise is creating the actual laser cut casing itself. The circuito team avoided this difficulty by using Pololu‘s online custom laser cutting service for the 4 necessary laser cut parts. After all of the components have been brought together, all that is left to do is Avengers assemble. They provide step by step instructions for this process in such a straightforward way that you could probably put this sucker together blindfolded.
We have seen some other inspired photography turntables on Hackaday before. [NotionSunday] created a true turntable hack based off of the eject mechanism of an old DVD-ROM drive. With the whole thing spinning on the head assembly of a VCR, this is the epitome of letting nothing go to waste. We also displayed another very similar Arduino Uno controlled turntable created 2 years ago by [Tiffany Tseng]. There is even a non-electronic version out there of a DIY 360° photography turntable that only uses a lazy susan and tape measure. All of these photography turntable hacks do the job wonderfully, but there was something that we liked about the clean feel of this one. All of the necessary code for this project has been provided over at GitHub. What is your favorite photography turntable?
Rotary encoders are critical to many applications, even at the hobbyist level. While considering his own rotary encoding needs for upcoming projects, it occurred to [Jan Mrázek] to try making his own DIY capacitive rotary encoder. If successful, such an encoder could be cheap and very fast; it could also in part be made directly on a PCB.
The encoder design [Jan] settled on was to make a simple adjustable plate capacitor using PCB elements with transparent tape as the dielectric material. This was used as the timing element for a 555 timer in astable mode. A 555 in this configuration therefore generates a square wave that changes in proportion to how much the plates in the simple capacitor overlap. Turn the plate, and the square wave’s period changes in response. Response time would be fast, and a 555 and some PCB space is certainly cheap materials-wise.
The first prototype gave positive results but had a lot of problems, including noise and possibly a sensitivity to temperature and humidity. The second attempt refined the design and had much better results, with an ESP32 reliably reading 140 discrete positions at a rate of 100 kHz. It seems that there is a tradeoff between resolution and speed; lowering the rate allows more positions to be reliably detected. There are still issues, but ultimately [Jan] feels that high-speed capacitive encoders requiring little more than some PCB real estate and some 555s are probably feasible.