From today’s perspective, vacuum tubes are pretty low tech. But for a while they were the pinnacle of high tech, and heavy research followed the promise shown by early vacuum tubes in transmission and computing. Indeed, as time progressed, tubes became very sophisticated and difficult to manufacture. After all, they were as ubiquitous as ICs are today, so it is hardly surprising that they got a lot of R&D.
Prior to 1938, for example, tubes were built as if they were light bulbs. As the demands on them grew more sophisticated, the traditional light bulb design wasn’t sufficient. For one, the wire leads’ parasitic inductance and capacitance would limit the use of the tube in high-frequency applications. Even the time it took electrons to get from one part of the tube to another was a bottleneck.
There were several attempts to speed tubes up, including RCA’s acorn tubes, lighthouse tubes, and Telefunken’s Stahlröhre designs. These generally tried to keep leads short and tubes small. The Philips company started attacking the problem in 1934 because they were anticipating demand for television receivers that would operate at higher frequencies.
Dr. Hans Jonker was the primary developer of the proposed solution and published his design in an internal technical note describing an all-glass tube that was easier to manufacture than other solutions. Now all they needed was an actual application. While they initially thought the killer app would be television, the E50 would end up helping the Allies win the war.
The vacuum tube is largely ignored in modern electronic design, save for a few audio applications such as guitar and headphone amps. The transistor is smaller, cheaper, and inordinately easier to manufacture. By comparison, showing us just how much goes into the manufacture of a tube, [glasslinger] decided to make a wire-element pilotron – from scratch!
To say this is an involved build is an understatement. Simply creating the glass tube itself takes significant time and skill. [glasslinger] shows off the skills of a master, however – steadily working through the initial construction, before showing off advanced techniques necessary to seal in electrodes, produce the delicate wire grid, and finally pull vacuum and seal the tube completely.
The project video is an hour long, and no detail is skipped. From 2% thoriated tungsten wire to annealing torches and grades of glass, it’s all there. It’s enough that an amateur could reproduce the results, given enough attempts and a complete shop of glassworking equipment.
The pilotron may be a forgotten design, but in 2018 it once again gets its day in the sun. Overall, it’s a testament to [glasslinger]’s skill and ability to be able to produce such a device that not only looks the part, but is fully functional on an electronic level, as well.
Why spend thousands on a laser cutter/engraver when you can spend as little as $350 shipped to your door? Sure it’s not as nice as those fancy domestic machines, but the plucky K40 is the little laser that can. Just head on down to Al’s Laser Emporium and pick one up. Yes, it sounds like a used car dealership ad, but how far is it from the truth? Read on to find out!
Laser cutting and engraving machines have been around for decades. Much like 3D printers, they were originally impossibly expensive for someone working at home. The closest you could get to a hobbyist laser was Epilog laser, which would still cost somewhere between $10,000 and $20,000 for a small laser system. A few companies made a go with the Epilog and did quite well – notably Adafruit used to offer laptop laser engraving services.
Over the last decade or so things have changed. China got involved, and suddenly there were cheap lasers on the market. Currently, there are several low-cost laser models available in various power levels. The most popular is the smallest – a 40-watt model, dubbed the K40. There are numerous manufacturers and there have been many versions over the years. They all look about the same though: A blue sheet metal box with the laser tube mounted along the back. The cutting compartment is on the left and the electronics are on the right. Earlier versions came with Moshidraw software and a parallel interface.
If you asked [Hans_Daniel] what he learned by building a tube audio amplifier with a dozen tubes that he found, the answer might just be, “don’t wind your own transformers.” We were impressed, though, that he went from not knowing much about tubes to a good looking amplifier build. We also like the name — NASS II-12 which apparently stands for “not a single semiconductor.”
Even the chassis looked really good. We didn’t know textolite was still a thing, but apparently, the retro laminate is still around somewhere. It looks like a high-end audio component and with the tubes proudly on display on the top, it should be a lot of fun to use.
Op amps. Often the first thing that many learn about when beginning the journey into analog electronics, they’re used in countless ways in an overwhelmingly large array of circuits. When we think about op amps, images of DIPs and SOICs spring to mind, with an incredibly tiny price tag to boot. We take their abundance and convenience for granted nowadays, but they weren’t always so easy to come by.
[Mr Carlson] serves up another vintage offering, this time in the form of a tube op amp. The K2-W model he acquired enjoyed popularity when it was released as one of the first modular general purpose amplifiers, due to its ‘compact form’ and ‘low price’. It also came with large application manuals which helped it to gain users.
In order to power up the op amp and check its functionality, +300V and -300V supplies are needed. [Mr Carlson] is able to cobble something together, since it’s very apparent that he has an enviable stash of gear lying around. A 600V rail to rail supply is not something to be taken lightly, though it does give this particular model the ability to output 100V pk-pk without any distortion.
Many of us have aspirations of owning a tube amp. Regardless of the debate on whether or not tube audio is nicer to listen to, or even if you can hear the difference at all, they’re gorgeous to look at. However, the price of buying one to find out if it floats your boat is often too high to justify a purchase.
[The Post Apocalyptic Inventor] has built a stereo tube amplifier in the style of the Fallout video games. The idea came when he realised that the TK 125 tape recorder manufactured by Grundig was still using tube audio in the late 60s. What’s more, they frequently sell on eBay for 1-10€ in Germany. [TPAI] was able to salvage the main power amplifier from one of these models, and restore it so that it could be re-purposed and see use once more.
The teardown of the original cassette recorder yields some interesting parts. Firstly, an integrated motor transformer — an induction motor whose stator acts as the magnetic core of the transformer responsible for the tube electronics. There’s also an integrated capacitor which contains three separate electrolytics. The video after the break is well worth a watch (we always find [TPAI]’s videos entertaining).
A new chassis is created out of a steel base plate and aluminium angle, and some neat frames for the motor transformers are made from scrap copper wire bent and soldered together. It looks great, though there’s always the option to use a cake tin instead.
There are many ways of storing data in a computer’s memory, and not all of them allow the computer to write to it. For older equipment, this was often a physical limitation to the hardware itself. It’s easier and cheaper for some memory to be read-only, but if you go back really far you reach a time before even ROMs were widespread. One fascinating memory scheme is this example using a vacuum tube that stores the characters needed for a display.
[eric] over at TubeTime recently came across a Raytheon monoscope from days of yore and started figuring out how it works. The device is essentially a character display in an oscilloscope-like CRT package, but the way that it displays the characters is an interesting walk through history. The monoscope has two circuits, one which selects the character and the other determines the position on the screen. Each circuit is fed a delightfully analog sine wave, which allows the device to create essentially a scanning pattern on the screen for refreshing the display.
[eric] goes into a lot of detail on how this c.1967 device works, and it’s interesting to see how engineers were able to get working memory with their relatively limited toolset. One of the nice things about working in the analog world, though, is that it’s relatively easy to figure out how things work and start using them for all kinds of other purposes, like old analog UHF TV tuners.