Detoured: RF And Film

The technology behind capturing aerial video is so unbearably cool. Not only do you have fancy cameras that cost as much as a car, you also have remote control camera mounts on helicopters and amazing microwave links going to the ground. This isn’t your typical FPV setup on a quadcopter; there are jet turbines and S-band transmitters here.

One of the people behind these amazing aerial shots is [Greg Johnson] of RF Film based out of Whiteman airport in sunny southern California. He’s done work for Black Panther, several fo the Fast & Furious films, Marvel movies, and is working on the new Top Gun reboot. As part of the Supplyframe Design Lab’s Detoured series, lead Staff Designer [Majenta Strongheart] visited RF Film to take a look at what goes into getting high-quality images from aerial video platforms.

[Greg] got his start at a helicopter company in Michigan, and eventually moved up to working for ESPN, shooting video of offshore speedboat races. There’s no other way to do this than by the air, but there are problems. You need to get video to the ground somehow, and that means microwave transmitters. [Greg] learned all of this by simply doing it, demonstrating some hacker cred. In fact, some of the first remote control systems he built were built around sprinkler systems.

Now, [Greg]’s work is significantly more advanced than modified sprinkler systems. He’s making custom hardware for 1080 cameras worn in a hat for drag racing. There are gimbals that roll a camera around its axis, and all of this is custom made in [Greg]’s shop.

There’s a lot of work that goes into producing video for aerial photography, and it’s much more complex than sticking a runcam on a quad. There’s antenna design, FCC regs, and custom robots that point the camera where it needs to be. RF Films is one of the best in the business, and we’d like to thank them for giving us a glimpse into their shop and workflow.

You can check out the video tour of the shop below.

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Detoured: Inside MachineHistories

When designers and architects need a fancy centerpiece, a design element, or even some wall sconces, they don’t head over to the machine shop by themselves. They get someone else, who owns some fancy machines, knows how to use those fancy machines, and can create anything out of wood, foam, or metal to do the fabrication for them. Think of these companies as artisan contractors, capable of turning whatever an architect thinks of into a real, tangible object.

One of these such companies is MachineHistories, a joint venture between [Steven Joyner] and [Jason Pilarsky], who work in the medium of computer code and CNC programming. As part of the SupplyFrame Design Lab’s Detoured series, lead Staff Designer [Majenta Strongheart] takes us along for a tour of MachineHistories to figure out how this collaboration actually works.

This collaboration began at the ArtCenter College of Design where [Steven] and [Jason] spent most of their time working in the shop. Eventually, they realized they didn’t actually need the ArtCenter and decided to sign a lease and strike out on their own. The first tools in their new shop were just a 3-axis CNC and a laser cutter, but MachineHistories gradually expanded to enormous five-axis machines and other incredible tools. These machines are put to work creating works of art for architectural and design installations, ranging from futuristic chairs, fine furniture, to sculptures and even new designs for simple home items.

The skill and craftsmanship that goes into these works of art are beyond compare, but this is a great insight into how all those manufactured panels, design elements, and artistic accents are created, and one that shows you can do anything, provided you have the right tools.

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Detoured: Fabbing At The Art Institute Of Chicago

[Majenta Strongheart] is one of the talented folks who works at the SupplyFrame Design Lab, home to dozens of Hackaday meetups, the Hackaday Superconference, and when the shop floor isn’t filled with chairs, is the place where tons of awesome projects are fabricated. [Majenta]’s role at the Design Lab is a Staff Designer, where she’s responsible for working the machines, and holds the distinction of being in the room when the SawStop kicked for the first time. Don’t fret: it was mirrored acrylic.

Among [Majenta]’s other duties at the Design Lab is on the social media front, showing off the capabilities of other design spaces around the country. Her first video in this series is from her alma mater, the Art Institute of Chicago. In this video, [Majenta] takes a look at the incredible fabrication facilities found here.

The tour begins in an exceptionally well-equipped wood shop kitted out with panel saws, spindle sanders, bandsaws, and not enough clamps. From there, the tour moves over to the metal shop and — unique for the city of Chicago — a forge. A long time ago, after Philadelphia and New York were the tech centers of America, and before the Bay Area was the tech center of America, Chicago made everything. The forge at the Art Institute of Chicago is the last remaining place in the city where metal casting takes place. This space was grandfathered in, and still remains a place where students can cast objects out of bronze and aluminum.

The Art Institute of Chicago is a very, very well equipped space full of enough tools to make anything you want. If you’re looking for some inspiration on what your basement, garage, or local hackerspace should look like, you need only look at [Majenta]’s tour. You can check out the entire video below.

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Friday Hack Chat: Making A Makerspace

How do you make a makerspace? Over the last decade, there have been plenty of talks and tutorials handing out pointers. No day of the week will be good for a meeting, so the meetings are always on Tuesdays. The bike shed will be painted orange, no exceptions. Are you going to be a for-profit, or not-for-profit? Are we a makerspace or a hackerspace? Jerry, stop being clever. Pantone 021 U.

For this week’s Hack chat, we’re going to be talking all about making a makerspace. These are community hubs where people come together and share resources to bring their inventions to life. It’s not as simple as it may seem. You need insurance, you need a building, you need a landlord who’s cool, and there are a thousand and one things that can go wrong. Who best to steer you through the storm of opening a Hackerspace? Who can you solicit advice from?

Our guests for this week’s Hack Chat are Vaibhav Chhabra, a mech E from Boston University. He spent two years working on an eye diagnostic device, is an instructor at MIT REDX health care innovation lab, and is a founder of the incredible Makers Asylum. Eric Michaud is a Hacker, runner, and author, currently working on Rift Recon, Shellcon, and hackerspaces.org. He has written tutorials on Adafruit, and was a founding member of HacDC before he took off to Chicago and started PS:One.

Topics for this week’s Hack Chat include what it takes to open a makerspace, how you can fund it, organizational structure concerning for-profit, not-for-profit, and the thing that the members are most concerned about: what equipment is most crucial for a successful makerspace. You are, of course, encouraged to add your own questions to the Hack Chat; to do that, just leave a comment on the Hack Chat event page.

join-hack-chat

Our Hack Chats are live community events on the Hackaday.io Hack Chat group messaging. This Hack Chat is going down Friday, February 16th at 09:30am Pacific time. This is different than our usual time slot. Want to know what time this is happening in your neck of the woods? Here, look at the neat time zone converter thingy

Click that speech bubble to the right, and you’ll be taken directly to the Hack Chat group on Hackaday.io.

You don’t have to wait until Friday; join whenever you want and you can see what the community is talking about.

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Hackaday Links: Not A Creature Was Stirring, Except For A Trackball

Hey, did you know Hackaday is starting an Open Access, peer-reviewed journal? The Hackaday Journal of What You Don’t Know (HJWYDK) is looking for submissions detailing the tools, techniques, and skills that we don’t know, but should. Want to teach everyone how to make sand think? Write a paper and tell us about it! Send in your submissions here.

Have you noticed OSH Park updated their website?

The MSP430 line of microcontrollers are super cool, low power, and cheap. Occasionally, TI pumps out a few MSP430 dev boards and sells them for the rock-bottom price of $4.30. Here ya go, fam. This one is loaded up with the MSP430FR2433.

lol, Bitcoin this week.

Noisebridge, the San Francisco hackerspace and one of the first hackerspaces in the US, is now looking for a new place. Why, you may ask? Because San Francisco real estate. The current price per square foot is triple what their current lease provides. While we hope Noisebridge will find a new home, we’re really looking forward to the hipster restaurant that’s only open for brunch that will take its place.

The coolest soundcards, filled with DOS blips and bloops, were based on the OPL2 and OPL3 sound chips. If you want one of these things, you’re probably going to be digging up an old ISA SoundBlaster soundcard. The OPL2LPT is the classic sound card for computers that don’t have an easily-accessible ISA bus, like those cool vintage laptops. The 8-Bit Guy recently took a look at this at this neat piece of hardware, and apart from requiring a driver to work with any OPL2-compatible game, this thing actually works.

NVIDIA just did something amazing. They created a piece of hardware that everyone wants but isn’t used to turn electricity into heat and Bitcoin. This fantastic device, that is completely original and not at all derivative, is sold in the NVIDIA company store for under five dollars. Actually, the green logo silk/art on this PCB ruler is kinda cool, and I’d like to know how they did that. Also, and completely unrelated: does anyone want ten pounds of Digikey PCB rulers?

Photo by Todd Bakken

Sector67 Hackerspace Rocked By Explosion At New Location

Madison, WI hackerspace Sector67 is in a period of transition as they move from their current rented location to a new property that will be their permanent home a half mile away. Last Wednesday (September 20, 2017) an unfortunate propane explosion in the new building led to the injury of Chris Meyer, the founder and director of the hackerspace.

The structure has been stabilized and renovation is continuing, but Chris was seriously burned and will be in the hospital for at least a month with a much longer road to complete recovery. It is fortunate that nobody else was injured.

This accident comes at a time when Sector67 essentially has two spaces to maintain; the existing space is still running, but many of the members are focused on the construction of the new space. The building needs significant work before the move can take place. Currently the roof is being raised so that the building can go from one awkward-height story to two normal stories, doubling the size. An expiring lease and imminent demolition of the current location by developers means the clock is still ticking on the move, and this explosion means Sector67 will have to work even harder, and without the presence and constant effort of the person who has been leading the project.

A GoFundMe campaign for Sector67 has been started and is well on its way towards helping Chris and Sector67.

Giant D20 Is A Critical Hit In More Ways Than One

[Mikael Vejdemo-Johansson] is a member of the NYC Resistor hackerspace and an avid fan of a D&D themed improv theatre called The Campaign. To show his appreciation, he decided to gift them a Christmas present: a giant D20. The original plan called for integrated LEDs to burst alight on a critical hit or miss, or let out pulses if it landed on another face. Cool, right? Well, easier said than done.

[Vejdemo-Johansson] figured a circle of 4 tilt sensors mounted on the one and twenty face would be enough to detect critical rolls. If any of the switches were tilted beyond 30 degrees, the switch would close. He mounted eight ball-tilt switches and glued in the LEDs. A hackerspace friend also helped him put together an astable multivibrator to generate the pulses for non-critical rolls.

This… did not work out so well. His tilt sensor array proved to be a veritable electronic cacophony and terribly sensitive to any movement. That and some other electronic troubles forced a shelving of any light shows on a critical hit or miss. [Vejdemo-Johansson] kept the pulsing LEDs which made for a cool effect when shining through the mirrored, red acrylic panes he used for the die faces. Foam caulk backer rods protect as the die’s structure to stop it from being shattered on its first use.

Before The Campaign’s next show, [Vejdemo-Johansson] managed to stealthily swap-out of the troupe’s original die with his gift, only for it to be immediately thrown in a way that would definitely void any electronic warranty. Check out the reveal after the break (warning, some NSFW language)!

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