When you want to read what is being said on a television program, movie, or video you turn on the captions. Looking under the hood to see how this text is delivered is a fascinating story that stared with a technology called Closed Captions, and extended into another called Subtitles (which is arguably the older technology).
I covered the difference between the two, and their backstory, in my previous article on the analog era of closed captions. Today I want to jump into another fascinating chapter of the story: what happened to closed captions as the digital age took over? From peculiar implementations on disc media to esoteric decoding hardware and a baffling quirk of HDMI, it’s a fantastic story.
There were some great questions in the comments section from last time, hopefully I have answered most of these here. Let’s start with some of the off-label uses of closed captioning and Vertical Blanking Interval (VBI) data.
Mass storage presents a problem for those involved in the preservation of older computer hardware. While today’s storage devices are cheap and huge by the standards of decades ago their modern interfaces are beyond the ability of most older computers. And what period mass storage hardware remains is likely to be both unreliable after several decades of neglect, and rather expensive if it works due to its rarity.
The Domesday Project 86 team face this particular problem to a greater extent than almost any others in the field, because their storage device is a particularly rare Philips Laser Disc drive. Their solution is the BeebSCSI, a small board with a CPLD and an AVR microcontroller providing host adaptor and SCSI-1 emulation respectively for a modern micro-SD card.
An original BBC Domesday set-up. Regregex [CC BY 3.0], via Wikimedia Commons.1986 saw the 900th anniversary of the Domesday Book, a survey and inventory of his new kingdom commissioned in 1086 by the Norman king of England, William the Conqueror. One of the ways the event was marked in 1986 was the BBC Domesday Project, a collaboration between the BBC, several technology companies including Acorn and Philips, and a huge number of volunteers from the general public and the British school system. Pictures, video, and text were gathered relating to locations all over the country, and the whole was compiled with a not-quite-hypertext interface onto a set of Laser Disc ROMs. The system required the upgraded Master version of the 6502-based BBC Micro, a SCSI interface, and a special Laser Disc player model manufactured by Philips for this project alone. The hardware was expensive, rare, and unreliable, so few of its contributors would have seen it in action and it faded from view to become a cause celebre among digital archivists.
There have been several resurrections of the project over the years, including one from the BBC themselves which you can browse online. What makes this project different from the others is that it strives to present the Domesday experience as it was originally intended to be viewed, on as far as possible the original hardware and with the original BBC Micro interface. Many original parts such as BBC Master systems are relatively easy to source in 2016, but the special Laser Disc player is definitely not. This board replaces that impossible link in the chain, and should allow them to present a glimpse of 1986 in more than just the on-screen information.
![An original BBC Domesday set-up. Regregex [CC BY 3.0], via Wikimedia Commons.](https://hackaday.com/wp-content/uploads/2017/01/640px-vcf_2010_domesday_tray_open.jpg?w=400)
