An Audio Delay, The Garden Hose Way

Creating music in 2024 is made easier by ready access to a host of effects in software that were once the preserve only of professional studios. One such is the delay; digital delays are now a staple of any production software where once they required infrastructure. [Look Mum No Computer] is no stranger to the world of Lo-Fi analogue music making, and along with his musical collaborator [Hainback], he’s created an analogue delay from an unexpected material: garden hose pipe.

The unit takes inspiration from some commercial 1970s effects, and lends a fixed short delay intended to give a double-tracking effect to vocals or similar. It involves putting a speaker at one end of a reel of hose and a microphone at the other, while the original unexpectedly used Shure SM57 capsules as both speaker and microphone they use a very small loudspeaker and a cheap microphone capsule.

The sound is not what you’d call high quality. Indeed, it’s about what one might expect when listening down a long pipe. But when mixed in behind the vocals, it gives a very pleasing effect. The duo use it on their new EP which, as you might expect, is released on vinyl.

If such effects interest you, also take a look at a 1950s reverb room at the famous Abbey Road Studios in London.

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An RPi-Powered Multi-DX7/TX816 Style Synth

[Kevin] over at Simple DIY ElectroMusic Projects has released a complete DIY modular design for simulating the classic 80s Yamaha TX816 DX/FM modular digital synthesizer. This beast of a synth was used by the cool bands of the 80s as well as TV studios, and ownership of the original machine is an expensive investment. But with the power of modern hackable electronics, and the MiniDexed firmware running bare-metal on a Raspberry Pi getting access to a compatible synth doesn’t have to break the bank.

[Kevin] wanted to emulate the look and feel of the original TX816 aesthetic, developing a custom PCB handling the user interface for four of the eight channels, and a second acting as an interface to the Raspberry Pi using a Pico. Also sitting on this PCB is the GY-PCM5102 I2S DAC, and the MIDI connectors needed to connect to the system controller. Both PCBs, including a PCB-based front panel, were developed with KiCAD. The firmware for the Pico part of the system can be found on the firmware GitHub. The video demo (embedded below) shows off the system running a very 80s-sounding rendition of Holst’s famous ‘Jupiter’ from the planet series, and we all agree it sounds pretty sweet. For a complete rundown of the build, here are the links for the blog series for ease of access: Intro, PCBs, Panel, Build Guide, Mechanical, Pico/TX816 IO code, and finally usage. Phew!

If MiniDexed sounds familiar, that is because we featured another of [Kevin’s] earlier MiniDexed projects a little while ago.

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Lo-Fi Tchaikovsky

[Kevin] over at Simple DIY ElectroMusic Projects recently upgraded his Lo-Fi Orchestra. To celebrate his 400th blog post, he programmed it to play Tchaikovsky’s 1812 Overture. Two Arduino Nanos, four Arduino Unos, four Raspberry Pi Picos, and one Raspberry Pi have joined the Lo-Fi Orchestra this year, conducted by a new Pico MIDI Splitter. Changes were made in every section of the orchestra except percussion. We are delighted that the Pringles tom and plastic tub bass drums remain, not to mention the usual assortment of cheap mixers, amps, and speakers.

Tchaikovsky’s score famously calls for some “instruments” not found in the typical orchestra — a battery of cannon and a carillon, for example. Therefore [Kevin] had to supplement the Lo-Fi Orchestra for this performance with extras — a JQ6500 MP3 module on clash cymbals, a bare metal MiniDexed Raspberry Pi playing the carillon, and a MCP4725 with a Lots-of-LEDs shield firing off cannon and fireworks, respectively.

Although slightly disappointed that the MCP4725 beat out Mr. Fireworks in the auditions, we do like the result. [Kevin] reports that the latest version is much more reliable and predictable, having eliminated various MIDI faults and electrical noise. It presents a stable platform for future musical presentations, a kind of on-demand Lo-Fi Orchestra jukebox, as he describes it. A detailed review of all the changes can be found in his explanatory blog post. Check out an earlier performance of Holst’s The Planets suite from our coverage back in 2021.

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Arduino Lo-Fi Orchestra closeup thumbnail

Lo-Fi Orchestra Learns Tubular Bells

Hardware projects often fall into three categories: Those that flash lights, those that make sounds and those that move. This virtuoso performance by [Kevin]’s “Lo-Fi Orchestra” manages all three, whilst doing an excellent job of reproducing the 1973 musical classic Tubular Bells by Mike Oldfield.

Producing decent polyphonic sounds of different timbres simultaneously is a challenge for simple microcontroller boards like Arduinos, so [Kevin] has embraced the “More is more” philosophy and split up the job of sound generation in much the same way as a traditional orchestra might. Altogether, 11 Arduino Nanos, 6 Arduino Unos, an Arduino Pro Mini, an Adafruit Feather 32u4, and a Raspberry Pi running MT32-Pi make up this electronic ensemble.

Arduino servo drumkit
Arduino Servo & Relay Drumkit

The servo & relay drumkit is a particular highlight, providing some physical sounds to go along with the otherwise solid-state generation.

The whole project is “conducted” over MIDI and the flashing sequencer in the middle gives a visual indication of the music that is almost hypnotic. The performance is split into two videos (after the break), and will be familiar to fans of 70’s music and classic horror movies alike. We’re astonished how accurately [Kevin] has captured the mood of the original recording.

If this all looks slightly familiar, it may be because we have covered the Lo-Fi Orchestra before, when it entertained us with a rousing rendition of Gustav Holst’s Planets Suite. If you’re more interested in real Tubular Bells than synthesized ones, then check out this MIDI-controlled set from 2013. Continue reading “Lo-Fi Orchestra Learns Tubular Bells

Paper Cup Mic Is Fun And Functional

Any studio operator worth their Protools subscription will have a wide array of microphones to cover any conceivable situation. SM57s to cover guitar cabs, fancy gilded ribbon mics for vocal takes, and a variety of condensers to round out the selection. That’s all well and good for high-fidelity recording, but what if you want to go the other way? [LeoMakes] has just the thing, with his sub-$10 paper cup mic.

The basic concept is that of a dynamic microphone. A paper cup is attached to a taut string, upon which a magnet is affixed. Sound waves hitting the paper cup cause the string, and thus the magnet, to vibrate. The magnet is located within a coil, created from thin insulated wire wrapped around an old solder spool. This induces a current, creating the audio signal.

Results are as lo-fi as you’d expect, with the exact character of the sound changing depending on the tension of the string and the exact materials used. It’s a fun project that can be tackled with cheap materials, and there’s scope to create all manner of wacky mics by varying the parameters of the build. If you’re doing this more than once, however, you might want some help winding the coils — let this project be an inspiration. Video after the break.

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