UEVR Project Converts Games To VR, Whether They Like It Or Not

UEVR, or the Universal Unreal Engine VR Mod by [praydog] is made possible by some pretty neat software tricks. Reverse engineering concepts and advanced techniques used in game hacking are leveraged to add VR support, including motion controls, to applicable Unreal Engine games.

The UEVR project is a real-world application of various ideas and concepts, and the results are impressive. One can easily not only make a game render in VR, but it also handles managing the player’s perspective (there are options for attaching the camera view to game objects, for example) and also sensibly maps inputs from VR controllers to whatever the game is expecting. This isn’t the first piece of software that attempts to convert flatscreen software to VR, but it’s by far the most impressive.

There is an in-depth discussion of the techniques used to sensibly and effectively locate and manipulate game elements, not for nefarious purposes, but to enable impressive on-demand VR mods in a semi-automated manner. (Although naturally, some anti-cheat software considers this to be nefarious.)

Many of the most interesting innovations in VR rely on some form of modding, from magic in Skyrim that depends on your actual state of mind to adding DIY eye tracking to headsets in a surprisingly effective, modular, and low-cost way. As usual, to find cutting-edge experimentation, look to the modding community.

Someone setting down an arUco tag

Make Your Own Virtual Set

An old adage says out of cheap, fast, and good, choose two. So if you’re like [Philip Moss] and trying to make a comedy series on a limited budget rapidly, you will have to take some shortcuts to have it still be good. One shortcut [Philip] took was to do away with the set and make it all virtual.

If you’ve heard about the production of a certain western-style space cowboy that uses a virtual set, you probably know what [Philip] did. But for those who haven’t been following, the idea is to have a massive LED wall and tracking of where the camera is. By creating a 3d set, you can render that to the LED wall so that the perspective is correct to the camera. While a giant LED wall was a little out of budget for [Philip], good old green screen fabric wasn’t. The idea was to set up a large green screen backdrop, put some props in, get some assets online, and film the different shots needed. The camera keeps track of where in the virtual room it is, so things like calculating perspective are easy. They also had large arUco tags to help unreal know where objects are. You can put a wall right where the actors think there’s a wall or a table exactly where you put a table covered in green cloth.

Initially, the camera was tracked using a Vive tracker and LiveLink though the tracking wasn’t smooth enough while moving to be used outside of static shots. However, this wasn’t a huge setback as they could move the camera, start a new shot, and not have to change the set in Unreal or fiddle with compositing. Later on, they switched to a RealSense camera instead of the Vive and found it much smoother, though it did tend to drift.

The end result called ‘Age of Outrage’, was pretty darn good. Sure, it’s not perfect, but it doesn’t jump out and scream “rendered set!” the way CGI tv shows in the 90’s did. Not too shabby considering the hardware/software used to create it!

Open 3D Engine editor with Amazon Shader Language file and asset from the game Deadhaus Sonata open. (Credit: O3DE project)

Open 3D Engine: Amazon’s Old Clothes Or A Game Engine To Truly Get Excited About?

Recently Amazon announced that they would be open sourcing the 3D engine and related behind their Amazon Lumberyard game tooling effort. As Lumberyard is based on CryEngine 3.8  (~2015 vintage), this raises the question of whether this new open source engine – creatively named Open 3D Engine (O3DE) – is an open source version of a CryTek engine, and what this brings to those of us who like to tinker with 2D, 3D games and similar.

When reading through the marketing materials, one might be forgiven for thinking that O3DE is the best thing since sliced 3D bread, and is Amazon’s benevolent gift to the unwashed masses to free them from the chains imposed on them by proprietary engines like Unity and Unreal Engine. A closer look reveals however that O3DE is Lumberyard, but with many parts of Lumberyard replaced, including the renderer still in the process of being rewritten from the old CryEngine code.

What Makes a Good Game Engine?

My own game development attempts started with the Half Life engine and the Valve Hammer editor, as well as the Doom map editor. This meant that some expectations were set before encountering today’s game engines and their tools. The development experience with the Hammer editor in the late 1990s was pretty much WYSIWYG, and when I was just getting started with Unreal Engine 4 (UE4) a number of years back this was pretty much the same experience, making it relatively easy to hit the ground running. Continue reading “Open 3D Engine: Amazon’s Old Clothes Or A Game Engine To Truly Get Excited About?”