The NSA Is Defeated By A 1950s Tape Recorder. Can You Help Them?

One of the towering figures in the evolution of computer science was Grace Hopper, an American mathematician, academic, and Naval reservist, whose work gave us the first programming languages, compilers, and much more. Sadly she passed away in 1992, so her wisdom hasn’t directly informed the Internet Age in the manner of some of her surviving contemporaries.

During her life she gave many lectures though, and as [Michael Ravnitzky] discovered, one of them was recorded on video tape and resides in the archives of America’s National Security Agency. With the title “Future Possibilities: Data, Hardware, Software, and People”, it was the subject of a Freedom Of Information request. This in turn was denied, on the grounds that “Without being able to view the tapes, NSA has no way to verify their responsiveness”. In short, the recording lies on Ampex 1″ reel-to-reel video tape, which the NSA claims no longer to be able to read.

It’s fairly obvious from that response that the agency has no desire to oblige, and we’d be very surprised to find that they keep a working Ampex video system to hand on the off-chance that a passing researcher might ask for an archive tape. But at the same time it’s also obvious that a lecture from Rear Admiral Hopper is an artifact of international importance that should be preserved and available for study. It’s an interesting thought exercise to guess how many phone calls Hackaday would have to make to secure access to a working Ampex video recorder, and since we think for us that number would be surprisingly low it’s likely the NSA know exactly who to call if they needed that tape viewed in a hurry. We don’t have influence over secretive government agencies, but if we did we’d be calling shame on them at this point.

If you’re curious about Grace Hopper, we’ve talked about her work here in the past.

Thanks [F4GRX] for the tip.

Ampex image: Telecineguy., Public domain.

Interactive Musical Art Installation Mixes Vintage, Modern, Lasers, And…Bubbles? Bubbles.

Acorn BBC Master. Apple IIe. Ampex 270 Terminal. Vectrex game console. You’d be hard pressed to find a more diverse hardware collection in the average hacker’s lab. When you add seven Raspberry Pi’s, five CRT monitors, an analog oscilloscope and an LED wall to the mix, one starts to wonder at the menagerie of current and retro hardware. What kind of connoisseur would have such a miscellaneous collection? That’s when you spot smoke and fog machines sitting next to an RGB Laser.

Finally, you learn that all of this disparate paraphernalia is networked together. It is then that you realize that you’re not just dealing with a multi-talented hacker- you’re dealing with a meticulous maestro who’s spent lockdown finishing a project he started nearly twenty years ago!

AUVERN comes alive in a show of light and sound whenever someone enters its view.
AUVERN comes alive in a show of light and sound whenever someone enters its view.

The machine is called AUVERN and it’s the product of the creative mind of [Owen]. Taking advantage of advances in technology (and copious amounts of free time), [Owen] laboriously put his collection of older rigs to work.

A Python script uses a Kinect sensor’s input to control a Mac Mini running Digital Audio Workstation software. The operator’s location, poses and movements are used to alter the music, lights, and multimedia experience as a whole. MIDI, Ethernet, and serial communications tie the hardware together through Raspberry Pi’s, vintage MIDI interfaces, and more. Watch the video below the break for the technical explanation, but don’t miss the videos on [Owen]’s website for a mesmerizing demonstration of AUVERN in full swing.

AUVERN makes use of the Vectrex32 upgrade which we have previously covered, and we are unavoidably reminded of another pandemic inspired bubble machine. Don’t forget to send us your hacks, projects, and creations through the Tip Line!

Continue reading “Interactive Musical Art Installation Mixes Vintage, Modern, Lasers, And…Bubbles? Bubbles.”

A 1950s Ampex Tape Recorder Microphone Preamplifier Restoration

So often when we read of a modification on a classic piece of tube electronics we prepare to wince, as such work often results in senseless butchery of a well-preserved survivor. With [Frank Olson]’s work on a 1958 Ampex 601 tape recorder though we were pleasantly surprised, because while he makes a modification to allow its use as a stand-alone microphone preamplifier he also performs an extremely sympathetic upgrade to modern components and retains it in substantially the form it left the Ampex factory.

The video below the break is a satisfying wallow in pre-PCB-era construction for any of the generation who cut their teeth on tube, chassis, and tag strip electronics. We can almost smell the phenolic as he carefully removes time-expired capacitors and fits modern replacements complete with period features such as sheathing over their leads. The larger multiway can electrolytics are left in the chassis, with their modern miniaturised equivalents nestling underneath them out of sight. We all know that electronic components have become a lot smaller over the decades, but it’s still a bit of a shock to see just how tiny even a high voltage electrolytic has become.

The Ampex would have been a very high quality tape recorder when new, and while this one has a problem with its mechanism it’s that quality that makes it easier for him to do this work in 2020. There’s every chance that this one could be returned to service as a tape recorder if someone was of a mind to fix it, and meanwhile it will give Frank excellent service as a high quality pre-amp. This is how resto-mods should be done!

Ampex are very much still in existence making digital storage products, but back in the 1950s they were at the forefront of analogue magnetic tape technology. We’ve written in the past about how Bing Crosby had a hand in the development of high quality tape recorders, and also about Ampex’s part in the gestation of the video recorder.

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