3D Printing Blueprints And Other Wall Art

Today if you want to reproduce a big schematic or a mechanical drawing, you just ask it to print or plot from the CAD model. But back in the day, you drew on big sheets at a drafting table. How do you make copies? Sure, there were a few large-format copiers, but they were expensive. A more common method was to use a heliographic copier which, often but not always, resulted in a blueprint — that is a blue page with white lines or vice versa. These days, you are more likely to see a blueprint as an artistic wall hanging, and since [Basement Creations] wanted some, he figured out how to make them with a 3D printer.

These prints aren’t really blueprints. They use the printer as a plotter and deposit white ink on a blue page. In the video below, he shows a number of ways to use a printer to create interesting wall art, even if you want it to be bigger than the print bed. Some of the wall art uses multiple 3D printed parts, and others use the printer as a plotter.

Continue reading “3D Printing Blueprints And Other Wall Art”

Cocktail Of Chemicals Makes This Blueprint Camera Unique

When you’re looking at blueprints today, chances are pretty good that what you’re seeing is anything but blue. Most building plans, diagrams of civil engineering projects, and even design documents for consumer products never even make it to paper, let alone get rendered in old-fashioned blue-and-white like large-format prints used to produced. And we think that’s a bit of a shame.

Luckily, [Brian Haidet] longs for those days as well, so much so that he built this large-format cyanotype camera to create photographs the old-fashioned way. Naturally, this is one of those projects where expectations must be properly scaled before starting; after all, there’s a reason we don’t go around taking pictures with paper soaked in a brew of toxic chemicals. Undaunted by the chemistry, [Brian] began his journey with simple contact prints, with Sharpie-marked transparency film masking the photosensitive paper, made from potassium ferricyanide, ammonium dichromate, and ammonium iron (III) oxalate, from the UV rays of the sun. The reaction creates the deep, rich pigment Prussian Blue, contrasting nicely with the white paper once the unexposed solution is washed away.

[Brian] wanted to go beyond simple contact prints, though, and the ridiculously large camera seen in the video below is the result. It’s just a more-or-less-lightproof box with a lens on one end and a sheet of sensitized paper at the other. The effective ISO of the “film” is incredibly slow, leading to problematically long exposure times. Coupled with the distortion caused by the lens, the images are — well, let’s just say unique. They’ve got a ghostly quality for sure, and there’s a lot to be said for that Prussian Blue color.

We’ve seen cyanotype chemistry used with UV lasers before, and large-format cameras using the collodion process. And we wonder if [Brian]’s long-exposure process might be better suited to solargraphy.

Continue reading “Cocktail Of Chemicals Makes This Blueprint Camera Unique”