Sloan Digital Sky Survey Releases New Map Of Supermassive Black Holes

The Universe is a large place, yet despite it being mostly empty space, there are still a lot of things to find and catalogue. This includes mildly terrifying things like supermassive black holes (SMBHs), one of the study subjects of the Sloan Digital Sky Survey (SDSS) project. In their 20th data release of the fifth all-sky survey (SDSS-V), the results of the Black Hole Mapper (BHM) program provides a lot of new insights into these SMBHs.

For a good primer on the SDSS’s ongoing survey, you can read this paper by [Kollmeier] et al. from 2017 in which this fifth survey and its three programs, including the BHM, are explained. This comes after four previous phases of the SDSS, all of them focusing on multispectral imaging and spectroscopic redshift survey with the 2.5 m Apache Point Observatory (APO) in New Mexico.

With SDSS-V a second 2.5 m observatory at Las Campanas (LCO) was added, with both observatories combined able to observe the entire sky, not just as static images, but also any changes over time. While these observations are in the near-infrared, combined with the data from other observatories this gives us probably one of the most comprehensive maps of the Milky Way and everything therein, including black holes.

This 20th data release gives us one of the clearest glimpses yet at the formation, growth and behavior of SMBHs and similar objects over time. A big part of this achievement are the automatic positioning robots at the observatories that handle the fiber optics that feed spectrographs, enabling faster and more accurate observations.

Native SMB3 Client Brings Modern NAS Access To 20-Year-Old PowerPC Macs

As software updates cease for operating systems, they eventually begin to lose access to parts of the LAN and internet due to out of date encryption features, as well as the inability to handle file sharing protocols like SBM3, which is somewhat of a necessity if you have e.g. a NAS on the LAN. Such too was the case with [watermark_hd]’s 20-year old PowerPC Macs and their installations of OS X Tiger and Leopard.

Cue Aqualink, a native SMB3 client for these older OS X versions that uses [Ronnie Sahlberg]’s libsmb2 server/client library for SMB2 and SBM3. The source code can be found over on GitHub, along with a Japanese translation. By using a local WebDAV server Tiger’s built-in mount_webdav feature can be used to mount these remote volumes.

While you can often still use SMB1 even on modern Windows and Linux/BSD via Samba, allowing even retro systems like these PowerMacs to speak SMB3 is at least a great boost for network security, even if the aforementioned encryption shortcomings mean that you cannot quite run encrypted file shares yet.

Although OS X eventually began to adopt modern SMB versions, some of us may remember how incredibly buggy they were, to the point that us OS X users often had to fall back to CIFS (SMB 1.0), so this is another potential use for this Aqualink application.

Anatomy Of An SLA Resin Printing Disaster

When I got back into SLA resin printing recently, I knew that I’d inevitably have to deal with the agony of failed prints and of course resin spills. This moment eventually came, and I felt motivated to treat mistakes as teaching moments on aspects like how to properly prepare an SLA build plate in terms of angles and supports or how to deal with failed print aftermaths.

Before moving on to the disaster, I’d like to first start with a look at the resin print of the previous article, which contained a number of fairly small parts. These I had oriented and supported almost fully using the automatic methods provided by the ChituBox slicer software, and worked about 90% as I had hoped, while leaving plenty of room for improvement as well.

Overall, preparing an SLA build plate in the slicer isn’t quite the same as for an FDM printer, mostly due to one phrase that strikes fear in the heart of anyone who has ever done resin printing: “peeling forces”.

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3D-Printed Skin Gives Robots The Sensation Of Touch

Schematic diagram of the touch-sensitive skin. (Credit: Haofeng Chen et al., ArXiv, 2026)
Schematic diagram of the touch-sensitive skin. (Credit: Haofeng Chen et al., ArXiv, 2026)

Hypoesthesia, more commonly referred to as numbness, is one of the more distressing ailments that can affect us humans, primarily because it reminds us of just how much we rely on our sensation of touch in daily life. From experiencing the world around us, handling objects, noticing when you just bumped into that side table again and the comforting hug of a fellow human being, touch is perhaps the most important of our senses.

In that regard the recently published research by [Haofeng Chen] et al. on giving robots a skin that can experience touch seems rather important as it would give especially humanoid robots a more natural way to interact with their environment, using feedback from touch. Continue reading “3D-Printed Skin Gives Robots The Sensation Of Touch”

Combining Photogrammetry Utilities Into A Simple GUI Tool

One of the fun aspects of open source software is that you can often find so many libraries and tools that implement the functionality you need, but ease of use for e.g. artists is often not a priority. This is where [Edin Spiegel] ‘s annoyances with photogrammetry tools led him down to the path of creating the Simple Photogrammetry GUI project, which is basically what it says on the tin.

In an associated video its development and use is demonstrated, combining tools like Colmap, OpenMVS, mvs-texturing, pymeshlab, brush and PoissonRecon to implement both photogrammetry and gaussian splatting to turn those photos into a not too shabby mesh along with realistic textures.

The GUI uses the Flutter GUI kit, so Linux support is still somewhat sketchy, but should work in this new release of this GUI wrapper. The author is asking for people to test this GUI and report any issues found so that they can be addressed.

From a quick glance at the project and the comments to the video it seems quite useful for anyone who wants to get started quickly with photogrammetry. One niggle is perhaps that it relies on processing using CUDA, with a much slower fallback to CPU processing if you do not happen to have an Nvidia-blessed GPU installed. Of course this is one of those universal issues in a world where theoretically everyone should be using OpenCL already.

In addition to the build instructions you can also download an AppImage for Linux and compiled binaries for Windows to theoretically get started as fast as your internet connection allows. Interestingly, the AppImage is well over a GB in size, whereas the Windows ZIP file is just 207 MB for the v1.1.5 release, so take that into account.

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Making Better Rubies At Home

Not the prettiest ruby, for sure. (Credit: Gems of Science, YouTube)
Not the prettiest ruby, for sure. (Credit: Gems of Science, YouTube)

Sapphires and rubies aren’t just pretty, they also got a range of practical uses. This makes it even more useful to be able to make them at home for obviously completely innocent experiments. Cue [Gems of Science] and his attempts to make good-looking rubies, without resorting to the brute-force laser blasting approach that [Styropyro] previously used to create murky-looking gems.

That basic method used involves blasting aluminium oxide with a laser, which results in a container full of what are technically gems, but – as the image on the right makes clear – not exactly the prettiest or easiest to shine up. Much of the problem here is that these are hollow geodes composed of countless tiny crystals instead of solid singular crystals.

Although there are commercial ways to fairly easily create large crystals from a small seed crystal, none of these lend themselves to a DIY hobbyist with just a garage to muck about in. This leaves one alternative: the flux method. Rather than melting the material that will be grown onto the seed crystal, this flux crystal growth method uses a solvent (flux) and temperatures that a home kiln can achieve.

These rubies may be small, but are very shiny. (Credit: Gems of Science, YouTube)
These rubies may be small, but are very shiny. (Credit: Gems of Science, YouTube)

Of note here is also that it’s the addition of Cr3+ ions into the base Al2O3 matrix that makes a ruby into a ruby, by giving it its red glow. In order to grow crystals this way you need to pick not only a suitable solvent, but also use a crucible that doesn’t want to become part of said crystal. Unfortunately a platinum crucible runs into the thousands of USD, but a graphite crucible should do if you keep oxygen away from it.

For the flux molybdenum oxide was used, mixed with chromium oxide and aluminium oxide to provide the ingredients for crystal growth. Unfortunately added charcoal interfered with the molybdenum, ruining that batch. This led to trying out more crucible types to find a recipe that worked, thereby finding out that an ‘alumina’ crucible also contained silica, which poisons the reaction, resulting in only tiny ruby crystals.

Ultimately pure alumina crucibles seemed to work great, until they began to shatter en masse, resulting in pained wallet noises and the purchases of some pre-loved platinum crucibles. This worked really well, but now the flux was evaporating too quickly to enable large crystal growth, thus requiring additives to stabilize it. Along with temperature cycling to induce the growth of larger crystals, this finally generated some solid results. After a first batch of smaller rubies, next up larger ones of up to 10 mm were grown.

While cutting one of these large rubies to set into a ring it was clear that it was still rather flawed, with pockets of flux captured into the crystal, but with the basic method now more or less dialed in it should be possible to address these small flaws as well.

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Neo-Cyclostyle: Automatic Document Copying Devices In 1890

Using the special pens to remove the wax coating on the template. (Credit: Old Typerwriters and Calculators, YouTube)
Using the special pens to remove the wax coating on the template. (Credit: Old Typerwriters and Calculators, YouTube)

Document duplication has been a highly desirable feature long before medieval monks slaved over yet another illuminated manuscript by flickering candlelight. Fortunately, one part of the Industrial Revolution was the invention of machines like Cyclostyle copying machines, which covered a range of manual and automated devices. One such crank-powered device from 1890 is demonstrated in this video.

The Cyclostyle and neo-Cyclostyle copying system was quite simple yet elegant: by removing the wax coating on a special piece of paper, ink from a screen-printing system could be pressed through the resulting template, and allow for repeat copies to be made.

With the machine demonstrated in the video, the ink is applied to the top rollers, with the lower roller inking itself on them during the retraction cycle, before applying the fresh ink to the screen on the cycle following the insertion of a fresh piece of paper to print on. With this method, many copies of the design on the waxed template could be made before it had to be replaced, which would have saved countless hours of work by artists.

After the machine in the video, more advanced designs were developed, some of which we covered previously. These would automate more parts of the process, making it faster and more precise, before being replaced by newer technologies.

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