A Medium Format Camera From Scratch

Film photography may now be something so outdated as to be unknown to our younger readers, but as an analogue medium it has enjoyed a steady enthusiast revival. There is still a bonanza of second-hand cameras from the days when it was king to be found, but for some photographers it’s preferable to experiment with their own designs. Among them is Reddit user [elelcoolbeenz], who has produced their own medium format camera for 120 roll film.

The camera has a plastic 3D printed body and a single meniscus lens, and perhaps most interestingly, a 3D printed shutter too. It’s heavily reminiscent of the Holga and Lomo plastic cameras that have carved a niche for themselves, and it gives the same photographic effects from its dubious quality optics.

There’s a snag of course, that the STLs are not yet available We say not yet, because this comes with a detailed explanation in that further work is required on the shutter and a more commonly available lens is found rather than a one-off. We still think it’s worthy of featuring at this stage though, because it serves to illustrate that building a camera is not impossible. We’d love to see more of them, though we expect few of them to go to the lengths this aluminium one did.

Medium Format Camera, From Scratch

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[Peter Johansson] has taken it upon himself to build a medium format camera, from scratch. We know this is a shock to some of you, but this camera uses traditional medium. There is no sensor. He will be loading it with (gasps) film. He bought the lenses pre made, but everything else is being constructed by himself. Probably the most notable parts are the aperture and the shutter. The project is about 80% complete right now. We can’t wait to see it finished.

[via Makezine]

Information Density: Microfilm And Microfiche

Today, we think nothing of sticking thousands of pages of documents on a tiny SD card, or just pushing it out to some cloud service. But for decades, this wasn’t possible. Yet companies still generated huge piles of paper. What could be done? The short answer is: microfilm.

However, the long answer is quite a bit more complicated. Microfilm is, technically, a common case of the more generic microform. A microform is a photographically reduced document on film. A bunch of pages on a reel of film is microfilm. If it is on a flat card — usually the size of an index card — that’s microfiche. On top of that, there were a few other incidental formats. Aperture cards were computer punch cards with a bit of microfilm included. Microcards were like microfiche, but printed on cardboard instead of film.

In its heyday, people used specialized cameras, some made to read fanfold computer printer paper, to create microfilm. There were also computer output devices that could create microfilm directly.

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Falling Down The Land Camera Rabbit Hole

It was such an innocent purchase, a slightly grubby and scuffed grey plastic box with the word “P O L A R O I D” intriguingly printed along its top edge. For a little more than a tenner it was mine, and I’d just bought one of Edwin Land’s instant cameras. The film packs it takes are now a decade out of production, but my Polaroid 104 with its angular 1960s styling and vintage bellows mechanism has all the retro-camera-hacking appeal I need. Straight away I 3D printed an adapter and new back allowing me to use 120 roll film in it, convinced I’d discover in myself a medium format photographic genius.

But who wouldn’t become fascinated with the film it should have had when faced with such a camera? I have form on this front after all, because a similar chance purchase of a defunct-format movie camera a few years ago led me into re-creating its no-longer-manufactured cartridges. I had to know more, both about the instant photos it would have taken, and those film packs. How did they work? Continue reading “Falling Down The Land Camera Rabbit Hole”

A Single-Pixel Camera Without Moving Parts Using Compressed Sensing

One of the reconstructed images, using all 4,096 matrix patterns as input, next to the original object. (Credit: okooptics, Jon Bumstead)
One of the reconstructed images, using all 4,096 matrix patterns as input, next to the original object. (Credit: okooptics, Jon Bumstead)

There’s a strange allure to single-pixel cameras due to the simultaneous simplicity and yet fascinating features that they can offer, such as no set resolution limit. That said, the typical implementations that use some kind of scanning (MEMS) mirror or similar approach suffer from various issues even when you’re photographing a perfectly stationary and static scene due to their complex mechanical nature. Yet there’s a way around this, involving a LED matrix and a single photoresistor, as covered by [Jon Bumstead] in an article with accompanying video.

As he points out, this isn’t a new concept, with research papers cited that go back many years. At the core lies the signal processing technique called compressed sensing, which is incidentally also used with computed tomography (CT) and magnetic resonance imaging (MRI) scanners. Compressed sensing enables the reconstruction of a signal from a series of samples, by using existing knowledge of the signal.

In the case of this single-pixel camera, the known information is the illumination, which is a Hadamard matrix pattern displayed on the 64 x 64 pixel LED matrix, ergo 4,096 possible patterns. A total of 4,096 samples are thus recorded, which are subsequently processed with a Matlab script. As pointed out, even 50% of the maximum possible matrices can suffice here, with appropriately chosen patterns.

While not an incredibly fast method, it is fully solid-state, can be adapted to use other wavelengths, and with some tweaking of the used components probably could cut down the sampling time required.

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New Camera Does Realtime Holographic Capture, No Coherent Light Required

Holography is about capturing 3D data from a scene, and being able to reconstruct that scene — preferably in high fidelity. Holography is not a new idea, but engaging in it is not exactly a point-and-shoot affair. One needs coherent light for a start, and it generally only gets touchier from there. But now researchers describe a new kind of holographic camera that can capture a scene better and faster than ever. How much better? The camera goes from scene capture to reconstructed output in under 30 milliseconds, and does it using plain old incoherent light.

The camera and liquid lens is tiny. Together with the computation back end, they can make a holographic capture of a scene in under 30 milliseconds.

The new camera is a two-part affair: acquisition, and calculation. Acquisition consists of a camera with a custom electrically-driven liquid lens design that captures a focal stack of a scene within 15 ms. The back end is a deep learning neural network system (FS-Net) which accepts the camera data and computes a high-fidelity RGB hologram of the scene in about 13 ms.  How good are the results? They beat other methods, and reconstruction of the scene using the data looks really, really good.

One might wonder what makes this different from, say, a 3D scene captured by a stereoscopic camera, or with an RGB depth camera (like the now-discontinued Intel RealSense). Those methods capture 2D imagery from a single perspective, combined with depth data to give an understanding of a scene’s physical layout.

Holography by contrast captures a scene’s wavefront information, which is to say it captures not just where light is coming from, but how it bends and interferes. This information can be used to optically reconstruct a scene in a way data from other sources cannot; for example allowing one to shift perspective and focus.

Being able to capture holographic data in such a way significantly lowers the bar for development and experimentation in holography — something that’s traditionally been tricky to pull off for the home gamer.

A 3D Printed Camera You Can Now Download, Shutter And All

A couple of years ago we were excited to read news of an entirely 3D printed camera, right down to the shutter. We wrote it up back then but sadly the required STL files were not yet available. Now after time away with his family, its creator [Mark Hiltz] is back. The medium-format Pioneer Camera can now be downloaded for printing in its entirety under a Creative Commons licence.

Looking at the design, it appears to be a relatively straightforward build. The shutter is extremely simple, as far as we can see, relying on magnets to ensure that the open part of its rotation is at an unstable repulsing point between stable magnetic poles. The images aren’t perfect because he’s using a very simple lens, but this is part of the charm of a camera like this one. We hope that people will take it and produce refinements to the design making for a cheap and good entry to medium format photography.

While you’re printing your own Pioneer, take a look at our original coverage.