Camera Gantry Rides On Garage Door Tracks

For as many garage and workshop videos we feature here on Hackaday, we’re surprised we haven’t seen this sooner.

[Todd] makes a bunch of videos in his garage shop, but using a tripod is a pain; he’s always tripping over his camera setup and it is just generally in the way all the time. His solution was to mount his camera to an overhead gantry, using the unused tracks for his garage door to move the camera around his workshop.

The build started with [Todd] taking his tripod and fabbing a mounting plate for it to be suspended in mid-air. This would leave the camera upside-down, so [Todd] also made a 90 degree bracket with a 1/4-20 bolt to hold the camera in position.

The actual gantry part of the build is fairly clever. First, [Todd] got a piece of square tubing the same length as the distance between his two garage door tracks. He made a truck that rides on six casters for this tube, then mounted this tube on garage door wheels.

The result allow [Todd] to move his camera anywhere within the footprint of his garage door tracks, including over his workbench and welding area. An ingeniously useful build that’s sure to provide a stable platform for his vlog-type thingies.

Vidia after the break.

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Gyrocam Keeps The Horizon Level Even When The Camera Isn’t

[Derek] likes to get a little bit of drivers-eye footage when racing his motorcycle, but there’s an inherent problem with mounting a camera to a moving and tilting platform. When he leans into turns, the camera can’t keep the horizon level. Cinematography and electronics go well together. so [Derek] built a horizon-stabilized camera mount for motorcycle videography.

The build was inspired by footage shot from [Valentino Rossi’s bike in 2010. Of course the professional model costs a small fortune, but [Derek] managed to make his own out of 3D printed parts and a hobby servo.

Based on the Contour Roam camera, [Derek] had a pair of gears printed at Shapeways to fit over the camera and attach to a servo. The electronics are an ATMega32 with a L3G4200D gyroscope. When the ‘micro detects a change in the gyroscope it rotates the servo in the opposite direction, keeping the horizon in the video level.

It’s a very cool build, and judging from the action videos after the break, makes for awesome track footage.

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Traffic Camera Countermeasure

Don’t get us wrong, we drive very carefully as it’s the most dangerous thing we do on a regular basis. But even a careful driver can get caught by bad traffic and a red light camera. These are devices that monitor intersections. If you get caught in the middle when the light goes red they take a picture and you get a ticket in the mail. Well, that’s the way it used to be. This traffic camera countermeasure puts it to an end. As you can see, the noPhoto uses a flash of its own to overexpose traffic camera images.

The image above shows the prototype. The foil is reflecting a flash on either side onto the license plate using a flash sensor which acts as the trigger. According to the demo video after the break, the system can even defeat the pre-flash, and dual-photo types of cameras.

There are pretty tight restrictions on using lights on your vehicles (colors, placement, etc.). We wonder if this passes muster?

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Tripod Mount Anything!

webcam-mounted

[Shawn] wrote in to tell us about his extremely simple method he used for mounting a webcam on a tripod. His article explains it better, but the basic premise is to glue a 1/4 – 20 nut onto the bottom of it. The hack-worthiness of this could be in question, but the technique could come in handy at some point.

After seeing this tip, I was reminded of a slightly crazier, if effective mount that I made for my state of the art Env2 phone. Referenced in a links post in March, it was made of a 2×4 with a 1/2 inch slot milled in it.  After some thought, it was drilled and tapped for a 1/4 – 20 bolt in the other side to mount it on a tripod. So this could be an option in very limited circumstances.

On the other hand, if you want something a bit more hack-worthy, why not check out this motorized camera rig that we featured in July. Sure, it’s more complicated than gluing a nut onto a webcam, but at least it still uses 2 x 4s in it’s mounting hardware!

Papercraft Flash Reflector

We never use the flash on our point-and-shoot. It has a way of washing out every image we take. But [Joey] has a different solution to the problem. He shows us how to make a papercraft flash reflector that will still light up your subject without washing out everything in the foreground.

[Joey] is perfectly aware that at first glance it would seem you need to have a reflective forehead for this to work. But the reflector is actually set up to aim the flash toward the ceiling. Since most ceilings are white this will reflect the light back into the room, dispersing it at the same time. His write-up includes a link to a PDF of the pattern. After cutting it out, one side is coated in black electrical tape, the other is left white to reflect the light. The design includes a tab that slides into the hot shoe of his Nikon DSLR to position it in front of the pop-up flash.

How To Add Audio In To The Sony NEX-5 Line Of DSLR Cameras

[Tynan] loves his Sony NEX-5 camera but he’s fed up with not being able to choose any external microphone when recording video. Recently he set out to remedy that, and managed to add an audio in jack without modify the camera itself.

The real trick here is to modify how a microphone accessory connects to the camera. In [Tynan’s] tutorial video (embedded after the break) he uses the enclosure from a flash module as a connector. After removing the electronics he’s left with plenty of room for the guts of a Sony microphone accessory. Those include the PCB and wiring, but not the microphone element itself. A 3.5mm audio jack is added to the flash case, and soldered to the microphone cable. Now he has a modular audio-in jack. The only problem is that his tinkering resulted in mono only. If you don’t mind spending a bit more time reverse engineering the scrapped microphone we bet you can parlay that into a true stereo option.

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Binoculars As A Zoom Lens

It may seem trivial at first, but the effect [Dan] gets when using binoculars as a telephoto lens is surprising. The images are well in focus with great colors. This technique not only brings your subject mater closer but also provides a depth-of-focus feature not normally available on simple cameras or camera phones.

The proof is in the example footage found after the break, but you’ll also find a video tutorial detailing the build. [Dan] already had the expensive components are a pair of mini binoculars and a Kodak Zx3 pocket camcorder. The camcorder is the same form factor as a smart phone so using different hardware will be a breeze. He started off by building a prototype out of paper. Basically it’s a bracket that properly aligns the camera with one lens of the binoculars. Once he had everything lined up he transferred his measurements to some sheet metal. The bracket for the binoculars is attached to the one for the camera using bolts and wing nuts to make it adjustable. One important part of the design is to gut a hole for access to the binocular focus wheel.

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