Truly new musical instruments don’t come along every day; much of the low hanging fruit has already been taken. [Simon the Magpie] has been working on something that’s just a little innovative, and built what he refers to as an “Incredible Horror Instrument.” It’s all about feedback.
The build started with the Suzuki Andes 25F, a so-called “keyboard recorder.” It has the appearance of a melodion but produces flute-like sounds. [Simon]’s idea was to combine the breath-powered instrument with a talk box. If you’re unfamiliar, a talk box is designed for playing amplified guitar sounds through a tube that is placed in a player’s mouth so they can “shape” the guitar sound with their mouth.
In this role, though, the talk box’s input is hooked up to a microphone which captures the output of the Andes 25F. It then plays this back through a tube connected to the breath input of the Andes 25F. [Simon] thus created a feedback look that can effectively be “played” via the keyboard on the Andes 25F.
The audible results are eerie and haunting, and seem more than fitting for even a well-budgeted horror film. [Simon] also demonstrates some neat possibilities when combining the setup with a further feedback loop that feeds in other tones.
We’ve covered [Simon’s] work before; it’s often noisy and always entertaining. Video after the break.
Continue reading “Horror Instrument Is Truly Astounding To Listen To”
Back in the 70s, you couldn’t swing a macrame plant hanger around a record store without knocking over numerous displays of albums featuring talkboxes. They were all over 70s music, kind of like how almost every 80s song has a sax solo and/or Michael McDonald on backing vocals. Not sure you’ve heard one being used? Trust us, you definitely have and just don’t realize it.
Talkboxes are essentially an amplifier and a speaker contained in a box. The speaker is the acoustic diaphragm type used in bullhorns and civil defense sirens. You run your guitar, keyboard, or electrified hurdy gurdy into the box, and instead of driving a horn, the sound travels up a clear plastic tube and into your mouth. Your mouth, fine resonant cavity that it is, becomes the final effect pedal. Any way you can manipulate it will shape the sound coming from the instrument. Flap those lips, and suddenly you’re talking like a robot. Who wouldn’t want one of these?
So they aren’t complicated, but you wouldn’t know it from the price of commercial ones. [mosivers] really digs the sound and wanted to build one, so he scoured the internet to figure out how to do so properly and shared his findings in this Instructable. The most important bit is the compression driver. The drivers that featured in the original talkboxes aren’t made anymore, but there are suitable replacements for ~$40.
The next most important part is a high-pass filter to keep really low frequencies from damaging the driver. After that it’s down to the amplifier, some passives, and the all-important tube. You could laser cut an enclosure as [mosivers] did, or be the first person in history to reuse a Danish butter cookie tin for something other than sewing supplies. Boogie on down past the break and let’s groove tonight.
Speaking of the 80s, here’s a DIY talkbox built on a Game Boy.
Continue reading “DIY Talkbox Gives You More Bounce To The Ounce”
Have you ever listened to a song and wondered how they created the robotic-sounding vocals? There’s a huge variety of ways to do so. [scythe1005] decided to take their inspiration from rock history, creating a Game Boy powered talkbox (Japanese, Google Translate recommended for those that don’t speak the language).
Human speech is generated when vibrations from the vocal chords are shaped into intelligible sounds by the motion of the mouth, tongue, and other body parts known as “articulators”. A talkbox creates robotic speech sounds by using the articulators while replacing the vibrations from the vocal chords with alternative source.
A talkbox is a device most typically used with the electric guitar. The signal from the electric guitar is amplified and played through a speaker or transducer connected to a tube that is placed in the user’s mouth. The user then proceeds to mouth the desired words they wish to say, with the vibrations provided by the guitar’s signal instead of the vocal chords. A popular example of this is Peter Frampton’s use of the talkbox in Do You Feel Like We Do.
[scythe1005] used the same basic bones in their design, using a Game Boy to feed sound into a basic audio amplifier kit and a transducer connected to a tube. This gives a very 1980s synth sound to the vocals. It’s a simple build in concept but one we haven’t seen a whole lot of before. Using off-the-shelf modules, you could build something similar in a weekend. Also featured in the video is an ArduinoBoy — a useful way of controlling a Game Boy over MIDI. It’s used here to interface the keyboard to the handheld console. Video below the break.
As we’ve seen before, the Game Boy is an incredibly popular platform for music — chiptune artists regularly modify the device for better sound.
Continue reading “Talk Like A Game Boy, Sting Like A Beep”