There’s an especially large focus on 3D displays. Projecting onto screens, droplets of water, spinning objects, and even plasma combustion are covered. But so are the funny physical displays: flip-dots, pin-cushions, and even servo-driven “pixels”.
We really liked the section on LCDs with modified polarization layers — we’ve seen some cool hacks using that gimmick, but the art pieces he dredged up look even better. Makes us want to take a second look at that busted LCD screen in the basement.
We’re big fans of the bright and blinky, so it’s no surprise that [Blair] got a bunch of his examples from these very pages. And we’ve covered [Blair]’s work as well: both his Wobbulator and his “Color a Sound” projects. Hackaday: your one-stop-shop for freaky pixels.
[Blair]’s list looks pretty complete to us, but there’s always more out there. What oddball displays are missing? What’s the strangest or coolest display you’ve ever seen?
How often do you think deeply about the products around you? How about those you owned five years ago? Ten? The Cicada — brainchild of [Daniel Kerris] — is an art piece that aims to have the observer reflect on consumer culture, buyer’s remorse, and wanting what we cannot have.
The Cicada consists of an ultrasonic sensor feeding data to a Raspberry pi which — calculating the distance of an approaching human — either speeds up or slows down a servo motor connected to a General Electric Walkman’s cassette speed potentiometer. Upon detecting someone approaching, The Cicada begins to loop the chorus of Celine Dion’s “I Will Always Love You”. As you move closer, the tape speed slows, and there is a transition from love at first sight to nightmarish drawl as the music slows.
Before the information age, it wasn’t quite as easy to glean information about the weather. Sure, there were thermometers and barometers and rhymes about the sky, but if you lived in or near Germany back then you might have also had access to something called a “weather house” which could help predict rain. [Moritz] aka [Thinksilicon] found one of these antequated devices laying around, and went about modernizing it. (Google Translate from German)
A traditional weather house is essentially a hygrometer housed in an intricate piece of artwork. Two figures, typically a man and woman, are balanced on a platform that is suspended in the middle by a small section of horsehair. When the humidity is low, the hair tightens up and turns the platform one way, and when humidity is high — suggesting rain is coming — it turns the other way. When the man comes out of the house, it predicts rainfall.
To get the weather house upgraded, [Moritz] outfitted the front with an OLED display which replaced the traditional thermometer. Instead of using horsehair to spin the figures he installed a small servo on the platform. The entire house is controlled by an ESP8266 which pulls data from the Open Weather API and spins the figures based on the information it receives.
Beautifully documented, modular, and completely open-source, this split flap display project by [JON-A-TRON] uses 3D printing, laser cutting and engraving, and parts anyone can find online to make a device that looks as sharp as it is brilliantly designed. Also, it appears to be a commentary on our modern culture since this beautifully engineered, highly complex device is limited to communicating via three-letter combos and cat pictures (or cat video, if you hold the button down!) As [JON-A-TRON] puts it, “Why use high-resolution, multi-functional devices when you can get back to your industrial revolution roots?” Video is embedded below.
The Amoreiras Tower, in Lisbon, Portugal, recently added a rooftop viewing area that is open to the public. The top of the tower is one of the highest spots in the city, and the viewing area gives an impressive 360º view of the surrounding area. However, the elevator to get to the top left a lot to be desired. It’s an interior elevator, and didn’t itself offer any view.
So, Artica, along with Schindler, were brought in to solve that problem. The solution was to mount displays on the interior of the elevator, in order to simulate a 360º panoramic view of the city outside. The video is synced up with the elevator, so the view changes as the elevator passengers move up and down between floors.
Artica, who was responsible for the concept, design, and electronics installation accomplished this by first building a prototype in their office building. This was a full-size elevator replica with which they could test the design and get it ready for installation. They then partnered with Schindler to actually install the system in the elevator of the Amoreiras Tower, which necessitated almost completely rebuilding the elevator. As you can see in the video, the resulting view and accompanying music (definitely not elevator music) are fantastic, and it was even done in time for the public opening of the rooftop viewing area.
Like us, you may be wondering where the video footage came from. The scene moves in apparent parallax so video was obviously captured with continuous motion and isn’t a scrolling image. This is the work of a camera toting drone.
Tattoos are an ancient art, and as with most art, is usually the domain of human expertise. The delicate touch required takes years to master, but with the capacity for perfect accuracy and precision movements, enlisting a robotic arm and some clever software to tattoo a willing canvas is one step closer thanks to the efforts of [Pierre Emm] and [Johan da Silveira].
They began by using a 3D printer modified to ‘print’ with a tattoo needle. Catching the interest of the Applied Research Lab at Autodesk, the next logical step was to use an industrial robot arm get a human under the tattooing machine — dubbed Tatoué — after scanning the limb in question and loading it into Dynamo, their parametric design environment to map the design onto the virtual limb.
There is an artistic technique known as stippling where an artist creates a picture using small dots of ink or paint. The result is almost like using a dot matrix printer at low resolution. [Paul Kry] at McGill University doesn’t directly teach art, but he did teach drones to produce pictures using the stippling technique.
As you can see in the video below, the drones carry an ink-soaked sponge. Internal sensors and a motion capture system get them to the right spot and then they move to put the ink down on the work surface. It isn’t perfect, but it does make recognizable drawings and presumably a little inconsistency makes it even more artsy.