How do you consume your music, these days? Aside from on the radio, that is. Do you play MP3 or other files on your phone and computer, or perhaps do you stream from an online service? If you’re really at the cutting edge though you’ll do none of those things, because you’ll be playing it on vinyl.
A few years ago reporting on a resurgence of sales of vinyl records was something you would never have expected to see, but consumer tastes are unpredictable. Our red-trousered and extravagantly bearded hipster friends have rediscovered the glories of the format, and as a result it’s popping up everywhere. For those of us who are old enough to have genuinely been into the format before it was cool again, the sight of Sergeant Pepper and Led Zeppelin II on 12″ at outrageous prices on a stand at the local supermarket is a source of amusement. It’s good to see your first love back in vogue again, but is it really the £20($25) per album kind of good?
With the turntable having disappeared as an integral part of the typical hi-fi setup the new vinyl enthusiast is faced with a poor choice of equipment. Often the best available without spending serious money at an audiophile store is a USB device with the cheapest possible manufacture, from which the playback will be mediocre at best. We’ve lost the body of collective knowledge about what makes a good turntable to almost thirty years of CDs and MP3s, so perhaps it’s time for a quick primer.
Those of us who prefer to drive older cars often have to make sacrifices in the entertainment system department to realize the benefits of not having a car payment. The latest cars have all the bells and whistles, while the cars of us tightwads predate the iPod revolution and many lack even an auxiliary input jack. Tightwads who are also hackers often remedy this with conversion projects, like this very slick Bluetooth conversion on a Jeep radio.
There are plenty of ways to go about piping your favorite tunes from a phone to an old car stereo, but few are as nicely integrated as [Parker Dillmann]’s project. An aftermarket radio of newer vintage than the OEM stereo in his 1999 Jeep would be one way to go, but there’s no sport in that, and besides, fancy stereos are easy pickings from soft-top vehicles. [Parker] was so determined to hack the original stereo that he bought a duplicate unit off eBay so he could reverse engineer it on the bench. What’s really impressive is the way [Parker] integrates the Bluetooth without any change to OEM functionality, which required a custom PCB to host an audio level shifter and input switch. He documents his efforts very thoroughly in the video after the break, but fair warning of a Rickroll near the end.
So many of these hacks highjack the tape deck or CD input, but thanks to his sleuthing and building skills, [Parker] has added functionality without sacrificing anything.
The exquisitely named ‘S³-6R’ synthesizer is a six-voice phase modulation synthesizer that outputs very high resolution (24-bit and 96 kHz) audio. It’s the product of R-MONO Lab, who have displayed interesting musical devices such as a recorder-based pipe organ in the past. This build is a bit more complex, offering up some amazing sounds, all generated on a Raspberry Pi 3.
While talk of oscillators and filters is great, what’s really interesting here is the keyboard itself. The S³-6R is using the Roland K-25m, a tiny MIDI keyboard meant to serve as a ‘dock’ of sorts for Roland’s recent re-releases of the classic Jupiter and Juno synths. Building a MIDI keyboard is not easy by any stretch of the imagination, and using this little keyboard dock is a cheap way to pipe MIDI notes into any project without a lot of fuss.
Below, you can check out the audio demos of the S³-6R. It’s a real synth and sounds great. We can only hope the software will be uploaded somewhere eventually.
A pleasing development for those with an interest in audio equipment from decades past has been the recent resurgence in popularity of vinyl records. Whether you cleave to the view that they possess better sound quality or you simply like the experience of a 12″ disk with full-size cover art and sleeve notes, you can now indulge yourself with good old-fashioned LPs being back on the shelves.
Behind the LEDs is the trusty LM3915, an integrated circuit which will no doubt be familiar to any reader whose earlier life was spent among 1970s and 1980s audio gear. Internally it’s a stack of comparators and a resistor ladder, and it simply turns on the required number of outputs to match the level on its input. He’s put a pair of them on a little PCB with an associated PSU regulator, and mounted the LEDs in a row of holes drilled in the MDF base board of the turntable following the edge of the platter. Power and audio come from the turntable’s circuit board, which contains a preamplifier and the USB audio circuitry. A traditional turntable with a low-level output would not be able to drive an LM3915 directly.
This is a relatively straightforward project and the turntable itself isn’t necessarily the most accomplished on the market, but it’s very neatly executed and looks rather pretty.
One of the problems that has accompanied the advent of ever more complex home entertainment systems is the complexity of the burgeoning stack of remote controls that manifest themselves alongside your system. It doesn’t matter if you have a fancy does-the-lot universal remote, you are still left with a slew of functions to perform before you can sit down to enjoy the music.
[Robert Cowan] had this problem with his whole-house audio system. Playing music required a fiddle with the remote, and the moment was gone. What was needed was an automatic system that simply issued the relevant commands to the stereo without all the fuss.
His solution was to have everything happen when an audio output was detected from his Sonos Connect streaming media player. He tried rectifying its line output to detect music but hit problems, so instead used a SparkFun audio detector module. This in turn speaks to an Arduino, which then talks via a level shifter to the stereo’s RS232 port. [Robert] included all the relevant parts, schematic, and software is links in the video description. It’s a project that should almost be a feature built into a decent stereo, yet the manufacturers prefer the awful interfaces of their remote controls.
You try to be good, but the temptation to drown out the noise of parenthood with some great tunes is just too much to resist. The music washes over you, bringing you back to simpler times. But alas, once you plug in the kids started running amok, and now the house is on fire and there’s the cleaning up to do and all that paperwork. Maybe you should have tried modifying a baby monitor to interrupt your music in case of emergency?
Starting with an off-the-shelf baby monitor, [Ben Heck] takes us through the design goals and does a quick teardown of the circuit. A simple audio switching circuit is breadboarded using an ADG436 dual SPDT chip to allow either the baby monitor audio or music fed from your favorite source through to the output. [Ben] wisely chose the path of least resistance to detecting baby noise by using the volume indicating LEDs on the monitor. A 555 one-shot trips for a few seconds when there’s enough noise, which switches the music off and lets you listen in on [Junior]. The nice touch is that all the added components fit nicely in the roomy case and are powered off the monitor’s supply.
On the hardware front, it’s a tiny four-layer board that’s crammed with parts. At the core is an STM32F4 microcontroller and a DAC. Indeed, the build was inspired by other folks’ work on the STM32F4 Discovery dev kit that has been used to make some pretty interesting synthesizer devices. [Mario]’s version adds two stereo headphone outputs, two microphone inputs, two IR reflective distance sensors used as control inputs, some buttons, and a ton of LEDs. And then it makes good use of all of them.
The firmware isn’t open source yet (poke! poke!) but it looks like it’s going to be. On his blog, [Mario] works through an example of adding a drum machine into the existing firmware, so it looks like it’ll be hackable.
Squeezing a lot of DSP functionality out of a single microcontroller is a feat. On a similar chip from a different manufacturer, [Paul Stoffregen]’s Teensy Audio Library could also be made to do a lot of the same things. But the real beauty of the Gecho project is that it has some interesting hardware features already built in and ready to go. It wouldn’t be a bad launching pad for your own musical or audio explorations.