Raspberry Pi Zero Powers Custom Camera Platform

These days, most of us are carrying a fairly impressive digital camera with us at all times. But as capable as the hardware and software of a modern smartphone may be, there’s still plenty of reasons you may want a “real” camera to go along with it. The larger sensor, advanced controls, and selection of lenses that you’ll get with even a relatively cheap camera opens up a world of artistic possibilities.

If you’re really into chasing that perfect shot, you can even build your own digital camera these days. This design from [Jacob Cunningham] may not be able to go shot-for-shot against a Canon or Nikon in its current state, but we think you’ll agree there’s a lot of potential here — especially for something pieced together with modular components and perfboard.

Inside the 3D printed enclosure is a Raspberry Pi Zero, a Pi HQ Camera module, an 1.5″ OLED display, a lithium-ion battery pouch cell, and the charging and voltage regulation boards necessary to keep everything powered up. There’s also a handful of tactile buttons to work through the settings and menus, and a 10-axis IMU to help you keep your horizon level.

[Jacob] figures the whole thing comes in at around at $185.00, though naturally that number could go up or down considerably depending on what you’ve already got in the parts bin and what kind of lenses you add to the mix.

The hardware side of things looks more or less complete, at least for a first version, and [Jacob] has provided everything you’ll need to build one of your own. But the software is still a work in progress, with the latest push to the Python code in the project’s GitHub repository just eight hours old at the time of this writing. If you’ve been looking for a DIY camera project to really sink your teeth into, this could provide a great starting point.

If you’re more interested in moving pictures, we recently covered the CinePi project, which aims to develop an open source cinema-quality camera that you won’t need studio backing to afford.

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Stereoscopic Macro Lens Shows Two Is Better Than One

You’d be forgiven if you thought [Nicholas Sherlock’s] new lens design was a macro lens that was 3D printed. In fact, it is, but it is also a macro lens that takes 3D images using two different cameras. If you have a pair of Sony E/FEs, you can 3D print your own copy today. If you don’t, you might have to adjust the design or wait for future releases. In any event, you are sure to enjoy the example photos, and there’s a video review of the device you can watch below.

The design merges two 4x microscope lenses to provide a 2X stereo image with a 5mm baseline. As you might expect, the secret is a prism in the assembly that allows one camera to shoot directly at the subject and the other to shoot with a 5mm offset. This is trickier than you might think because the cameras shift the image some, also.

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Falsified Photos: Fooling Adobe’s Cryptographically-Signed Metadata

Last week, we wrote about the Leica M11-P, the world’s first camera with Adobe’s Content Authenticity Initiative (CAI) credentials baked into every shot. Essentially, each file is signed with Leica’s encryption key such that any changes to the image, whether edits to the photo itself or the metadata, are tracked. The goal is to not only prove ownership, but that photos are real — not tampered with or AI-generated. At least, that’s the main selling point.

Although the CAI has been around since 2019, it’s adoption is far from widespread. Only a handful of programs support it, although this list includes Photoshop, and its unlikely anybody outside the professional photography space was aware of it until recently. This isn’t too surprising, as it really isn’t relevant to the casual shooter — when I take a shot to upload to Instagram, I’m rarely thinking about whether or not I’ll need cryptographic proof that the photo wasn’t edited — usually adding #nofilter to the description is enough. Where the CAI is supposed to shine, however, is in the world of photojournalism. The idea is that a photographer can capture an image that is signed at the time of creation and maintains a tamper-proof log of any edits made. When the final image is sold to a news publisher or viewed by a reader online, they are able to view that data.

At this point, there are two thoughts you might have (or, at least, there are two thoughts I had upon learning about the CAI)

  1. Do I care that a photo is cryptographically signed?
  2. This sounds easy to break.

Well, after some messing around with the CAI tools, I have some answers for you.

  1. No, you don’t.
  2. Yes, it is.

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Sometimes It’s Worth Waiting: Kodak Finally Release Their Super 8 Camera

Think of all those promised products that looked so good and were eagerly awaited, but never materialized. Have you ever backed a Kickstarter project in the vain hope that one day your novelty 3D printer might appear? Good luck with the wait! But sometimes, just sometimes, a product everyone thought was dead and gone pops up unexpectedly.

So it is with Kodak’s infamous new Super 8 camera, which they announced in 2018 and had the world of film geeks salivating over, then went quiet on. It’s abandoned, we all thought, and then suddenly five years later it isn’t. If you really must have the latest in analog film-making gear, you can put your name down to order one now.

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CinePi Project Promises Open Source Movie Making

Today, there’s open source options for pretty much anything mainstream, but that doesn’t mean there aren’t still some niches out there that could benefit from the libre treatment. The CinePi project is a perfect example — before today we didn’t even know that an open hardware and software cinema-quality camera was out there. But now that we do, we can’t wait to see what the community does with it.

Inside the 3D printed enclosure of the CinePi, there’s a Raspberry Pi 4 with HQ camera module, a four-inch touch screen, a Zero2Go power supply with four 18650 cells, and a Notcua fan to keep it all cool. The design intentionally favors modules that are easy to source from the usual online sources. You’ll need to be handy with a soldering iron to follow along with the beautifully photographed assembly guide, but there’s nothing that needs to be custom fabricated to complete the build.

The software was clearly developed with the user experience in mind, and in the video below, you can see how its touch interface makes it easy to change settings on the fly. While an amateur auteur might need to enlist the assistance of their geeky friend to build the CinePi, it doesn’t look like they’ll need them around to help operate it.

Of course, the big question with a project like this: what does the video actually look like? Well the technical answer is that, in terms of raw performance, the CinePi is able to capture 3840 x 2160 CinemaDNG video to an external device such as a NVME SSD or a CFExpress Card at 25 frames per second. But what that actually looks like is going to depend on what kind of post-processing you do to it. For the more practical answer, check out the short film TIMEKEEPER which was shot partially on a CinePi.

If this all looks a bit high-tech for your liking, don’t worry. You could always 3D print yourself a 35 mm movie camera instead.

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A Camera That Signs Off Your Pictures

We’ll admit we’ve kicked around the idea of a camera that digitally signs a picture so you could prove it hasn’t been altered and things like the time and place the photo was taken for years. Apparently, products are starting to hit the market, and Spectrum reports on a Leica that, though it will set you back nearly $10,000, can produce pictures with cryptographic signatures.

This isn’t something Leica made up. In 2019, a consortium known as the Content Authenticity Initiative set out to establish a standard for this sort of thing. The founders are no surprise: The New York Times, Adobe, and Twitter. There are 200 companies involved now, although Twitter — now X — has left.

The problem, the post notes, is that software support is limited. There are only a few programs that recognize and process digital signatures. That’ll change, of course, and — we imagine — if you needed to prove the provenance of a photo in court, you’d just buy the right software you needed.

We haven’t dug into the technology, but presumably keeping the private key secure will be very important. The consortium is clear that the technology is not about managing rights, and it is possible to label a picture anonymously. The signature can identify if an image was taken with a camera or generated by AI and details about how it was taken. It also can detect any attempt to tamper with the image. Compliant programs can make modifications, but they will be traceable through the cryptographic record.

Will it work? Probably. Can it be broken? We don’t know, but we wouldn’t bet that it couldn’t without a lot more reading. PDF signatures can be hacked. Our experience is that not much is truly unhackable.

Probably The Largest Selfie Camera In The World

Most readers will have some idea of how a camera works, with a lens placed in front of a piece of film or an electronic sensor, and the distance between the two adjusted until the images is in focus. The word “camera” is a shortening of “camera obscura”, the Latin for “dark room”, as some early such devices were darkened rooms in which the image was projected onto a rear wall. [David White], a lecturer at Falmouth University in the UK has created a modern-day portable camera obscura using a garden gazebo frame, and uniquely for a camera obscura, it can be used to take selfies.

As might be expected the gazebo frame covered with a dark fabric forms the “room”, and the surface on which the image is formed comes from a projection screen. The lens is a custom-made 790 mm f/5.4, not exactly the type of lens found off-the-shelf. The selfie part comes from a Canon digital camera inside the gazebo focused on the frame, using its Wi-Fi control app a subject can sit at the appropriate point in front of the lens and take the selfie as they see fit.

The resulting images have a pleasing ethereal feel to them, and while it’s definitely not the most practical taker of snaps it’s still very much a camera to be impressed by. We’d be curious to see how it would perform as a pinhole camera, and even though it’s nowhere near the 2006 record pinhole image taken using an abandoned US Marine Corps aircraft hangar we think it would still deliver when given enough light. Meanwhile this isn’t the first time we’ve shown you a camera obscura, here’s one using the back of a U-Haul truck.