Reverse Engineering A Stylophone

The Stylophone – a musical toy from the 60s – is a surprisingly simple piece of engineering. With a simple metallic keyboard played with a stylus and just a handful of transistors, the Stylophone was able to produce a few marvelous for their time sounds, and is the equivalent of a pre-[Stradivarius] violin for the electronic music scene. [Simon] tore apart an original Stylophone, and did a complete teardown of the circuit, going over the ins and outs of why this ancient noise box is so cool.

There have been quite a few DIY Stylophone clones, but all of them suffered from the same raspy sound made by a 555 timer chip slightly misguided makers used instead of the relaxation oscillator (in the pic seen above) used in the original. Aside from the oscillator connect to the RC circuit of the metallic keyboard, [Simon] also looked into the vibrato circuit. This is just a simple oscillator producing an 8 Hz sine-ish wave. The keyboard, of course, is connected to the circuit with an array of resistors which [Simon] happily provided the values for.

[Simon] put up a schematic of his reverse engineered Stylophone, allowing you to clone this ancient electronic instrument. If you can source the transistors, that is.

MIDI Swiss Army Knife Built From An MSP430

[youtube=http://www.youtube.com/watch?v=0hvQUXcXlEg&w=470]

Hot off the heels of his web server for the TI MSP430, [Rob] shared a MIDI booster pack for the MSP430 LaunchPad, an exceedingly inexpensive and ever more capable microcontroller that is getting somewhat of a cult following.

[Rob]’s MIDI booster pack contains a MIDI in and out port as well as just about whatever MIDI manipulation apps his mind can dream up. So far, [Rob] has a MIDI arpeggiator, a harmonizer, an echo, filter, s MIDI monitor that displays incoming messages on a Nokia LCD, and a controller that interfaces with a light sensor or joystick to manipulate MIDI variables.

Back in the 80s (and 90s, and even into the aughts), a dedicated MIDI arp or harmonizer was a crazy expensive piece of kit, especially considering how simple the device is. Those dedicated rackmount boxes can now be replaced with a TI LaunchPad and [Rob]’s booster pack.

You can check out the arp and harmonizer in action after the break.

Continue reading “MIDI Swiss Army Knife Built From An MSP430”

apoll013

A Replica DJ Controller To Rule Them All

So like many followers of Hackaday, maybe you’re into electronic music. We’d dare to say though that few of you have the dedication of [adamdzak] as he decided to replicate [Sasha]‘s custom controller for the [Abelton Live] software package. Apparently it’s more difficult than taking apart your DJ Hero controller and hacking it to interface songs on your computer.

The “new” controller is named Apollo, and is meant to be a replica of Sasha’s Maven controller. The build process is well laid out in his post, and the results so far look quite incredible. What’s particularly interesting is the effort taken to reverse engineer this device without ever having been able to use it. Both from a mechanical standpoint and trying to figure out how the buttons are used to control the software must have been quite a challenge. Check out the video after the break to see this new controller in action. Continue reading “A Replica DJ Controller To Rule Them All”

[Jeri Ellsworth] On Making Her C64 Bass Keytar

[Jeri Ellsworth] finally set aside some time to talk about the build process for her Commodore 64 bass keytar. We think what started by taking a band saw to the guitar body ended up as a fantastic new instrument.

When she was showing off the project at Maker Faire we really only got a cursory look at what it could do. Her most recent video covers all that went into pulling off the project. Once the bulk of the guitar body was gone she tore the guts out of a dead c64 in order to mate the case with the guitar neck. Always the craftsman, she altered the computer’s badge to preserve the iconic look, then went to work adding pickups to each string using piezo sensors. This was done with Maker Faire in mind because magnetic pickups would have been unreliable around all of the tesla coils one might find at the event. These were amplified and filtered before being processed via an FPGA which connects to the original c64 SID 6581 chip.

Continue reading “[Jeri Ellsworth] On Making Her C64 Bass Keytar”

Turning A Bunch Of Solenoids Into A Performance Of Stomp

Say you have a handful of solenoids, a copy of MaxMSP, an Arduino, and access to a whole bunch of parts in a textile museum. What do you do? If you’re like [Luke], you’ll probably come up with an Arduinofied performance of Stomp, played on dozens of old gears, light fixtures, and various other metal parts.

To control what noise sounds when, [Luke] used a Touch OSC interface running on an iPad to send MIDI information to Ableton. From there, MAX/MSP sends messages to an Arduino to actuate the solenoids on cue. The interface is set up so anyone can make their own compositions by reusing patterns into loops of solenoids making noise. Sure, it’s not the dulcet tones you would expect from a more traditional instrument, but [Luke] manages to put on a good show.

While [Luke]’s instrument may sound overly mechanical and dissonant, it’s entirely possible to replace the objects he’s hitting with the solenoids with something a little more melodious. Putting a few solenoids in a cave wouldn’t be a bad idea; too bad it’s already been done.

Christmas Prep Starts Early: MIDI Control For Strings Of Lights

If you’re planning to outdo yourself with this year’s Christmas decorations now’s the time to start planning. After all, what else have you got going on since the dreadful heat is making outdoor activities a sweat-soaked misery? Take some inspiration from [Tim] who just finished prototyping a wireless MIDI controller for his strings of Christmas lights. You can just see the four spools in the distance which are lighting up as he tickles the ivories.

The wireless link is provided by a WiFi access point which uses its USB port to control the external hardware. This is a USB Bit Whacker board which in turn drives a relay board that was designed to switch mains voltages. The high voltage parts of the rig are housed in a plastic food storage container which hosts two pair of outlets to drive four channels in total. [Tim] is happy with the outcome, which he shows off in the video after the break, and hopes to expand to a total of sixteen channels for this year’s festivities.

Continue reading “Christmas Prep Starts Early: MIDI Control For Strings Of Lights”

Open Source Synth Sounds Awesome

A little bird sent in a tip about a really cool MIDI synth. It’s called the Ambika, and it seems like just the thing to introduce a synth head to the world of soldering.

Compared to an entry-level synthesizer like the microKorg or its ilk, the Ambika is packed full of really cool features that just happen to sound awesome. In addition to the basic saw, square, and sine waves, there is also FM, and wavetable synthesis along with a noise generator, rudimentary voice synth, and a bitcrushed sawtooth wave voice. Really, the sound demos (available after the break) speak for themselves.

The hardware is based on the ATMega644p, a fairly high-powered 8-bit microprocessor notably used in the Sanguino. This synth supports up to 6 voices, each individual voice is contained on a separate circuit board attached to the motherboard.

Of course, the schematics/board files/firmware for the Ambika are freely available along with a pretty amazing set of technical notes. There’s no word on how much the Ambika will cost, but having it available as a kit should make it palatable if you don’t mind spending a Saturday holding an iron.

Tip ‘o the hat to an anon for sending this one in.

Continue reading “Open Source Synth Sounds Awesome”