Music Production Studio In A Box

[Emil Smith] is an electronic music producer in the Greater London area. He spent a lot of time commuting in and out of central London, so he decided to put together COVERT-19, a portable music production studio. After making a couple of prototypes, [Emil] settled on what he needed from his portable studio: a sampler, a sequencer, a synthesizer, a mixer, and a way to record his work.

[Emil] didn’t overlook any details with his mechanical design. Taking the beautiful London weather into account, he designed a laser-cut plywood case that has a neoprene foam gasket to keep water out when closed and put all of the inputs and outputs on the interior of the case. Inside the case, he opted for machine screws with threaded inserts so he could disassemble and reassemble his creation as often as he liked, and he included gas springs to keep the studio open while he’s making music. [Emil] even thought to include ventilation slots to keep the built-in PC cool!

A portable studio is useless without a power supply, so [Emil] taught himself some circuit theory and bought his first soldering iron in order to create the custom power delivery system. Power is supplied by a battery of twelve 18650 cells with switching converters to supply the three different voltages his studio needs. Even with all of his music-making gear, he manages to get about four hours of battery life!

The music-making gear consists of a sequencer and synthesizer as well as a touch-screen NUC PC running Xubuntu. The built-in PC runs software that allows him to mix the audio, apply extra effects, record his creations, and save his patches when he’s done working. The system even has an extra MIDI output and audio input to allow it to incorporate an external synthesizer.

If you’re interested in getting started with MIDI synthesizers, but you’re more interested in building than buying, check out the KELPIE.

Arduino Drums Bring The Noise, No MIDI Required

When looking through existing Arduino drum kit projects, [joekutz] noticed that most of them just used the microcontroller as an input for an existing MIDI device. That’s fine if you’re just looking to build your own hardware interface, but he wondered if it would be possible to forgo the MIDI device completely and actually generate the audio internally.

To be sure, this is a lot to ask of an 8-bit microcontroller, which is probably why nobody does it this way. But [joekutz] wasn’t giving up without a fight. One of the trickiest aspects was storing the samples: the 8-bit, 11.025 KHz mono WAV files ultimately had to be converted into C data arrays with a custom Python script.

Unfortunately, since the samples are essentially part of the drum’s source code, he says distributing the firmware is something of a problem. Though it sounds as though there might be a solution to this soon for those who want to play along at home.

But don’t get the impression that this project is just software. Check out the custom impact sensors lovingly crafted from popsicle sticks and metal cut from soda cans, which have been mated with sections cut out of old DVD-Rs. Actually getting the beats out of the Arduino required the addition of a R2R DAC circuit and a TDA2822 amplifier. In the video after the break, you can hear the results for yourself.

[joekutz] is no stranger to homebrew electronic instruments. When we last heard from him, he was turning a very pink keyboard into his own personal circuit bending playground.

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Hackaday Links: May 24, 2020

We’re saddened to learn of the passing of Gershon Kingsley in December 2019 at the age of 97. The composer and electronic music pioneer was not exactly a household name, but the things he did with the Moog synthesizer, especially the surprise hit “Pop Corn”, which he wrote in 1969, are sure to be familiar. The song has been covered dozens of times, in the process of which the spelling of the name changed to “Popcorn.” We’re most familiar with the 1972 cover by Hot Butter, an earworm from our youth that doesn’t hide the Moog as deeply in the backing instruments as Kingsley did in the original. Or, perhaps you prefer the cover done by a robotic glockenspiel, because robotic glockenspiel.

A few months back, we covered the audacious plan to recover the radio gear from the Titanic. At the time, the potential salvors, Atlanta-based RMS Titanic, Inc., were seeking permission to cut into the submerged remains of the Titanic‘s Marconi room to remove as much of the wireless gear as possible. A federal judge granted permission for the salvage operation last Friday, giving the company the green light to prepare an expedition for this summer. The US government, through the National Oceanic and Atmospheric Administration and the National Park Service, argued strenuously to leave the wreck be and treat it as a tomb for the 1,527 victims. For our part, we had a great discussion about the merits in the comments section of the previous article. Now that it’s a done deal, we’d love to hear what you have to say about this again.

Although life appears to be slowly returning to what passes for normal, that doesn’t mean you might not still have some cycles to spare, especially when the time spent can bolster your skillset. And so if you’re looking to adding FPGAs to your resume, check out this remote lab on FPGA vision systems offered by Bonn-Rhein-Sieg University. The setup allows you to watch lectures, download code examples, and build them on your local computer, and then upload the resulting binaries to real hardware running on the lab’s servers in Germany. It sounds like a great way to get access to FPGA hardware that you’d otherwise have a hard time laying hands on. Or, you know, you could have just come to the 2019 Hackaday Superconference.

Speaking of skill-builders, oscilloscope owners who want to sharpen their skills could do worse than to listen to the advice of a real scope jockey like Allen Wolke. He recently posted a helpful video listing the five most common reasons for your scope giving “wrong” voltage readings. Spoiler alert: the instrument is probably doing exactly what you told it to do. As a scope newbie, we found the insights very helpful, and we can imagine even seasoned users could make simple mistakes like using the wrong probe attenuation or forgetting that scope response isn’t flat across its bandwidth.

Safety tip for the gearheads among us: your jack stands might be unsafe to use. Harbor Freight, the stalwart purveyor of cheap tools, has issued a recall of two different models of its jack stands. It seems that the pawls can kick out under the right conditions, sending the supported load crashing to the ground. This qualifies as a Very Bad Day for anyone unlucky enough to be working underneath when it happens. Defective jack stands can be returned to Harbor Freight for store credit, so check your garage and be safe out there in the shop.

And finally, because everyone loves a good flame war, Ars Technica has come up with a pronunciation guide for common tech terms. We have to admit that most of these are not surprising; few among the technology literate would mispronounce “Linux” or “sudo”. We will admit to a non-fanboy level of ignorance on whether the “X” in “iOS X” was a Roman numeral or not, but learning that the “iOS” part is correctly pronounced as three syllables, not two was a bit shocking. It’s all an exercise in pedantry that reminds us of a mildly heated discussion we had around the secret Hackaday writers’ bunker and whether “a LED” or “an LED” is the correct style. If the Internet was made for anything, it was stuff like this.

Open Source Synthesizers Hack Chat

Matt Bradshaw is a musician, maker, and programmer with a degree in physics and a love for making new musical instruments. You may remember his PolyMod modular digital synthesizer from the 2018 Hackaday Prize, where it made the semifinals of the Musical Instrument Challenge. PolyMod is a customizable, modular synthesizer that uses digital rather than analog circuitry. That seemingly simple change results in a powerful ability to create polyphonic patches, something that traditional analog modular synths have a hard time with.

Please join us for this Hack Chat, in which we’ll cover:

  • The hardware behind the PolyMod, and the design decisions that led Matt to an all-digital synth
  • The pros and cons of making music digitally
  • Where the PolyMod has gone since winning the Musical Instrument Challenge semifinals

You are, of course, encouraged to add your own questions to the discussion. You can do that by leaving a comment on the Open Source Synthesizers Hack Chat and we’ll put that in the queue for the Hack Chat.

join-hack-chat

Our Hack Chats are live community events on the Hackaday.io Hack Chat group messaging. This week we’ll be sitting down on Wednesday, January 23, at noon, Pacific time. If time zones got you down, we have a handy time zone converter.

Click that speech bubble to the right, and you’ll be taken directly to the Hack Chat group on Hackaday.io.

You don’t have to wait until Wednesday; join whenever you want and you can see what the community is talking about. And don’t forget to check out the Modular Synth Discussion, a very active chat that digs into the guts of all sorts of modular synthesizers.

Rock Out To The Written Word With BookSound

With his latest project, [Roni Bandini] has simultaneously given the world a new type of audiobook and music. Traditional audiobooks are basically the adult equivalent of having somebody read you a bedtime story, but BookSound actually turns the written word into electronic music. You won’t be able to boast to your friends that as a matter of fact, you have read that popular new novel, but at least you might be able to dance to it.

[Roni] says he’s still working on perfecting the word to music mapping, so the results shown in the video after the break are still a bit rough. But even in these early stages there’s no denying this is an exceptionally unique project, and we’re excited to see where it goes from here.

Inside the classy looking 3D printed enclosure is a Raspberry Pi, an OLED display, and the button and switch which make up the extent of the device’s controls. At the end of the arm is a standard Raspberry Pi Camera module, which gives the BookSound a bird’s eye view of the book to be songified.

To turn your favorite book into electronic beats, simply open it up, put it under the gaze of BookSound, and press the button on the front. Because the Raspberry Pi isn’t exactly a powerhouse, it takes about two minutes for it to scan the page, perform optical character recognition (OCR), and compose the track before you start to hear anything.

If you’re wondering what the secret sauce is to turn words into music, [Roni] isn’t ready to share his source code just yet. But he was able to give us a few high-level explanations of what’s going on inside BookSound. For example, to generate the song’s BPM, the software will count how many words per paragraph are on the page: so a book with shorter paragraphs will consequently have a faster tempo to match the speed at which the author is moving through ideas. Similarly, drum kicks are generated based on the number of syllables in each paragraph. In the future, he’s looking at adding “lyrics” by running commonly used words on the page through a text to speech engine and inserting them into the beat.

We’ve seen practical applications of OCR on the Raspberry Pi in the past and even similar looking book scanning arrangements. But nothing quite like BookSound before, which at this point, is really saying something.

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Learn What Did And Didn’t Work In This Prototyping Post-Mortem

[Tommy] is a one-man-shop making electronic musical things, but that’s not what this post is about. This post is about the outstanding prototyping post-mortem he wrote up about his attempt to turn his Four-Step Octaved Sequencer into a viable product. [Tommy] had originally made a hand-soldered one-off whose performance belied its simple innards, and decided to try to turn it into a product. Short version: he says that someday there will be some kind of sequencer product like it available from him, “[B]ut it won’t be this one. This one will go on my shelf as a reminder of how far I’ve come.”

The unit works, looks great, has a simple parts list, and the bill of materials is low in cost. So what’s the problem? What happened is that through prototyping, [Tommy] learned that his design will need many changes before it can be used to create a product, and he wrote up everything he learned during the process. Embedded below is a demo of the prototype that shows off how it works and what it can do, and it helps give context to the lessons [Tommy] shares.

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Earliest Recorded Computer Music Restored

You want old skool electronic music? How about 1951?

Researchers at the University of Canterbury in New Zealand have just restored what is probably the oldest piece of recorded, computer-generated music. Recorded in 1951, the rendition of “God Save The King”, “Baa-Baa Black Sheep” and “In The Mood” was produced by a computer built by none other Alan Turing and other researchers at the Computing Machine Research Laboratory in Manchester.

These phat beats were captured by the BBC for broadcast on an acetate disk that the researchers found in an archive. They sampled and restored the recording, fixing the rather poor quality recording to reproduce the squawky tones that the computer played. You can hear the restored recording after the break.

It halts apparently unexpectedly in the middle of a stanza, sounds essentially horrible, and goes out of tune on the higher notes. But you gotta learn to crawl before you can walk, and these are the equivalent of the grainy 8mm films of baby’s first steps. And as such, the record is remarkable.

Via ABC News

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