Liquid handling workstations are commonly used in drug development, and look like small CNC machines with droppers on the ends which can dispense liquid into any container in a grid array. They are also extraordinarily expensive, as is most specialty medical research equipment. This liquid handling workstation doesn’t create novel drugs, though, it creates art, and performs similar functions to its professional counterparts at a much lower cost in exchange for a lot of calibration and math.
The art is created by pumping a small amount of CMYK-colored liquids into a 24×16 grid, with each space in the grid able to hold a small amount of the colored liquid. The result looks similar to a Lite-Brite using liquids instead of small pieces of plastic. The creator [Zach Frew] created the robot essentially from scratch using an array of 3D printers, waterjets, and CNC machines. He was able to use less expensive parts, compared to medical-grade equipment, by using servo-controlled valves and peristaltic pumps, but makes up for their inaccuracies with some detailed math and calibration.
The results of the project are striking, especially when considering that a lot of hurdles needed to be cleared to get this kind of quality, including some physical limitations on the way that the liquids behave in the first place. It’s worth checking out not just for the art but for the amount of detail involved as well. And, for those still looking to scratch the 90s nostalgia itch, there are plenty of other projects using the Lite Brite as inspiration.
XYZ Printing, makers of the popular da Vinci line of 3D printers, have just released one of the holy grails of desktop 3D printing. The da Vinci Color is a full-color, filament based printer. How does this work? A special filament (Color PLA, although this filament is white in color) is extruded through a nozzle like any other 3D printer. Color is then added layer by layer by a system of inkjets in the head of the printer. Yes, it’s a full-color 3D printer, and yes, people have been suggesting this type of setup for years. This is the first time it’s been made real.
The specs for this printer are about what you would expect from any other filament-based printer in 2017. The build volume is 200 x 200 x 150mmm, the print bed has auto-leveling (although strangely doesn’t have a heated bed), and the user interface is a 5-inch color LCD. The da Vinci Color is available for preorder right now for $2,999.
You can check out a few pics of samples printed on the da Vinci Color below:
3D printing has evolved to a point where dual extrusion isn’t really that special anymore. A few years ago, a two-color frog print would have been impressive, but this isn’t the case anymore. The Midwest RepRap Festival is all about the bleeding edge of what 3D printers are capable of, and this year is no exception. This year, we were graced with a few true multicolor filament-based 3D printers. The biggest and best comes from [Daren Schwenke] and the rest of the Arcus3D crew. This printer is a full color, CMYKW mixing printer that’s able to print in any color imaginable.
The extruder assembly, suspended from the top of the printer
The electronics for this printer are, to say the least, very weird. The controller board is BeagleBone Black plus a CRAMPS running Machinekit. The hotend is bizarre, feeding six PTFE tubes into a weird water-cooled assembly that mixes and squirts filament out of the nozzle with the help of a small brushless motor. Thanks to a clever design, the end effector of the hotend weighs only about 150 grams – about the same as any other delta printer out there – and this printer is able to move very fast.
Over the last year, we’ve seen a lot of improvements in the state of multi-material and multi-color extrusion for 3D printers. At last year’s Maker Faire NY, Prusa’s i3 quad extruder made an appearance alongside the ORD Solutions RoVa4D printer. These are two completely different approaches to multicolor 3D printing, with the RoVa mixing filament, and the Prusa merely extruding multiple colors. Both approaches have their merits, but mixing extruders are invariably harder to build and the software stack to produce good prints isn’t well-defined.
Even though we’re still in the early years of full-color filament-based printing, this is still an awesome result. In a few years, we’ll be able to look back on [Daren]’s efforts and see where our full-color 3D printers came from – open source efforts to create the best hardware possible.
Chances are, you take color for granted. Whether or not you give it much thought, color is key to distinguishing your surroundings. It helps you identify fire, brown recluse spiders, and the right resistor for the job.
In the spotlight this week is a 1950s educational film called “This is Color“. It also happens to be a delightful time capsule of consumer packaging from the atomic age. This film was made by the Interchemical Corporation, an industrial research lab and manufacturer of printing inks. As the narrator explains, consistent replication of pigments is an essential part of mass production. In order to conjure a particular pigment in the first place, one must first understand the nature of color and the physical properties of visible light.
Each color that makes up the spectrum of visible rays has a particular wavelength. The five principal colors—red, yellow, green, blue, and violet—make possible thousands of shades and hues, but are only a small slice of the electromagnetic spectrum.
When light encounters a transparent material more dense than air, such as water or glass, it has to change direction and is bent by the surface. This is known as refraction. A straw placed in a glass of water will appear bent below the surface because the air and the water have different refractive indices. That is, the air and water will bend or refract different percentages of the light that permeates them. Continue reading “Retrotechtacular: Turn On The Magic Of Colored Light”→