Bye Bye Green Screen, Hello Monochromatic Screen

It’s not uncommon in 2024 to have some form of green background cloth for easy background effects when in a Zoom call or similar. This is a technology TV and film studios have used for decades, and it’s responsible for many of the visual effects we see every day on our screens. But it’s not perfect — its use precludes wearing anything green, and it’s very bad at anything transparent.

The 1960s Disney film makers seemingly had no problem with this as anyone who has seen Mary Poppins will tell you, so how did they manage to overlay actors with diaphanous accessories over animation? The answer lies in an innovative process which has largely faded from view, and [Corridor Crew] have rebuilt it.

Green screens, or chroma key, to give the effect its real name, relies on the background using a colour not present in the main subject of the shot. This can then be detected electronically or in software, and a switch made between shot and inserted background. It’s good at picking out clean edges between green background and subject, but poor at transparency such as a veil or a bottle of water. The Disney effect instead used a background illuminated with monochromatic sodium light behind the subject illuminated with white light, allowing both a background and foreground image to be filmed using two cameras and a dichroic beam splitter. The background image with its black silhouette of the subject could then be used as a photographic stencil when overlaying a background image.

Sadly even Disney found it very difficult to make more than a few of the dichroic prisms, so the much cheaper green screen won the day. But in the video below the break they manage to replicate it with a standard beam splitter and a pair of filters, successfully filming a colourful clown wearing a veil, and one of them waving their hair around while drinking a bottle of water. It may not find its way back into blockbuster films just yet, but it’s definitely impressive to see in action.

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As Europe Goes To LEDs, Scientists Worry

There was a time when street lighting means someone had to go light the lamps. Electricity changed that, but street and outdoor lighting has been quietly going through a new revolution: LEDs. The problem, though, is that LEDs provide what scientists call “broad white” light and there are concerns about the impact the unnatural lighting will have on ecosystems, including people and animals.

Of course, the first step in worrying about something is to measure it. You would think that satellites would have a bird’s-eye view of the nighttime lighting landscape, and, of course, they do. But most of the imagery isn’t suitable for looking at the spectrum of wavelength data scientists need to quantify what they call ALAN — Artificial Light at Night.

The ISS imaging is, however, sufficient. Using special data techniques, they were able to track the adoption of LEDs over sodium lights and other technologies between 2012-2013 and 2014-2020 across Europe. For example, in the title image, you can see Belgium with an orange tint indicating low-pressure sodium lights. The Netherlands, France, and the UK have a more yellow hue, indicating high-pressure sodium lamps. Germany is more of a blue color due to fluorescent and mercury vapor bulbs.

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