VCF East 2018: Cactus, Retro Because It Wants To Be

Among the rows of digital dinosaurs, one blinking front panel stood out. It certainly looked the part of a retro computer; with banks of blinking LEDs and multicolored paddle switches. But upon closer inspection, the laser cut wooden front panel betrays the fact that this machine is an impostor. It may have the appearance of a machine from the heady days where home computers looked like they could have doubled as a prop on the bridge of Kirk’s Enterprise, but it’s actually a product of much more modern provenance.

It’s called the Cactus, a love letter to the homebrew microcomputers of the 1970’s, designed and built by somebody at least 20 years too young to have experienced them the first time around. Alexander Pierson created the Cactus not because he had fond memories of putting together an Altair 8800 in 1975, but because he’s fascinated with the retro computer experience: the look of the front panel, the satisfying clunk of era-appropriate switches, and the idea that the computer’s inner workings aren’t an abstract black box but rather something you can interact with and study. Judging by all the attention the Cactus got at VCF East XIII, he’s not the only one.

Let’s take a look at everything Alexander poured into this retrocomputer build.

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VCF East 2018: SDR On The Altair 8800

You’d be forgiven if you thought software defined radio (SDR) was a relatively recent discovery. After all, few outside of the hardcore amateur radio circles were even familiar with the concept until it was discovered that cheap USB TV tuners could be used as fairly decent receivers from a few hundred MHz all the way up into the GHz range. The advent of the RTL-SDR project in 2012 brought the cost of entry level SDR hardware from hundreds of dollars to tens of dollars effectively overnight. Today there’s more hackers cruising the airwaves via software trickery than there’s ever been before.

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VCF East 2018: The Mail Order App Store

Today we take the concept of a centralized software repository for granted. Whether it’s apt or the App Store, pretty much every device we use today has a way to pull applications in without the user manually having to search for them on the wilds of the Internet. Not only is this more convenient for the end user, but at least in theory, more secure since you won’t be pulling binaries off of some random website.

But centralized software distribution doesn’t just benefit the user, it can help developers as well. As platforms like Steam have shown, once you lower the bar to the point that all you need to get your software on the marketplace is a good idea, smaller developers get a chance to shine. You don’t need to find a publisher or pay out of pocket to have a bunch of discs pressed, just put your game or program out there and see what happens. Markus “Notch” Persson saw his hobby project Minecraft turn into one of the biggest entertainment franchises in decades, but one has to wonder if it would have ever gotten released commercially if he first had to convince a publisher that somebody would want to play a game about digging holes.

In the days before digital distribution was practical, things were even worse. If you wanted to sell your game or program, it needed to be advertised somewhere, needed to be put on physical media, and it needed to get shipped out to the customer. All this took capital that would easily be beyond many independent developers, to say nothing of single individuals.

But at the recent Vintage Computer Festival East, [Allan Bushman] showed off relics from a little known chapter of early home computing: the Atari Program Exchange (APX). In a wholly unique approach to software distribution at the time, individuals were given a platform by which their software would be advertised and sold to owners of 8-bit machines such as the Atari 400/800 and later XL series computers. In the early days, when the line between computer user and computer programmer was especially blurry, the APX let anyone with the skill turn their ideas into profit. Continue reading “VCF East 2018: The Mail Order App Store”

VCF East 2018: The Desktop ENIAC

The ENIAC, or Electronic Numerical Integrator and Computer, is essentially the Great Great Grandfather of whatever device you’re currently reading these words on. Developed during World War II for what would be about $7 million USD today, it was designed to calculate artillery firing tables. Once word got out about its capabilities, it was also put to work on such heady tasks as assisting with John von Neumann’s research into the hydrogen bomb. The success of ENIAC lead directly into the development of EDVAC, which adopted some of the now standard computing concepts such as binary arithmetic and the idea of stored programs. The rest, as they say, is history.

But ENIAC wasn’t just hugely expensive and successful, it was also just plain huge. While it’s somewhat difficult for the modern mind to comprehend, ENIAC was approximately 100 feet long and weighed in at a whopping 27 tons. In its final configuration in 1956, it contained about 18,000 vacuum tubes, 7,000 diodes, 70,000 resistors, 10,000 capacitors, and 6,000 switches. All that hardware comes with a mighty thirst for power: the ENIAC could easily suck down 150 kW of electricity. At the time this all seemed perfectly reasonable for a machine that could perform 5,000 instructions per second, but today an Arduino would run circles around it.

This vast discrepancy between the power and size of modern hardware versus such primordial computers was on full display at the Vintage Computer Festival East, where Brian Stuart demonstrated his very impressive ENIAC emulator. Like any good vintage hardware emulator, his project not only accurately recreates the capabilities of the original hardware, but attempts to give the modern operator a taste of the unique experience of operating a machine that had its heyday when “computers” were still people with slide rules. Continue reading “VCF East 2018: The Desktop ENIAC”

Great Beginnings For Vintage Computing In Seattle; VCF PNW

The pitch to my wife was simple: “Feel like spending the weekend in Seattle?” That’s how I ended up at the inaugural Vintage Computer Festival Pacific Northwest last weekend, and I’m glad we made the five-hour drive into The Big City to check it out. Hackaday is a VCF sponsor, after all, so it seemed like a great excuse to make the trip. That it ended up being two consecutive days of great Seattle weather was only icing on the cake of being able to spend time with fellow retro computer aficionados and their dearest bits of old hardware, in a great museum dedicated to keeping computer history alive and accessible.

The fact that Seattle, home of Microsoft, Amazon, and dozens of other tech companies, has until now been left out of the loop in favor of VCF East in New Jersey and VCF West in Mountain View seems strange, but judging by the reception, VCF PNW is here to stay and poised to grow. There were 20 exhibitors for this go around, showing off everything from reanimated PDP-11 and Altair 8800 control panels to TRS-80s from Model 1 through to the CoCo. Almost every class of reasonably transportable retro hardware was represented, as well as some that pushed the portability envelope, like a working PDP-8 and a huge Symbolics 3640 LISP workstation.

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Next Week: Vintage Computer Festival Pacific Northwest

Next week something magical is happening. Seattle is getting a Vintage Computer Festival. It’s the Vintage Computer Festival Pacific Northwest, and it’s happening Saturday, February 10th and Sunday, February 11th at the Living Computers Museum and Labs.

As with all Vintage Computer Festivals, this is one with plenty of exhibits, speakers, and the ever-popular consignment shop. A few of the more interesting exhibits include a demonstration of the Syntauri alphaSyntauri, a synthesizer card and controller designed for the Apple II. When it was released in 1980, this was the first affordable digital synthesizer that competed against the Synclavier and Fairlight CMI. The difference? Synclaviers cost as much as a house, where the alphaSyntauri cost as much as a car. Also on deck is the dis-integrated MOnSter6502, a complete NMOS 6502 constructed out of individual, surface mount transistors. The Digi-Comp II from Evil Mad Scientist will be there, there will be BlinkenBones, and for anyone who wants to assemble their own front panel for a vintage minicomputer, [Oscar Vermeulen] will be there with the Pi-DP/8. This isn’t an event to miss.

As an aside, we’d really like to commend the Vintage Computer Federation for their incredible work in putting these shows together. The VCF West at the Computer History Museum in Mountain View is an incredible show, VCF Southeast has some amazing displays, and VCF East in New Jersey is a pretty incredible gathering going down May 18th through the 20th this year. The people working behind the scenes to make these shows happen are doing a service for all vintage computers and performing digital archeology that benefits us all.

Hackaday is proud to be a sponsor of VCF Pacific Northwest.

This Weekend: Vintage Computer Festival Zurich

This weekend, November 18th and 19th, the greatest vintage computer conference in Europe is going down. It’s the Vintage Computer Festival Europe, and if you’re around Zurich this weekend, we highly recommend that you check it out.

On deck for this year’s VCF Europe is an incredible amount of amazing retrotechnology. A demonstration of high-resolution graphics without using computer memory will be found in a few Tektronix storage tube terminals (their Wikipedia entry is phenomenal, by the way). There will be a few Olivetti microcomputers on display demonstrating Italy’s contribution to the computer revolution. A PDP 6 will be recreated, and a 1964 IBM 360/30 will be revived. There will be discussions on using logarithms as a basis for computers. [Oscar], creator of the PiDP-8/I will be bringing his latest project, an exquisite miniature recreation of a PDP-11/70, with a molded enclosure and purple toggle switches.

This is a retrocomputer conference where an Apple I is the least interesting computer on display, an extremely difficult feat to pull off. VCFe will be held at Rote Fabrik in Zurich, and tickets are five units of the local currency per day. You can check out the festival on Twitter, Google+, and the main website.