Everyone’s Talking GPMI, Should You?

The tech press has been full of announcements over the last day or two regarding GPMI. It’s a new standard with the backing of a range of Chinese hardware companies, for a high-speed digital video interface to rival HDMI. The Chinese semiconductor company HiSilicon have a whitepaper on the subject (Chinese language, Google Translate link), promising a tremendously higher data rate than HDMI, power delivery well exceeding that of USB-C, and interestingly, bi-directional data transfer. Is HDMI dead? Probably not, but the next few years will bring us some interesting hardware as they respond to this upstart.

Reading through pages of marketing from all over the web on this topic, it appears to be an early part of the push for 8k video content. There’s a small part of us that wonders just how far we can push display resolution beyond that of our eyes without it becoming just a marketing gimmick, but it is true to say that there is demand for higher-bandwidth interfaces. Reports mention two plug styles: a GPMI-specific one and a USB-C one. We expect the latter to naturally dominate. In terms of adoption, though, and whether users might find themselves left behind with the wrong interface, we would expect that far from needing to buy new equipment, we’ll find that support comes gradually with fallback to existing standards such as DisplayPort over USB-C, such that we hardly notice the transition.

Nearly a decade ago we marked the passing of VGA. We don’t expect to be doing the same for HDMI any time soon in the light of GPMI.

Ask Hackaday: Vibe Coding

Vibe coding is the buzzword of the moment. What is it? The practice of writing software by describing the problem to an AI large language model and using the code it generates. It’s not quite as simple as just letting the AI do your work for you because the developer is supposed to spend time honing and testing the result, and its proponents claim it gives a much more interactive and less tedious coding experience. Here at Hackaday, we are pleased to see the rest of the world catch up, because back in 2023, we were the first mainstream hardware hacking news website to embrace it, to deal with a breakfast-related emergency.

Jokes aside, though, the fad for vibe coding is something which should be taken seriously, because it’s seemingly being used in enough places that vibe coded software will inevitably affect our lives.  So here’s the Ask Hackaday: is this a clever and useful tool for making better software more quickly, or a dangerous tool for creating software nobody quite understands, containing bugs which could cause a disaster?

Our approach to writing software has always been one of incrementally building something from the ground up, which satisfies the need. Readers will know that feeling of being in touch with how a project works at all levels, with a nose for immediately diagnosing any problems that might occur. If an AI writes the code for us, the feeling is that we might lose that connection, and inevitably this will lead to less experienced coders quickly getting out of their depth. Is this pessimism, or the grizzled voice of experience? We’d love to know your views in the comments. Are our new AI overlords the new senior developers? Or are they the worst summer interns ever?

Designing A Tone Control Properly

Many years ago, audio equipment came with a tone control, a simple RC filter that would cut or boost the bass to taste. As time passed, this was split into two controls for bass and treble, and then finally into three for bass, mid, and treble. When audiophile fashion shifted towards graphic equalisers, these tone controls were rebranded as “3-band graphic equalisers”, a misleading term if ever we heard one. [Gabriel Dantas] designed one of these circuits, and unlike the simple passive networks found on cheap music centres of old, he’s doing a proper job with active filters.

The write-up is worth a read even if you are not in the market for a fancy tone control, for the basic primer it gives on designing an audio filter. The design contains, as you might expect, a low-pass, a bandpass, and a high-pass filter. These are built around TL072 FET-input op-amps, and an LM386 output stage is added to drive headphones.

The final project is built on a home-made PCB, complete with mains power supply. Audiophiles might demand more exotic parts, but we’re guessing that even with these proletarian components it will still sound pretty good. Probably better than the headphone amplifier featured in a recent project from a Hackaday writer, at least. There’s a build video, below the break.

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The 1980s Computer, French Style

Should you travel around Europe, you may notice that things in France are ever so slightly different. Not necessarily better or worse, simply that the French prefer to plough their own furrow rather than importing cultural tends from their neighbors.

In the 1980s this was evident in their home computers, because as well as a Minitel terminal in your house, you could have an all-French machine plugged into your TV. [Retro Krazy] has just such a machine — it’s a Matra Hachette Alice 32, and its red plastic case hides hardware any of us would have been proud to own back in the day.

At first sight it appears superficially similar to a Sinclair Spectrum, with its BASIC keywords next to the keys. But under that slightly calculator style AZERTY keyboard is an entirely different architecture, a Motorola 6803. The first Alice computer was a clone of a Radio Shack model, and while this one has no compatibility with its predecessor it retains some silicon choices. On the back are a series of DIN sockets, one for a SCART adapter, and more for serial connectivity and a cassette deck. The overall impression is of a well-engineered machine, even if that red color is a little garish.

The Alice hasn’t appeared here on its own before, but we have taken a look at French retrocomputers here in the past.

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A Tiny Tape Synth

Afficionados of vintage electric organs will know about the Melotron, an instrument from the 1960s that had pre-recorded sounds on a bank of tape loops. A real Melotron in working order will set you back a bit, but it’s possible to play with the idea using much more attainable hardware. [Decurus] has made a simple tape based synth using a cassette deck.

It uses a loop of cassette tape, and varies the pitch by changing the speed of the cassette motor. There’s an RP2040 and a motor controller, which can take a MIDI signal and use it to drive the motor. We’re sorry to see that there’s no recording of the result, but it’s described as a drone.

Part of this project is a 3D printed tape loop holder to fit a cassette mechanism. We won’t go as far as to call it a cassette in itself, instead it’s a sort of tape loop frame. We can see that it might be an interesting component for other tape loop experimenters, now that cassettes themselves are no longer ubiquitous. This certainly isn’t the first tape pitch synth we’ve seen.

Which Browser Should I Use In 2025?

Over the history of the Web, we have seen several major shifts in browsing software. If you’re old enough to have used NCSA Mosaic or any of the other early browsers, you probably welcomed the arrival of Netscape Navigator, and rued its decline in the face of Internet Explorer. As Mozilla and then Firefox rose from Netscape’s corpse the domination by Microsoft seemed inevitable, but then along came Safari and then Chrome.

For a glorious while there was genuine competition between browser heavyweights, but over the last decade we’ve arrived at a point where Chrome and its associated Google domination is the only game in town. Other players are small, and the people behind Firefox seem hell-bent on fleeing to the Dark Side, so where should we turn? Is there a privacy-centric open source browser that follows web standards and doesn’t come with any unfortunate baggage in the room? It’s time to find out. Continue reading “Which Browser Should I Use In 2025?”

A Tale Of Nuclear Shenanigans From Down Under

It’s likely that among the readers of this article there will be many who collect something. Whether it’s rare early LEDs or first-year-of-manufacture microprocessors, you’ll scour the internet to find them, and eagerly await mystery packages from the other side of the world.

There’s a tale emerging from Australia featuring just such a collector, whose collection now has him facing a jail sentence for importing plutonium. The story however is not so clear-cut, featuring a media frenzy and over-reaction from the authorities worthy of Gatwick Airport. [Explosions&Fire] has a rather long video unpacking the events, which we’ve placed below the break.

Emmanuel Lidden is an element collector, someone who tries to assemble an entire Periodic Table in their collection. He ordered a range of elements from an American element collectors’ supply website, including samples of plutonium and thorium. He seems to have been unaware he was committing any crime, with the microscopic samples available from legitimate websites with no warnings attached. The case becomes murkier as the Australian authorities flagged the thorium sample and instructed the courier not to deliver it, which they did anyway. Then a raid of the type you’d expect for the terrorists who stole the plutonium in Back To The Future was launched, along with that Gatwick-esque media frenzy.

We’re inclined to agree that the penalty likely to be meted out to him for buying a sliver of a Soviet smoke detector embedded in a Lucite cube seems overly steep, but at the same time his obvious naivety over dealing in radioactive materials marks him as perhaps more than a little foolhardy. It’s something over which to ponder though, have we managed to amass anything illegal disguised as outdated devices? Have you? Perhaps it’s something to discuss in the comments.

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