The Electromagnetic Field 2024 Badge Is A Little Different

It’s a problem that faces every designer of an event badge: how to make something that won’t simply become a piece of e-waste once the last attendee has gone home. Various events have had badges with extra sensors, ones designed to be dev boards, and ones that try to do useful software tasks, but this year’s Electromagnetic Field in the UK has a different take. Its badge is designed to be used across multiple events, with the badge itself being a hub for event-specific add-ons.

To achieve this feat, the Tildagon badge is a hexagonal hub with an expansion port on every side. Each of these sports an edge connector, and the corresponding part of the add-on is simply part of the PCB. The ‘hexpansions’ as the add-ons are called, don’t even have to have electronics, at their simplest they can even be cut from a piece of card. The brain of the outfit is an ESP32-C3 sporting a round LCD. Of course, and it has the usual buttons and LEDs.

We applaud the sentiment behind making a badge live beyond the event, and we expect that this won’t be the only take on a reusable badge we’ll see over the coming events. We’re guessing those edge connectors will add to the BoM cost though, which is why this probably will be the first EMF badge for which there will be a modest charge. We look forward to seeing it for real, meanwhile, they also published some technical info alongside the announcement linked above.

A Tape Echo For Anyone

If you’ve ever looked into how artists from the 1960s made their music, you’ll learn about the many inventive ways in which the tape recorder enabled new effects. One of the simplest of those is the tape echo, as distinct from a reverb which introduces the many delayed echoes of a large auditorium, an echo provides a single delayed version of the original. It’s something [Mark Gutierez] shows us as he makes a tape echo from a cheap Walkman-style cassette player. It’s hardly the highest quality of its ilk, but it does the job.

The player in question sports the ubiquitous Chinese mechanism that’s the last still in production. It has a radio incorporated which he doesn’t use, but for all that it has only a permanent magnet erase head rather than one driven from the bias oscillator. He first puts another head in the space between the record head and the pinch roller, then further modifies the cassette so a loop can be pulled out of the side of it, moving all heads off-board. As you can see in the video below the break it’s in no way high-fidelity, but with a couple of Eurorack mixer kits added on it makes for an interesting effect.

If you can lay your hands on a reel-to-reel machine, you can make a more traditional echo machine.

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The F Number On A Lens Means Something? Who Knew!

The Raspberry Pi has provided experimenters with many channels of enquiry, and for me perhaps the furthest into uncharted waters it has led me has come through its camera interface. At a superficial level I can plug in one of the ready-made modules with a built-in tiny lens, but as I experiment with the naked sensors of the HD module and a deconstructed Chinese miniature sensor it’s taken me further into camera design than I’d expected.

I’m using them with extra lenses to make full-frame captures of vintage film cameras, in the first instance 8 mm movie cameras but as I experiment more, even 35 mm still cameras. As I’m now channeling the light-gathering ability of a relatively huge area of 1970s glass into a tiny sensor designed for a miniature lens, I’m discovering that maybe too much light is not a good thing. At this point instead of winging it I found it was maybe a good idea to learn a bit about lenses, and that’s how I started to understand what those F-numbers mean.

More Than The Ring You Twiddle To Get The Exposure Right

lose-up of the end of a lens, showing the F-number range
The F-number range of a 1990s Sigma consumer-grade zoom lens.

I’m not a photographer, instead I’m an engineer who likes tinkering with cameras and who takes photographs as part of her work but using the camera as a tool. Thus the f-stop ring has always been for me simply the thing you twiddle when you want to bring the exposure into range, and which has an effect on depth of field.

The numbers were always just numbers, until suddenly I had to understand them for my projects to work. So the first number I had to learn about was the F-number of the lens itself. It’s usually printed on the front next to the focal length and expressed as a ratio of the diameter of the light entrance to the lens focal length. Looking around my bench I see numbers ranging from 1:1 for a Canon 8mm camera to 1:2.8 for a 1950s Braun Paxette 35 mm camera, but it seems that around 1:1.2 is where most 8 mm cameras sit and 1:2 is around where I’m seeing 35 mm kit lenses. The F-stop ring controls an adjustable aperture, and the numbers correspond to that ratio. So that 1:2 kit lens is only 1:2 at the F2 setting, and becomes 1:16 at the F16 setting.

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Shôtarô Kaneda’s Motorcycle, For Real

For fans of the iconic anime Akira, there’s only one way to traverse the mean streets of post-apocalyptic neo-Tokyo, and that’s the futuristic mount of motorcycle gang leader Shôtarô Kaneda. It’s a low-down feet-forward machine with, we’re told, “Ceramic double-rotor two-wheel drive,” which we’re guessing is some kind of hybrid electric drive with what sounds like a gas-turbine motor. Over the years, there have been a few different attempts to create a real version of Kaneda’s bike, and we’re pleased to see the latest from ヲタ工房「ポンちゃンネル」(Ota Kobo “Ponchanner”). It uses a twin-cylinder Kawasaki motor in an entirely custom-made frame, with dual single-sided swingarms front and rear and hub-centre steering.

The full build in the video below the break is pretty long but well worth a watch, and it includes a lot of very highly skilled metalwork. It’s an interesting choice not to attempt to make a direct replica of Kaneda’s bike. Still, we think some of the differences are dictated by this being very much a roadworthy and everyday-rideable machine.

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The Most Famous Room In Rock-n-Roll You’ve Never Seen

The study of audio technology has a lot of fascinating branches, and one or two of them even take the curious engineer not into electronics but into architecture. There’s the anechoic chamber with its complete lack of echo, but at the other end of the scale, there’s the echo chamber.

It’s normal in 2024 when searching for reverb to reach for a software plugin, but following the effect back through silicon, spring lines, and metal plates to the 1950s, we find an echo chamber as a real room with a speaker and a microphone placed in it. [Rick Beato] takes us into the echo chamber, starting with one of the few remaining originals and probably the one whose effect has been heard on the most highly-charting music, at the famous Abbey Road studio in London.

The video below the break is broadly in two parts, with the first concentrating on the Abbey Road chamber and the second showing how an empty room in a house can be used to make your own. It’s aimed at musicians rather than hardware hackers but we think it’s one of those moments of crossover that readers might find interesting. We were particularly curious about the tall ceramic tubes in the Abbey Road chamber, designed to further break up the sound waves for a greater depth of reverb.

The video shows how reverb can be achieved with just a room, but don’t worry if you’re space limited. A plate reverb needn’t break the bank. Or, grab a spring.

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Glow Plug Turned Metal-Capable 3D Printer Hotend

At this point, most readers will be familiar with fused deposition modeling (FDM) 3D printers, and how a plastic filament is pushed through a heater and deposited as liquid through a nozzle. Most of us also know that there are a huge variety of materials that can be FDM printed, but there’s one which perhaps evades us: you can’t load a spool of metal wire into your printer and print in metal, or at least you can’t yet. It’s something [Rotoforge] is working on, with a project to make a hot end that can melt metal. Their starting point is a ceramic diesel engine glow plug, from which they expect 1300 C (2372 F).

The video below the break deals with the process of converting the glow plug, which mostly means stripping off the metal parts which make it a glow plug, and then delicately EDM drilling a hole through its ceramic tip. The video is well worth a watch for the in-depth examination of how they evolved the means to do this.

Sadly they aren’t at the point of printing metal with this thing, but we think the current progress is impressive enough to have a good chance of working. Definitely one to watch.

Previous metal 3D printers we’ve featured have often used a MIG welder.

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Review: The New Essential Guide To Electronics In Shenzhen

The city of Shenzhen in China holds a special fascination for the electronic hardware community, as the city and special economic zone established by the Chinese government at the start of the 1980s it has become probably one of the most important in the world for electronic manufacturing. If you’re in the business of producing electronic hardware you probably want to do that business there, and if you aren’t, you will certainly own things whose parts were made there. From the lowly hobbyist who buys a kit of parts on AliExpress through the project featured on Hackaday with a Shenzhen-made PCB, to the engineer bringing an electronic product to market, it’s a place which has whether we know it or not become part of our lives.

First, A Bit Of History

A picture of booths in a Shenzhen market
These are the markets we have been looking for. Credit: Naomi Wu.

At a superficial level it’s very easy to do business there, as a quick trawl through our favourite Chinese online retailers will show. But when you’ve graduated from buying stuff online and need to get down to the brass tacks of sourcing parts and arranging manufacture, it becomes impossible to do so without  being on the ground. At which point for an American or European without a word of Chinese even sourcing a resistor becomes an impossibly daunting task. To tackle this, back in 2016 the Chinese-American hardware hacker and author Andrew ‘bunnie’ Huang produced a slim wire-bound volume, The Essential Guide to Electronics in Shenzhen. This book contained both a guide to the city’s legendary Huaquanbei electronics marts and a large section of point-to-translate guides for parts, values, and all the other Chinese phrases which a non-Chinese-speaker might need to get their work done in the city. It quickly became an essential tool for sourcing in Shenzhen, and more than one reader no doubt has a well-thumbed copy on their shelves.

There are places in the world where time appears to move very slowly, but this Chinese city is not one of them. A book on Shenzhen written in 2016 is now significantly out of date, and to keep pace with its parts that have since chanced beyond recognition, an update has become necessary. In this endeavour the mantle has passed to the hardware hacker and Shenzhen native Naomi Wu, someone with many years experience in introducing the people, culture, and industries of her city to the world. Her updated volume, The New Essential Guide to Electronics in Shenzhen has been the subject of a recent crowdfunding effort, and I was lucky enough to snag one. It’s a smart hardcover spiral-bound book with a red and gold cover, and it’s time to open it up and take a look. Continue reading “Review: The New Essential Guide To Electronics In Shenzhen”