Radio-Gaga Is A Toddler Friendly Remote In A Radio

July 9, 2026 by Tyler August 2 Comments

Humans of all ages like music, but you can’t exactly pass a toddler the aux cable. That’s not to say the younger set don’t have their own particular tastes– they absolutely do, and they absolutely love to take control and inflict them on the rest of us. [nbr23] has a toddler who loves both music and tactile controls, and decided to combine the two for them with a project he calls Radio-Gaga, which is a gutted Panasonic radio that calls up tunes via Home Assistant.

Interestingly enough the radio is now just a remote control– the speaker has been removed along with the rest of the radio hardware. The buttons and dials are still there, though, letting the toddler control what tunes are on offer and at what volume via couple of potentiometers hooked to an ESP32. The sound itself is being served up from the homelab to a USB speaker. There’s one notable flaw with this architecture: if the batteries die on the remote, “Let it Go” does not until an adult intervenes manually or recharges the remote.

One interesting lesson [nbr23] wanted to share was that he was able to improve an unsatisfactorily slow startup time by assigning the device a static IP on his network– apparently the single longest step in getting the tunes going was negotiating a DHCP lease. Skipping that gets the tunes playing in under a second, which is fast enough even for the most impatient of tiny humans.

If you prefer a more self-contained device, we’ve seen toddler jukeboxes that keep storage and speaker built-in, many with NFC control.

An Analog Synth For The Modern World

July 8, 2026 by Jenny List 11 Comments

We cover so many projects here at Hackaday that lead the author down a rabbit hole of technological investigation that distracts us from the task of bringing them to you. Such a project is polyUAnalog, a very modern take on an analogue synthesizer. If you are imagining a synth of old with modules and patch cables, think again. The modern way to do this is it seems to use an individual synthesizer chip for each voice, resulting in a very versatile instrument indeed.

The integrated circuit in question is the AS3397, which when coupled on a PCB with a Raspberry Pi Pico makes for a self-contained single-voice analog synth. It’s controlled via I2C from a conductor board for which frustratingly the README doesn’t give a processor, but we think may be powered by another Pi Pico. This board does the job of taking MIDI and other controls, and farming them out tot he individual voices. The prototype has ten, but it can support many more.

It’s the work of a pair of researchers from the University of Angers in France, and we’re told it’s a side project from their work in the field of spectroscopy. There’s a video about it which we’ve placed below the break, and they’ve also written a paper about it.

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Old Midi Instruments Don’t Like Modern Midi. What’s To Be Done?

July 5, 2026 by Jenny List 36 Comments

In theory, MIDI is an electrical and protocol standard that allows any such equipped instrument or computer to talk to any other. But as the wonderfully named [Knob Monster] will tell you, when the computer is new, and the instrument is old, it ain’t that simple.

They specialise in using the Web MIDI interface to allow browser control of an instrument. This might typically be done with a USB to MIDI interface, but in this lies a problem. The 8-bit microprocessor on a 1983 synth has problems keeping up with the rapid-fire data that spews relentlessly from the supercomputer-grade machine controlling it, and bad things happen as a result.

Expensive MIDI interfaces have a buffer built in, but a better solution lies in the Web MIDI code itself. They detail how to use the Web MIDI API’s built-in packet scheduler to slow things down a little and let your Yamaha DX7 chill a bit.

Meanwhile, if you need a USB to MIDI interface, we’ve covered one in the past.

The Organ That Forgot To Use Transistors

July 3, 2026 by Jenny List 12 Comments

When we think of 1960s synthesizers it’s usual to imagine instruments with vast arrays of controls and patch cables for configuring their many filters, oscillators, and other parameters. They created the templates for much of what we know today as electronic music.

In all the rush to look at full-blown synths though, it’s easy to forget their more mundane cousin, the electric organ. These instruments graced many a ’60s suburban home or church hall, and [Emma Repairs] has an interesting one. It’s a Philips Philicordia, and it’s sent us here at Hackaday down one of those rabbit holes when we should really be writing.

The instrument is a relatively straightforward single voice electric organ on the outside, but under the hood it’s a different matter. In an age when the transistor was revolutionizing electronic music, the folks in Eindhoven designed this one using tubes. There are a set of conventional enough tubes performing the role of amplifiers and oscillators, but the real party piece of this unit is the array of neon tube dividers. A neon bulb can be used as a switching element, and in those days when affordable digital logic chips were several years away, it made sense to use them in digital circuits.

The inside of the Philicordia is a feast of vintage Philips parts that will be instantly familiar to anyone who’s worked on Western European electronics of this era. The exterior design of the instrument screams understated early-1960s cool, and after she’s introduced it you can hear her playing it in the video below. Further down that rabbit hole we found that one of these instruments provided the distinctive organ sound on Chris Montez’s 1962 hit Let’s Dance, so they weren’t all uncool.

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Bite Into Strange Sounds With NOISFERATU

June 30, 2026 by Donald Papp 20 Comments

The NOISFERATU is an open source generative textural sound synthesizer, or as creator [Robert Heel] puts it, “a sound designer’s dream and audiophile’s worst nightmare”.

NOISFERATU offers 45 different sound algorithms grouped into five banks to produce a dazzling range of evolving soundscapes and patterns that resist repetition or settling, each influenced and shaped — the word controlled does not quite apply — by a volume slider and a few hardware knobs.

So what does it actually sound like? Check out the video embedded below to give it a listen, it’s pretty trippy.

Hardware-wise NOISFERATU is centered around the Seeed Studio XIAO SAMD21 microcontroller board, takes power over USB-C, and has a headphone jack for sound output. We love the artwork on the dual-sided front panel, too.

DIY synthesizers based on logic chips have a long and proud history, and seeing the different directions people can go by incorporating microcontrollers is always a delight.

If NOISFERATU’s experimental sound and noise sounds up your alley, the design files and code on GitHub have everything one should need to build one. Kits are for sale direct from the designer, as well.

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Piano Escapement Migrates To Drum Kit

June 29, 2026 by Bryan Cockfield 6 Comments

For as popular as the piano is in music studios, homes, and schools, it almost defies logic. Compared to a guitar, harmonica, or drum set, pianos are incredibly complex machines that can have somewhere on the order of 8,000 moving parts in a case that can easily weigh hundreds of pounds and which often responds quite poorly to seasonal changes in temperature and humidity. But for putting up with all of these downsides, musicians are rewarded with an instrument that uniquely responds to touch, style, and emotion. A big reason for that is that mechanical complexity, and [Super Valid Designs] is attempting to bring that design to a drum set.

Compared to the complex machinery that connects the movement of a piano’s key to its hammer striking a string, a kick drum pedal is much simpler. It can only bounce off of the drum or get “buried” where the beater remains pressed up against the drum after hitting it. [Super Valid Designs] wanted something with a bit more finesse and control, so he first 3D printed a mechanism that throws the beater towards the drum head and then disconnects it mechanically from the pedal, so that it rebounds even if the pedal stays depressed. The next steps were more difficult, which involved making sure the mechanism reset itself in a repeatable way, without making too much noise of its own. This involved trying out a few different ideas and printing a massive amount of subtly different linkages, but in the end he’s left with a machine that nearly replicates all of the parts of a piano’s escapement,

The end goal of this project wasn’t simply to reproduce piano mechanisms on a drum set, though. [Super Valid Designs] hopes to make a kick drum that’s much smaller than those found in traditional kits, and since smaller drums respond poorly when the beater remains on or near the drum after striking it, a mechanism like this will dramatically improve the performance of the smaller drum and help reduce the requirement for perfect technique. And, maybe in 50 years or so, these types of escapements will take over the drumming world just like the piano escapement took over keyboards after its invention in the 1700s. Some simpler piano actions have been built before, but the complexity seems to be a requirement for all of the tasks they need to do whether its for a piano or a drum.

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Cheap 80s Keyboard Gets Modern Brain Upgrade

June 25, 2026 by Zoe Skyforest 22 Comments

The 1981 Casio VL-1 was a fine cheap keyboard. It had a robust build, though an admittedly limited sound palette. [Max Vega] had one of these charming instruments, and decided to use modern tech to rebrain it for the modern world.

The original electronics of the VL-1 were largely surplus to requirements for this build. The original interface and speaker were kept in service, while the rest of the monophonic sound synthesis hardware was removed. [Max Vega] enlisted an ESP32-C3 to run the show, turning the VL-1 into a ROMpler instead. If you’re unfamiliar with the term, it refers to a keyboard or other instrument that relies on hardcoded sample playback instead of raw synthesis. The ESP32 loads its samples from a microSD card, which provides an enormous amount of storage for different sound packs. Selecting different instruments is handled with a simple interface built around the original buttons and a OLED screen. Playing the instrument is still the same using the simple keyboard, though [Max] also implemented some extra fun modes that play chords at a single touch.

If you want a fun, versatile keyboard instrument that fits perfectly in a backpack, it’s hard to go wrong with a build like this. We’ve seen similar Casio keyboard hacks before, too. Video after the break.

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