Musical Hacks

1467 Articles

10 Cent Microcontroller Makes Music

October 23, 2025 by 11 Comments

Compared to the old 8-bit Arduinos, it’s incredible how cheap modern microcontrollers like the ESP32 have become. But there are even cheaper options out there if you don’t need that kind of horsepower, and are willing to do a little work yourself, as [atomic14] demonstrates.

The CH32V003 is a dirt cheap microcontroller—which can reportedly be had for as little as 10 cents if you know where to look. It’s not the most powerful chip by any means, boasting just 16 K flash, and 2 K of SRAM. However, it is a 32-bit RISC V machine, and it does run at 48 MHz—giving it a leg up on many 8-bit parts that are still out there.

Surprisingly there aren’t a whole lot of CH32V003 products for the maker market, so if you want to play with it, you’ll probably need to spin up your own boards. [atomic14] does just that, showing us how the chip can be put to good use by turning it into a little musical trinket. It’s a fun demo, and a great way to get to grips with programming on a new microcontroller platform.

It’s hard to get more chiptune than a 10 cent chip beeping its little head off. How could possibly justify spending tens of dollars modding a Game Boy when this exists, even if it sounds like a caffeinated greeting card?

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The PDP-1 Can Sound Hauntingly Beautiful

October 21, 2025 by 13 Comments

The chiptune music scene is largely rooted in the sounds of the original Nintendo Game Boy and the Commodore 64, while still welcoming a wide range of other hardware under its general umbrella. Still, few chip musicians show up to a gig hauling a PDP-1. That’s perhaps a shame, given that the 1950s era machine can produce beautiful music—as demonstrated by [Peter Samson] and [Joe Lynch].

The video demonstration was recorded at the Computer History Museum in Mountain View, California. [Peter Samson] is operating the PDP-1, which is running the Harmony Compiler—which allows the machine to play four individual voices. This is achieved by taking advantage of the PDP-1’s program flags, which are visible as six light bulbs on the control panel. Instructions can be used to turn these bulbs on and off. The Harmony Compiler works by switching the bulbs on and off fast enough to create audible square waves when the light bulb outputs are wired to a simple audio amplifier.

Using Harmony Compiler, [Joe] and [Peter] worked together to transcribe the song Olson by Boards of Canada to play on the PDP-1. The song is encoded on paper tape, and fed into the machine—which dutifully plays back the hauntingly beautiful melody.

If you’re interested in the code that achieved this, it’s blessedly available via Github. If you love stories about old computers playing music, we’ve got those too. Video after the break.

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Live Coding Techno With Strudel

October 16, 2025 by 15 Comments

The super talented [Switch Angel] is an electronic music artist, with a few cool YouTube videos to show off their absolute nailing of how to live code with Strudel. For us mere mortals, Strudel is a JavaScript port of TidalCycles, which is an algorithmic music generator which supports live coding, i.e. the music that is passed down to the synthesizer changes on-the-fly as you manipulate the code. It’s magical to watch (and listen!) to how you can adapt and distort the music to your whims just by tweaking a few lines of code: no compilation steps, hardly any debugging and instant results.

The traditional view of music generators like this is to create lists of note/instrument pairs with appropriate modifiers. Each sound is specified in sequence — adding a sound extends the sequence a little. Strudel / Tidalcycles works a little differently and is based on the idea of repeating patterns over a fixed time. Adding an extra sound or breaking down one sound slot into multiple sounds squeezes all the remaining slots down, causing the whole pattern to repeat in the same period, with the sounds individually taking up less space. This simple change makes it really easy to add layer upon layer of interest within a sequence with a few extra characters, without recalculating everything else to fit. On top of this base, multiple effects can be layered—more than we can mention here—and all can be adjusted with pop-in sliders directly in the code.

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A Casio Toy Synth Is Ready To ROCK!

October 11, 2025 by 6 Comments

There is likely to be more than one of you who has eyed up a child’s toy synthesizer in a second hand store, and considered making something more impressive with it. In many cases these instruments are underwhelming, having a very small subset of functions based into their black-epoxy-blob microcontrollers.

[Make Something] found a Casio toy synth that has a few more functions than the average model, and with the addition of some extra effects electronics and a beautifully made case, turned it into an altogether more interesting instrument.

Most of the video has an element of workshop porn about it, as he makes a very nice Moog-style console case for it, a task made easier by an impressive array of CNC tools. The electronics are slightly more interesting, being a selection of cheap guitar pedals gutted and combined with a cheap tube preamp board. The result is a machine capable of some far more interesting sounds

We think many Hackaday readers would be able to repeat these functions from scratch without the pedals, and while the case is a thing of beauty it’s likely a decent job could be done with a little less finesse on more commonplace tools. Perhaps it’s worth giving those toy synths a second look, because they really can be had for pennies if you look hard enough. Perhaps it’s an easier option than a previous toy musical upgrade.

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A Childhood Dream, Created And Open Sourced

October 7, 2025 by 12 Comments

Some kids dream about getting a pony, others dream about a small form factor violin-style MIDI controller. [Brady Y. Lin] was one of the latter, and now, with the skills he’s learning at Northwestern, he can make that dream a reality — and share it with all of us as an open source hardware project.

The dream instrument’s name is Stradex1, and it’s a lovely bit of kit. The “fretless” neck is a SoftPot linear potentiometer being sampled by an ADS1115 ADC — that’s a 16-bit unit, so while one might pedantically argue that there are discreet frets, there’s 2^15 of them, which is functionally the same as none at all. Certainly it’s enough resolution for continuous-sounding pitch control, as well as vibrato, as you can see at 3:20 in the demo video below. The four buttons that correspond to the four strings of a violin aren’t just push-buttons, but also contain force sensors (again, sampled by the 16-bit ADC) to allow for fine volume control of each tone.

A few other potentiometers flesh out the build, allowing control over different MIDI parameters, such as what key [Brady] is playing on. The body is a combination of 3D printed plastic and laser-cut acrylic, but [Brady] suggests you could also print the front and back panels if you don’t happen to have a laser cutter handy.

This project sounds great, and it satisfies the maker’s inner child, so what’s not to love. We’ve had lots of MIDI controllers on Hackaday over the years — everything from stringless guitars  to wheel-less Hurdy-Gurdies to say nothing of laser harps galore — but somehow, we’ve never had a MIDI violin. The violin hacks we have featured tend to be either 3D printed or comically small.

If you like this project but don’t feel like fabbing and populating the PCB, [Brady] is going to be giving one away to his 1000th YouTube subscriber. As of this writing, he’s only got 800, so that could be you!

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GuitarPie Uses Guitar As Interface, No Raspberries Needed

October 6, 2025 by 14 Comments

We’ve covered plenty of interesting human input devices over the years, but how about an instrument? No, not as a MIDI controller, but to interact with what’s going on-on screen. That’s the job of GuitarPie, a guitar-driven pie menu produced by a group at the University of Stuttgart.

The idea is pretty simple: the computer is listening for one specific note, which cues the pie menu on screen. Options on the pie menu can be selected by playing notes on adjacent strings and frets. (Check it out in action in the video embedded below). This is obviously best for guitar players, and has been built into a tablature program they’re calling TabCTRL. For those not in the loop, tablature, also known as tabs, is an instrument-specific notation system for stringed instruments that’s quite popular with guitar players. So TabCTRL is a music-learning program, that shows how to play a given song.

With this pairing, you can rock out to the tablature, the guitarist need never take their hands off the frets. You might be wondering “how isn’t the menu triggered during regular play”? Well, the boffins at Stuttgart thought of that– in TabCTRL, the menu is locked out while play mode is active. (It keeps track of tempo for you, too, highlighting the current musical phrase.) A moment’s silence (say, after you made a mistake and want to restart the song) stops play mode and you can then activate the menu. It’s well a well-thought-out UI. It’s also open source, with all the code going up on GitHub by the end of October.

The neat thing is that this is pure software; it will work with any unmodified guitar and computer. You only need a microphone in front of the amp to pick up the notes. One could, of course, use voice control– we’ve seen no shortage of hacks with that–but that’s decidedly less fun. Purists can comfort themselves that at least this time the computer interface is a real guitar, and not a guitar-shaped MIDI controller. Continue reading “GuitarPie Uses Guitar As Interface, No Raspberries Needed” →

How Your SID May Not Be As Tuneful As You’d Like

October 4, 2025 by 6 Comments

The MOS Technologies 6581, or SID, is perhaps the integrated circuit whose sound is most sought-after in the chiptune world. Its three voices and mix of waveforms define so much of our collective memories of 1980s computing culture, so it’s no surprise that modern musicians seek out SID synthesisers of their own. One of these is the MIDISID, produced by [MIDI IN],  and in a recent video she investigates an unexpected tuning problem.

It started when she received customer reports of SIDs that were out of tune, and in the video she delves deeply into the subject. The original SID gained its timing from a clock signal provided by the Commodore 64, with thus different timing between NTSC and PAL versions of the machine. This meant European SID music needed different software values to American compositions, and along the way she reveals a localisation error in that the British Commodore 64 manual had the wrong table of values.

Modern SIDs are emulated unless you happen to have an original, and her problem came when switching from one emulated SID to another. The first one used that clock pin while the second has its own clock, resulting in some music being off-tune. It’s a straightforward firmware fix for her, but an interesting dive into how these chips worked for the rest of us.

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