A Wooden Performance Is Fine WIth This Sequencer

You could sometimes be forgiven for thinking that making popular music has become too easy. With a laptop and suitable software almost anybody can now assemble something that had they secured the services of a canny promoter would be in with a shot at stardom. So many performances have been reduced to tightly choreographed dance acts to mask the absence of musicians or indeed musical talent, and our culture is poorer for it. It’s not that music made with modern technology or outside the performance is an indicator of lack of talent, indeed when a truly talented musician makes something with the resources of a modern technology the results are astounding. Instead it perhaps seems as though the technology is cheapened by an association with mediocrity when it should be a tool of greatness.

So it was with pleasure that we noticed a fresh project on Hackaday.io this morning which provides a marriage of accessible music technology and a requirement for performance. [Ernest Warzocha] has made a wooden sequencer.

It’s true, audio sequencers are old hat, so a new one will have to work hard to enthuse a seasoned Hackaday reader who’s seen it all. What makes [Ernest’s] sequencer different is that he’s made one with a very physical interface of wooden pucks placed in circular recesses on a wooden surface. Each recess has an infra-red reflective sensor that detects the surface texture of the puck placed in it and varies the sample it plays accordingly. It’s all held together underneath by an Arduino, and MP3 samples are played by a Sparkfun MP3 shield. At a stroke, he has turned the humble sequencer from a workaday studio tool into a performance art form that you can see in the video below, and we like that.

Home made sequencers have a special place in maker culture, and as you might expect over the years we’ve featured quite a few of them. Shift registers, CMOS analogue switches or even turntables as the sequencer elements, Lego as a human interface, a sequencer made from a cash register, and a rather lovely steampunk sequencer, to name but a few. So this one joins a rich tradition, and we look forward to more in the future.

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A Slew Of Open-Source Synthesizers

Hackaday reader [Jan Ostman] has been making microcontroller-based DIY synthesizers for quite a while now. Recently, he’s opened up the source for a lot of them so that you can play along at home. All of these virtual-analog synths and soundmakers can be realized on an Arduino or AVR ATmega328 if you happen to have one lying around.

Extra parts like a keyboard, some pushbuttons, or some potentiometer knobs to twiddle won’t hurt if you’d like to make something more permanent or more obviously playable, like [Jan] does. On the other hand, if you’d just like to get your feet wet, I’ve tweaked his code to be more immediately plug-and-play. The code is straightforward enough that it’s a good learning platform. So let’s take a quick tour through three drum machines and a string synth, each of which you can build on a breadboard in just a few minutes.

To install on an Arduino UNO, fetch the zip file from this GitHub repository, and move each subfolder to your Arduino sketch directory. You’re ready to play along.

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Mid Century Modern Speaker From 90s Road Trash

[BarryAbrams] found some 90s speakers on the side of the road.  At first he thought he might have made a real score, but his coworker who knows about this sort of thing (we all have one) let him know they were merely average. Undaunted, he removed the speakers from their MDF housing, fixed a small dent in one of the tweeters, and got to work.

He cut a new frame for the speakers out of plywood. He adorned the plywood box with maple and walnut from a local supplier. The box then got a coat of urethane. His skill at sign making showed in the final finish, and the wood looks very good. Our only complaint is the straight legs instead of the slightly angled and tapered ones common to mid-century modern furniture style.

The electronics are a Chinese amp and a Sonos knock-off. [Barry] only needed to control the volume and power for the speaker set. He came up with a clever 3D-printed knob and switch configuration. When the volume is turned all the way down the speaker set turns off.

The end result sounds and looks better than anything he could get for the $125 US Dollars he spent on the project. We certainly wouldn’t complain if this were a fixture in our living space.

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Aquire Awesome Audio For BeagleBone

[Henrik Langer] put his powerful audio acquisition and output board up on Hackaday.io, and we thought we’d point it out to you. It’s one of those projects that used to be pro audio just a few years back, but is doable (and affordable) DIY today: dual stereo inputs and four(!) stereo outputs, all sampled at 24 bits and up to 192 kHz. It’s configured as a BeagleBone cape, and comes with a customized Linux distribution for the ‘Bone.

What would you do with such a thing? It’s essentially a recording studio in your pocket, with a computer attached. The video (linked below the break) demonstrates using the device as a real-time stereo delay effect unit, but that’s only making use of one channel. Between effects, recording, and then all sorts of much-better-than-CD quality sound synthesis and playback possibilities, it’s an open-ended audio playground.

And all that from what is essentially a (very well-done) breakout board for a fancy DAC/ADC chip from Analog Devices: the AD1938. We’d love to have one of these on our desktop. Check out [Henrik]’s GitHub for the PCB and build instructions and BOM and everything else you’d need to get started. Very nice job!

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Upgrading Old Synths To OLED

Roland’s Alpha Juno 2 is an analog, polyphonic synth made in the mid-80s. While it isn’t as capable as the massive synths made around that time, it was very influential synth for the techno scenes of the late 80s and early 90s.

[Jeroen] is lucky enough to have one of these synths, but like all equipment of this era, it’s showing its age. He wanted to replace the character LCD in his Alpha Juno 2 with an OLED display. The original character LCD was compatible with the Hitachi HD44780 protocol, and still today OLEDs can speak this format. What should have been an easy mod turned into editing hex values on the EEPROM, but he still got it to work.

While the original character LCD could display one line of 16 characters, the ROM in the synth didn’t know this. Instead, the display was organized as a 2×8 display in software, with line one starting at address 0h, and line two starting at 40h. For a drop-in replacement, [Jeroen] would need a display the characters organized in this weird 2×8 format. None exist, but he does have a hex editor and an EEPROM burner.

With the Alpha Juno’s firmware in hand thanks to someone who does a few firmware hacks to this synth, [Jeroen] had everything he needed. All that was left to do was going through the code and replace all the references to the second line of the character LCD.

After burning and installing the new ROM, the OLED display was a drop-in replacement. That meant getting rid of the whiney EL backlight in the original display, and making everything nice and glowy for a few nights on a dark stage.

Finally, A Modern Theremin

Ever wanted to own your own Theremin but couldn’t justify dropping hundreds of dollars on one? Now you can build your own, or buy it for a quintuplet of Hamiltons. The Open.Theremin.UNO project has built up antenna-based oscillator control around the ubiquitous Arduino Uno board.

So what’s the Arduino in there for? This is a digital Theremin, but check out the video below and you’ll agree that it sounds amazing and has excellent response. The aluminum antennas used for volume and pitch are attached to the top portion of the shield but it sounds like they’re not included in the kit. Don’t fret, you can use a variety of materials for this purpose. On the bottom you need to connect a speaker cable, and also a ground wire if that cable’s not grounded.

As the name implies, this is Open Hardware and we’re quite happy with the documentation on their site and the BOM (found on the GitHub repo). This design was shown off back in 2013 hiding in a pack of cigarettes. If you don’t want to build your own they’re selling kits on their site for 48 Euro delivered, or on Tindie for $55.

Okay, we’ve screwed this up so many times that we’re going to try to get it right here: the Theremin was not heard in the opening of Star Trek the original series, or in the opening of Doctor Who. It wasn’t featured in “Good Vibrations” either. As far as we can tell, it’s not used for anything in pop culture at all… but recognizing the sound and knowing what one is remains core geek knowledge.

If you want a Theremin to play using your entire body you need the Theremin Terpsitone.

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Drawn In By The Siren’s Song

When I say “siren” what do you think of? Ambulances? Air raids? Sigh. I was afraid you were going to say that. We’ve got work to do.

You see, the siren played an important role in physics and mathematics about 150 years ago. Through the first half of the 1900s, this fine apparatus was trivialized, used for its pure noise-making abilities. During the World Wars, the siren became associated with air raids and bomb shelters: a far cry from its romantic origins. In this article, we’re going to take the siren back for the Muses. I want you to see the siren in a new light: as a fundamental scientific experiment, a musical instrument, and in the end, as a great DIY project — this is Hackaday after all.

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