Guitar Distortion With Diodes In Code, Not Hardware

Guitarists will do just about anything to get just the right sound out of their setup, including purposely introducing all manner of distortion into the signal. It seems counter-intuitive, but it works, at least when it’s done right. But what exactly is going on with the signal? And is there a way to simulate it? Of course there is, and all it takes is a little math and some Arduino code.

Now, there are a lot of different techniques for modifying the signal from an electric guitar, but perhaps the simplest is the humble diode clipping circuit. It just uses an op-amp with antiparallel diodes either in series in the feedback loop or shunting the output to ground. The diodes clip the tops and bottoms off of the sine waves, turning them into something closer to a square wave, adding those extra harmonics that really fatten the sound. It’s a simple hack that’s easy to implement in hardware, enough so that distortion pedals galore are commercially available.

In the video below, [Sebastian] explains that this distortion is also pretty easy to reproduce algorithmically. He breaks down the math behind this, which is actually pretty approachable — a step function with a linear part, a quadratic section, and a hard-clipping function. He also derives a second, natural exponent step function from the Schockley diode equation that is less computationally demanding. To implement these models, [Sebastian] chose an Arduino GIGA R1 WiFi, using an ADC to digitize the guitar signal and devoting a DAC to each of the two algorithms. Each distortion effect has its own charms; we prefer the harsher step function over the exponential algorithm, but different strokes.

Kudos to [Sebastian] for this easy-to-understand treatment of what could otherwise be a difficult subject to digest. We didn’t really expect that a guitar distortion pedal would lead down the rabbit hole to diode theory and digital signal processing, but we’re glad it did.

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Bust Out That Old Analog Scope For Some Velociraster Fun!

[Oli Wright] is back again with another installation of CRT shenanigans. This time, the target is the humble analog oscilloscope, specifically a Farnell DTV12-14 12 MHz dual-channel unit, which features a handy X-Y mode. The result is the Velociraster, a simple (in hardware terms) Raspberry Pi Pico based display driver.

Using a Pico to drive a pair of AD767 12-bit DACs, the outputs of which drive the two ‘scope input channels directly, this breadboard and pile-of-wires hack can produce some seriously impressive results. On the software side of things, the design is a now a familiar show, with core0 running the application’s high-level processing, and core1 acting in parallel as the rendering engine, determining static DAC codes to be pushed out to the DACs using the DMA and the PIO.

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Audio Playback Toy For DSP Adventures

The declining costs of single-board computers has made serious computing power available for even the most trivial of tasks. It’s easy enough to slap a Raspberry Pi onto almost anything for nearly the same cost as a powerful 32-bit microcontroller platform, but this takes some of the fun out of projects for a few of us. Looking to get into the weeds can be a challenge as well, as [Michal Zalewski] demonstrates in this audio playback device he built from a simple 8-bit microcontroller.

The small toy takes audio input from a microphone through an op-amp and feeds this signal to an ADC within the AVR128DA28 microcontroller. The data is then stored on a separate memory chip ready to be played back through another op-amp paired with a speaker. This is where being familiar with the inner workings of the microcontroller comes in handy. By manipulating the interrupt routines in specific ways, the audio stored in memory can be played back at various speeds.

[Michal] intended this build to be a toy for one of his younger relatives, and for the price of a few ICs and buttons it does a pretty good job of turning a regular voice into a chipmunk voice like some commercial children’s toys some of us might remember. If the design aesthetics of this gadget look familiar, you may be thinking of his minimalist gaming device which we recently featured.

A Straightforward Old-Fashioned DAC

With modern microcontrollers, the process of interfacing with the analogue world is easy. Simply enable the on-board DAC or ADC, and talk to the world. If you’ve ever done this with a slightly older microprocessor, you might have encountered the DAC and ADC as chips in their own right, but how about the earliest generation of microprocessors? In those days, if an analogue component was needed, the circuit which would later be integrated on chip would have to be made from scratch. So it is that [Florian Wilhelm Dirnberger] has built a very old-style 6-bit DAC, using a circuit that would have been familiar back in the early 1970s.

At its heart are a pair of 4007 triple CMOS inverters, which form the six bits driving a resistor ladder DAC. This is simply a chair of R… 2R resistors, relying on Ohm’s law for its operation. Each successive bit contributes twice the current to the output of its predecessor, and the 4007 simply provides a buffered supply for the bits.

It’s the simplest of DACs, if not the most capable. Back in the day a typical ADC might also use this circuit, feeding a comparator alongside the input voltage. The microprocessor would count through the digital values until the comparator output bit flipped, at which point it would take the counter value as the analogue measure. You may never need to build one when your microcontroller has one built in, but it’s useful to know how simple DACs and ADCs work.

If the subject interests you, we’ve had a look at DACs including resistor ladders used in audio.

Our Favorite Things: Binary Search

You might not think that it would be possible to have a favorite optimization algorithm, but I do. And if you’re well-versed in the mathematical art of hill climbing, you might be surprised that my choice doesn’t even involve taking any derivatives. That’s not to say that I don’t love Newton’s method, because I do, but it’s just not as widely applicable as the good old binary search. And this is definitely a tool you should have in your toolbox, too.

Those of you out there who slept through calculus class probably already have drooping eyelids, so I’ll give you a real-world binary search example. Suppose you’re cropping an image for publication on Hackaday. To find the best width for the particular image, you start off with a crop that’s too thin and one that’s too wide. Start with an initial guess that’s halfway between the edges. If this first guess is too wide, you split the difference again between the current guess and the thinnest width. Updated to this new guess, you split the differences again.

But let’s make this even more concrete: an image that’s 1200 pixels wide. It can’t get wider than 1200 or thinner than 0. So our first guess is 600. That’s too thin, so we guess 900 — halfway between 600 and the upper limit of 1200. That ends up too wide, so we next guess 750, halfway between 600 and 900. A couple more iterations get us to 675, then 638, and then finally 619. In this case, we got down to the pixel level pretty darn fast, and we’re done. In general, you can stop when you’re happy, or have reached any precision goal.

[Ed note: I messed up the math when writing this, which is silly. But also brought out the point that I usually round the 50% mark when doing the math in my head, and as long as you’re close, it’s good enough.]

What’s fantastic about binary search is how little it demands of you. Unlike fancier optimization methods, you don’t need any derivatives. Heck, you don’t even really need to evaluate the function any more precisely than “too little, too much”, and that’s really helpful for the kind of Goldilocks-y photograph cropping example above, but it’s also extremely useful in the digital world as well. Comparators make exactly these kinds of decisions in the analog voltage world, and you’ve probably noticed the word “binary” in binary search. But binary search isn’t just useful inside silicon. Continue reading “Our Favorite Things: Binary Search”

A computer program written in basic next to a modular synthesizer with many switches and lights

Modular Synth Pairs Perfectly With The Apple II

We have a soft spot for synthesizers – seriously, who doesn’t? So when [Joshua Coleman] combined his retro-looking DIY modular synth with the equally retro Apple II computer, we just had to share it with you.

The two machines are paired using a vintage digital-to-analog logic controller pack. This DAC was originally used to control model trains using your Apple II – something that we now desperately need to see in action. The pack can output voltages between 0 and 2.55 V at 8-bit resolution (or 256 steps), which is plenty for a retro synth.

With the card installed in Slot 7 of the Apple II and the DAC wired through to the synth’s CV/gate, it’s then a trivial matter of writing POKE statements in Applesoft BASIC to control the synth. The video after the break demonstrates playing a simple melody, as well as how one might use the Apple II keyboard to ‘play’ the synth in real time.

If you’re interested in building your own, the video below has all the information needed, as well as helpful advice on where to find a DAC for your preferred model of vintage computer. If all that doesn’t tickle your musical fancy, make sure to check out our coverage on the Game Boy MIDI synth, or perhaps this peculiar synth and visualizer combo.

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Know Audio: It All Depends On The DAC

Our trip through the world of audio technology has taken us step-by step from your ears into a typical home Hi-Fi system. We’ve seen the speakers and the amplifier, now it’s time to take a look at what feeds that amplifier.

Here, we encounter the first digital component in our journey outwards from the ear, the Digital to Analogue Converter, or DAC. This circuit, which you’ll find as an integrated circuit, takes the digital information and turns it into the analogue voltage required by the amplifier.

There are many standards for digital audio, but in this context that used by the CD is most common. CDs sample audio at 44.1 kHz 16 bit, which is to say they express the level as a 16-bit number 44100 times per second for each of the stereo channels. There’s an electrical standard called i2s for communicating this data, consisting of a serial data line, a clock line, and an LRclock line that indicates whether the current data is for the left or the right channel. We covered i2s in detail back in 2019, and should you peer into almost any consumer digital audio product you’ll find it somewhere. Continue reading “Know Audio: It All Depends On The DAC”