[Keystone Science] recently posted a video about building a theremin — you know, the instrument that makes those strange whistles when you move your hands around it. The circuit is pretty simple (and borrowed) but we liked the way the video explains the theory and even dives into some of the math behind resonant frequencies.
The circuit uses two FETs for the oscillators. An LM386 amplifier (a Hackaday favorite) drives a speaker so you can use the instrument without external equipment. The initial build is on a breadboard, but the final build is on a PCB and has a case.
Two researchers of Responsive Environments, MIT Media Lab, have put to together a device that is an amazing array of musical instruments squeezed into one flexible package. Made using seven layers of fabrics with different electrical properties, the result can be played using touch, proximity, pressure, stretch, or with combinations of them. Using a fabric-based keyboard, ribbon-controller, and trackpad, it can be played as a one-octave keyboard, a theremin, and in ways that have no words, such as stretching while pressing keys. It can also be folded up and stuffed into a case along with your laptop, and care has even been taken to make it washable.
Layer one, the top layer, is a conductive fabric for detecting proximity and touch. The twelve keys can work independently with a MPR121 proximity touch controller or the controller can treat them all as one, extending the distance the hand can be and have it still work. Layer two is just a knit fabric but layers three to six detect pressure, consisting to two conductive layers with a mesh fabric and a piezo-resistive fabric in between. The piezo-resistive fabric is LTT-SPLA from eeonyx, a knit fabric coated with the conductive polymer, polypyrrole (PPy). Layer seven consists of two strips of knitted spandex fabric, also coated with PPy, and detects stretching. Two strips of this are sewn on the bottom, one horizontal and one vertical. You can see and hear the amazing sound this all produces in the video below.
World War II can be thought of as the first electronic war. Radio technology was firmly established commercially by the late 1930s and poised to make huge contributions to the prosecution of the war on all sides. Radio was rapidly adopted into the battlefield, which led to advancements in miniaturization and ruggedization of previously bulky and fragile vacuum tube gear. Radios were soon being used for everything from coordinating battlefield units to detonating anti-aircraft artillery shells.
But it was not just the battlefields of WWII that benefitted from radio technology. From apartments in Berlin to farmhouses in France, covert agents toiled away over sophisticated transceivers, keying in coded messages and listening for instructions. Spy radios were key clandestine assets, both during the war and later during the Cold War. Continue reading “Hacking When It Counts: Spy Radios”→
The 555 is configured as an astable oscillator running at about 5MHz and with a loop antenna attached to its timing capacitor. The parasitic capacitance of the musician’s hand against the antenna varies the frequency of the oscillation, as you would expect. In a classic Theremin the signal from the 555 would be mixed with the output from a fixed 5MHz oscillator and the sound would be generated from the difference between the two oscillators, but in [eagleisinsight]’s design the 555 clocks the ATMega328’s timer. The processor can thus read the oscillator frequency and use that value to control a waveform generator.
There is something missing from this Theremin: a second antenna for volume. For now a potentiometer does that job, but [eagleisinsight] is working on a MkII device to correct this omission, along with plans to replace the ATMega with an XMega processor whose DAC can produce a sine wave output and whose USB port can be used to enable the Minimin as a MIDI controller.
The traditional theremin is more or less an audio oscillator with two metal rods. Using proximity sensing, one rod controls the pitch of the oscillator and the other controls the volume. [Teodor Costachiou] apparently asked himself the excellent question: Why does the proximity sensor have to use capacitance? The result is an Arduino-based theremin that uses IR sensors to determine hand position.
[Teodor] used a particular type of Arduino–the Flip and Click–because he wanted to use Click boards for the IR sensors and also to generate sound via an MP3 board based around a VS1053. The trick is that the VS1053 has a realtime MIDI mode, and that’s how this Theremin makes it tones.
So what’s the Arduino in there for? This is a digital Theremin, but check out the video below and you’ll agree that it sounds amazing and has excellent response. The aluminum antennas used for volume and pitch are attached to the top portion of the shield but it sounds like they’re not included in the kit. Don’t fret, you can use a variety of materials for this purpose. On the bottom you need to connect a speaker cable, and also a ground wire if that cable’s not grounded.
As the name implies, this is Open Hardware and we’re quite happy with the documentation on their site and the BOM (found on the GitHub repo). This design was shown off back in 2013 hiding in a pack of cigarettes. If you don’t want to build your own they’re selling kits on their site for 48 Euro delivered, or on Tindie for $55.
Okay, we’ve screwed this up so many times that we’re going to try to get it right here: the Theremin was not heard in the opening of Star Trek the original series, or in the opening of Doctor Who. It wasn’t featured in “Good Vibrations” either. As far as we can tell, it’s not used for anything in pop culture at all… but recognizing the sound and knowing what one is remains core geek knowledge.
Léon Theremin built his eponymous instrument in 1920 under Soviet sponsorship to study proximity sensors. He later applied the idea of generating sounds using the human body’s capacitance to other physical forms like the theremin cello and the theremin keyboard. One of these was the terpsitone, which is kind of like a full-body theremin. It was built about twelve years after the theremin and named after Terpsichore, one of the nine muses of dance and chorus from Greek mythology.