A Harpsichord That Plays Itself

[Malcolm Messiter] is an Oboe player who loves to play pieces from the Baroque era. This often means playing with a Harpsichord and he managed to acquire one to call his very own. Unfortunately you can’t play both instruments at once so he set out to automate the keyboard. What you see here is a fully working version, but he soon went on to add solenoids to the upper rank as well. His story starts on page 27 of this newsletter (PDF).

He really went out of his way to make sure the instrument was not mistreated. A cabinet-maker built some brackets to mount the system above the keys. A friend drilled and tapped a sheet of acrylic to which each solenoid was mounted. The solenoid shafts have each been padded with felt to cushion the blow on the keys. We’ve embedded two demo video after the break that show off the first and second versions of the builds.

Harpsichords pluck the strings instead of hitting them with a hammer as the piano does. The mechanism that does the plucking had worn out on many of the keys so [Malcolm] used a 3D printer to help replace them.

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Nebulophone Microcontroller Synthesizer Project Sounds Great

Judging from the video (found after the break) the Nebulophone is one of the best sounding DIY synthesizers we’ve seen. Especially when you consider the simplicity of the hardware design. It uses an AVR chip and an OpAmp. The rest of the parts are just a few handfuls of inexpensive components.

The device was developed by Bleep Labs, and they sell the synthesizer kit seen on the left. But since it’s an open source project you can follow their design to fabricate your own, which is what [BlinkyBlinky] did with his offering seen to the right.

An ATmega328 drives the device, which is the chip often used in the Arduino Duemilanove. The keyboard is a set of traces hooked to the microcontroller. These are tinned pads on the kit PCB, but the DIY version simply uses some adhesive copper foil with a jumper wire soldered to it. The keys are played with a probe that makes the electrical connection, a common practice on these stylophone type designs. Chances are you have everything on hand to make this happen so keep it in mind for that next cold winter weekend that’s making everyone a bit stir crazy.

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Artemis Synthesizer Kit

The Artemis Synthesizer was created as a kit for Boston University’s Artemis Project. This project aims to teach female rising high school freshmen about computer science with hands-on activities. [Chris] based the kit on a ATMEGA328P microcontroller and a MCP4921 digital to analog converter. It can be used in a keyboard mode, where the buttons toggle various notes of the scale, or in a sequencer mode, where the buttons are used to toggle pre-programmed sequences.

[Chris] wanted the kit to be usable by the students after the workshop, so he used an optical link dubbed the “Optoloader” to program new sequences and waveforms into the device. A web based application allows for waveforms and sequences to be built in the browser, then programmed by holding a phototransistor up to a blinking square. The square flashes black and white corresponding to a Biphase Mark Code encoded message. This is decoded by the microcontroller on the synthesizer and stored in memory. As a result, no special hardware is needed to play new waveforms and sequences.

[Chris] has a thorough write up for the project, including feedback surveys from the students. He plans to add more specific information about the Optoloader in the future.

Check out a video of the kit in action after the break.

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Arduino Voice Changer Turns You Into [Vader]

Halloween is just around the corner, so of course we’re looking forward to a bunch of awesome costumes put together by Hackaday readers. In an effort to match his voice to his costume, [Phil Burgess] over at Adafruit (and former Hackaday alumnus) put together an Arduino-powered voice changer to give his voice the gravitas of [James Earl Jones] or the lightheartedness of a member of the Lollipop Guild.

If you’ve ever played with a turntable, you’ll know playing a 33 RPM record at 45 or 78 RPM turns your treasured copy of Dark Side of the Moon into a lighthearted aural experience with a pitch that is much too high. Likewise, playing a single at 33 or 16 RPM means those once dulcet tones are now recordings of tormented souls in an acoustic hell.

[Phil]’s voice changer operates on the same principle by recording sounds from a microphone into a circular array and playing them back at a different rate; faster if the desired effect is a Munchkin, and slower if this year’s Halloween costume will be a Sith lord.

The completed build incorporates a 10k pot to dynamically change the timbre of the voice changer, as well as an Adafruit Wave Shield to play back a few pre-recorded sounds of lightsabers clashing. In all, a very cool project for your Halloween costume that’s also a very good introduction to DSP and real-time audio modifications with a microcontroller.

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Putting Guitar Pedals In A Web Page

Only half of playing guitar – according to a few musician friends of mine – is moving your fingers up and down a fretboard and banging out some chords. The other half is the artistry of mastering your tone, usually through amp settings and stomp boxes.

Effects pedals – little boxes of electronics that go between the guitar and amp – are able to amplify and distort a guitar’s output, add reverb and delay, and even filter the tone via a wha or envelope pedal. These pedals can be simulated in software, but we can’t believe that they can now be emulated completely in JavaScript.

Pedalboard.js is a project put together by [dashersw], and aims to put a slew of pedals ‘in the cloud’ and turn editing and effects board as easy as building a web page.

The project is built around Webkit’s W3C audio API, allowing this virtual pedal board to work in Chrome, Safari, and other Webkit-enabled browsers. Pedals are programmed as nodes, each configurable to have and input, output, or analyzer that is able to modify the gain, wave shape, or filter of anything received by the line in on your computer.

Thee is a small demo of Pedalboard.js available here with a pre-recorded guitar track feeding into a few stomp boxes. It’s a pretty cool idea if you’d like to play around with a few guitar effect, but we can’t wait to see this bit of JavaScript implemented by effects pedal manufacturers allowing us to try before we buy.

LED Illuminated Isomorphic Keyboard Looks As Good As It Sounds

Unlike the traditional ebony and ivory found on pianos, isomorphic keyboards arrange buttons on a grid. This makes every chord the same shape, and to transpose a piece it’s simply a matter of moving your fingers a few places to the left or right. [Brett Park] sent in an isomorphic keyboard he built loaded up with LEDs, and we’re thinking it the perfect instrument for musicians looking to move up from playing their MacBook.

The body of [Brett]’s keyboard is made out of a sheet of acrylic. After drilling 64 holes for each of the clear arcade buttons, [Brett] bent the sides of his hexagonal keyboard into a very sturdy-looking enclosure.

On the hardware side, [Brett] used a 64 button Arduino shield and a Sparkfun MIDI shield. The RGB LEDs behind each button are controlled via MIDI sysex messages generated outside the instrument, making it perfect for a little bit of visual feedback from whatever soft synth you desire.

In the videos after the break, you can check out the light patterns in action along with one of [Brett]’s improvs. Notice how all the chords are the same shape, and changing the key only requires [Brett] to move his hands slightly to the side.

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LEGO Record Player

Some people claim that the sound of vinyl is superior to digital playback. While this hack wont win any awards for audio quality, [Ryan]’s LEGO Record Player is a unique use of one of our favorite toys. Most of the components including the tone arm, counterweight, and base, are built entirely of LEGO. A large gear from an educational construction set is used for the platter. Unfortunately, the rotation isn’t terribly smooth, and the playback is rather distorted.

The turntable uses a standard cartridge and stylus, which should allow it to be connected to any receiver with a phono preamplifier. Using these off the shelf parts, it’s possible to build the mechanical components a turntable out of a variety of things. As the video demonstrates, getting the platter to turn correctly is a bit of a challenge.

Check out a video of the wobbly playback featuring Cindy and Bert after the break.

Via Make

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