If you are into vintage electronics or restoring antique radio equipment you may be very disappointed with the content offerings on AM broadcast radio these days. Fortunately there is a way to get around this: build your own short-range AM broadcast station and transmit curated content to your radios (and possibly your neighbors). There are several options for creating your own short-range AM broadcast station, and this gives you something fun to tune into with your vintage radio gear.
AM, or amplitude modulation, was the earliest way of sending voice over radio waves. That makes sense because it is easy to modulate a signal and easy to demodulate it, as well. A carbon microphone is sufficient to crudely modulate an AM signal and diode — even a piece of natural crystal — will suffice to demodulate it. Outside of broadcast radio, most AM users migrated to single side band or SSB. On an AM receiver that sounds like Donald Duck, but with a little work, it will sound almost as good as AM, and in many cases better. If you want a better understanding of how SSB carries audio, have a look at [Radio Physics and Electronics] video on the subject.
The video covers the math of what you probably already know: AM has a carrier and two identical side bands. SSB suppresses the carrier and one redundant side band. But the math behind it is elegant, although you probably ought to know some trigonometry. Don’t worry though. At the end of the video, there’s a practical demonstration that will help even if you are math challenged.
Many of us still tune in to terrestrial radio for one reason or another, be it baseball games, talk radio, or classic rock. But do you know how the sound is transmitted to your receiver? This week, our spotlight shines upon a short film produced by KYW Radio that serves as a cheerful introduction to the mysteries of amplitude modulation (AM) radio transmission as they were in 1940.
Sound vibrations enter a microphone and are converted to electrical current, or an audio waveform. The wave is amplified and sent several miles away to the transmitting station. During this trip, the signal loses power and so is amplified at the transmitting station in several stages. This audio wave can’t be transmitted by itself, though; it needs to catch a ride on a high-frequency carrier wave. This wave is generated on-site with a huge crystal oscillator, then subjected to its own series of amplifications prior to broadcast.
The final step is the amplitude modulation itself. Here, the changing amplitude of the original audio wave is used to modulate that of the high-frequency carrier wave. Now the signal is ready to be sent to the tower. Any receiver tuned in to the carrier frequency and in range of the signal will capture the carrier wave. Within the reciever, these currents are converted back to the vibrations that our ears know and love.