Among amateur radio enthusiasts, there’s a subset of users who climb mountainous areas to use their gear from elevated positions. Anyone looking to take part in what’s known as Summits on the Air (SOTA) will obviously want to keep their equipment as light and small as possible. For [Stuart Thomas], that meant a collapsible yagi antenna he could easily pack away.
But one day he wondered why he was carrying around a separate antenna boom when his aluminum hiking pole would make a perfectly good substitute. All he had to do was figure out a way to mount the elements to the pole in a way that could be easily assembled in the field. He initially tried to use the sort of insulated electrical clamps used to hold down conduit, but he found they weren’t quite what he was after.
[Stuart] eventually ended up designing and 3D printing his own element mounts that use an M3 bolt to tightly clamp onto the hiking pole, preventing them from twisting while still being very lightweight and easy to adjust. To further reduce the packed size of the antenna, he cut each element in half with a pipe cutter and flared the ends slightly so he could reassemble them on location with inserts.
For all the successes of modern weather forecasting, where hurricanes, blizzards, and even notoriously unpredictable tornadoes are routinely detected before they strike, reliably predicting one aspect of nature’s fury has eluded us: earthquakes. The development of plate tectonic theory in the middle of the 20th century and the construction of a worldwide network of seismic sensors gave geologists the tools to understand how earthquakes happened, and even provided the tantalizing possibility of an accurate predictor of a coming quake. Such efforts had only limited success, though, and enough false alarms that most efforts to predict earthquakes were abandoned by the late 1990s or so.
It may turn out that scientists were looking in the wrong place for a reliable predictor of coming earthquakes. Some geologists and geophysicists have become convinced that instead of watching the twitches and spasms of the earth, the state of the skies above might be more fruitful. And they’re using the propagation of radio waves from both space and the ground to prove their point that the ionosphere does some interesting things before and after an earthquake strikes.
We’ve frequently talked about amateur radio on these pages, both in terms of the breadth of the hobby and the surprisingly low barrier to entry. It’s certainly the case that amateur radio does not have to mean endlessly calling CQ on SSB with an eye-wateringly expensive rig, and [Bill Meara N2CQR] is on hand with a description of a transceiver that’s so simple it only uses one transistor.
It’s a 40 meter (7 MHz) QRP or low power transceiver in which the transmitter is a simple crystal oscillator and the receiver is an equally simple regenerative design. What makes it so simple is the addition of a three-way switch to transfer the single transistor — a J310 FET — between the two halves of the circuit. It’s no slouch as QRP radios go, having clocked up real-world contacts.
This circuit shows us how a little can go a long way in the world of amateur radio, and we can’t help liking it for that. It’s worth saying though that it’s not without flaws, as a key click filter and another transistor would make for a much higher quality transmitted signal. But then it would no longer be a single-transistor rig, and thus would miss the point, wouldn’t it.
Typically, amateur radio operators use the minimum power needed to accomplish a contact. That’s just part of being a good spectrum citizen, and well-earned bragging rights go to those who make transcontinental contacts on the power coming from a coin cell. But sometimes quantity has a quality all its own, and getting more power into the ether is what the contact requires. That’s where builds such as this well-engineered 600W broadband RF amplifier come into play.
We’re really impressed with the work that [Razvan] put into this power amp. One of the great joys of being a ham is being able to build your own gear, and to incorporate the latest technology long before the Big Three manufacturers start using it. While LDMOS transistors aren’t exactly new – laterally-diffused MOSFETs have been appearing in RF power applications for decades – the particular parts used for the amp, NXP’s MRF300 power transistors, are pretty new to the market. A pair of the LDMOS devices form the heart of the push-pull amp, as do an array of custom-wound toroids and transformers including a transmission line transformer wound with 17-ohm coax cable. [Razvan] paid a lot of attention to thermal engineering, too, with the LDMOS transistors living in cutouts in the custom PCB so they can mate with a hefty heatsink. Even the heatsink compound is special; rather than the typical silicone grease, he chose a liquid metal alloy called Gallinstan. The video below gives a tour of the amp and shows some tests with impressive results.
Most parts of the radio spectrum are shared between more than one user, and there is usually a primary occupant and a secondary one whose usage is dependent upon not interfering with other users. If you’ve used 435 MHz radio modems you will have encountered this, that’s a band shared with both radio amateurs and others including government users. While some countries have wider band limits, the two-meter band between 144 MHz and 146 MHz is allocated with primary status to radio amateurs worldwide, and it is this status that is placed under threat. The latest ARRL news is that there has been little opposition at the pan-European regulator CEPT level, which appears to be causing concern among the amateur radio community.
Why should this bother you? If you are a radio amateur it should be a grave concern that a band which has provided the “glue” for so many vital services over many decades might come under threat, and if you are not a radio amateur it should concern you that a commercial defence contractor in one country can so easily set in motion the degradation of a globally open resource governed by international treaties penned in your grandparents’ time. Amateur radio is a different regulatory being from the licence-free spectrum that we now depend upon for so many things, but the principle of it being a free resource to all its users remains the same. If you have an interest in retaining the spectrum you use wherever on the dial it may lie, we suggest you support your national amateur radio organisation in opposing this measure.
Software-defined radios or SDRs have provided a step-change in the way we use radio. From your FM broadcast receiver which very likely now has single-application SDR technology embedded in a chip through to the all-singing-all-dancing general purpose SDR you’d find on an experimenter’s bench, control over signal processing has moved from the analogue domain into the digital. The possibilities are limitless, and some of the old ways of building a radio now seem antiquated.
[Pete Juliano N6QW] is an expert radio home-brewer of very long standing, and he’s proved there’s plenty of scope for old-fashioned radio homebrewing in an SDR with his RADIG project. It’s an SDR transceiver for HF which does all the work of quadrature splitting and mixing with homebrewed modules rather than the more usual technique of hiding it in an SDR chip. It’s a very long read in a diary format from the bottom up, and what’s remarkable is that he’s gone from idea to working SDR over the space of about three weeks.
So what goes into a homebrew SDR? Both RF preamplifier, filters, and PA are conventional as you might expect, switched between transmit and receive with relays. A common transmit and receive signal path is split into two and fed to a pair of ADE-1 mixers where they are mixed with quadrature local oscillator signals to produce I and Q that is fed to (or from in the case of transmit) a StarTech sound card. The local oscillator is an Si5351 synthesiser chip in the form of an SDR-Kits USB-driven module, and the 90 degree phased quadrature signals are generated with a set of 74AC74 flip-flops as a divider.
Running the show is a Raspberry Pi running Quisk, and though he mentions using a Teensy to control the Si5351 at the start of his diary it seems from the pictures of the final radio that the Pi has taken on that work. It’s clear that this is very much an experimental radio as it stands with wired-together modules on a wooden board, so we look forward to whatever refinements will come. This has the feel of a design that could eventually be built by many other radio amateurs, so it’s fascinating to be in at the start.
Over the winter, [Michael LeBlanc] thought a good way to spend his time during those long dark nights would be to scratch build his own direct conversion receiver. He was able to find plans for such a project easily enough online, but where’s the fun in following instructions? The final result incorporates what he found online with his own unique tweaks and artistic style.
[Michael] based his receiver on a modified approach to the DC40 created by [Ashhar Farhan], a name likely familiar to readers involved in amatuer radio. He further modified the design by swapping out the audio amplifier for a TDA2003A, and bolted on a digital tuner by way of an Arduino and a Si5351 clock generator. There’s a small OLED to show the current frequency, which is adjusted with a high-quality Bourns EM14 optical encoder so he can surf the airwaves in the comfort and style.
The digital tuner mated to the analog DC40 receiver gives the radio an interesting duality, which [Michael] really embraces with his enclosure design. From a practical standpoint he wanted to keep the two halves of the system in their own boxes to minimize any interference, but the 3D printed case exaggerates that practical consideration into a fascinating conversation piece.
The analog and digital compartments are askew, and their rotary controls are on opposite sides. The radio looks like it might topple over if it wasn’t for the fact that the whole thing is bolted together, complete with brass inserts for the printed parts. The integrated carry handle at the top somehow manages to make it look vintage and ultra-modern at the same time. Rarely do you see a printed enclosure that’s both meticulously designed inside and aesthetically pleasing externally. [Michael] earned his 3D Printing Merit Badge for sure with this one.