When you think of a crystal radio, you probably think of something simple maybe built out of household scraps. Not if you are [Chris Wendling]. He recently posted a video (see below) of his high-performance crystal set. He doesn’t take any shortcuts: he has several hundred feet of antenna wire, and uses a cold-water pipe ground system. With no amplifier, a strong signal input is crucial.
The radio has four subsystems: an antenna tuner, a bandpass filter, a detector, and a powered audio output system. He also has a truly enormous system of speakers on the ceiling–this isn’t the crystal radio you made in the boy scouts.
Crystal radios are old news, but great fun. What would happen if a PhD designed a crystal set? By PhD we mean Pizza Hut Deliveryperson and [John Greenlee] (who may not actually be a PhD of either kind; we don’t know) gives us a good idea with his crystal radio in a pizza box.
Pizza boxes aren’t the only food-related material in this radio. [John] makes a tuning capacitor out of cake rounds. Coincidentally, he decorates the tuning capacitor to look like a pizza.
The schematic itself is unremarkable–just a common crystal set. But the construction of the chassis and the capacitor make it an interesting project. If you know a young person that has any interest in radio, a crystal receiver is a rite of passage you shouldn’t deny them and this one is certainly a novelty. The picture of a pizza takes it even one step further than this YouTube build, which is nonetheless a good resource.
The instructions are well done, although some of the parts may be slightly hard to find. Germanium diodes and high-Z earphones are not as plentiful as they used to be, although you can still find them if you look.
Of all the horrors visited upon a warrior, being captured by the enemy might count as the worst. With death in combat, the suffering is over, but with internment in a POW camp, untold agonies may await. Tales of torture, starvation, enslavement and indoctrination attend the history of every nation’s prison camps to some degree, even in the recent past with the supposedly civilizing influence of the Hague and Geneva Conventions.
But even the most humanely treated POWs universally suffer from one thing: lack of information. To not know how the war is progressing in your absence is a form of torture in itself, and POWs do whatever they can to get information. Starting in World War II, imprisoned soldiers and sailors familiar with the new field of electronics began using whatever materials they could scrounge and the abundance of time available to them to hack together solutions to the fundamental question, “How goes the war?” This is the story of the life-saving radios some POWs managed to hack together under seemingly impossible conditions.
The crystal radio is a timeless learning experience, often our first insight into how a radio works. For some of us that childhood fascination never dies. Take for example Jim Cushman, this guy loves to work on vintage scooters, motorcycles, and especially crystal radios (special thanks to fellow coil-winding enthusiast M. Rosen for providing the link). Digging more deeply we find an entire community devoted to crystal radio design. In this article we will get back to basics and study the fundamentals of radio receiver design.
How it works:
A crystal radio is basically a high Q resonator tied to an antenna and an envelope detector. These days the envelope detector is a point contact diode such as a 1N34 Germanium diode.
The resonant circuit passes a specific wavelength (or more specifically range of wavelengths depending on its Q). The diode detector provides the amplitude or envelope of the signal(s) within that wavelength. A high impedance or highly sensitive ear piece converts this envelope to an audible signal that you can listen to.
The neat thing about crystal radios is that no active RF amplification is used. The radio is powered by the incoming radio signal that it is tuned to. More sophisticated crystal sets might have more than one tuned stage, perhaps 3 or 4 to minimize receiver bandwidth for maximum sensitivity and selectivity.
It is hard to be remembered in the electronics business. Edison gets a lot of credit, as does Westinghouse and Tesla. In the radio era, many people know Marconi and de Forest (although fewer remember them every year), but less know about Armstrong or Maxwell. In the solid-state age, we tend to remember people like Shockley (even though there were others) and maybe Esaki.
In the summer of 1929, it would probably have been hard for the average Joe to imagine the degree to which his life was about to change. In October of that year, the US stock market tumbled, which in concert with myriad economic factors kicked off the Great Depression, a worldwide economic disaster that would send ripples through history to this very day. At its heart, the Depression was about a loss of confidence, manifested in bank failures, foreclosures, unemployment, and extreme austerity. People were thrust into situations for which they were ill-prepared, and if they were going to survive, they needed to adapt and do what they could with what they had on hand. In short, they needed to hack their way out of the Depression.
Social Hacking: Welcome to the Jungle
One reaction to the change in the social contract in the 1930s was increased vagrancy. While homelessness was certainly thrust upon some people by circumstances – in the depth of the Depression in 1933, something like 25% of men were unemployed, after all – life on the road was clearly a choice for millions. A typical story was that of the bored teenage boy, facing no prospects for a job and wishing to relieve his large family of the burden of one more mouth to feed. Hitting the road with a few possessions in his “bindle,” he learned the craft of life on the road from more experienced vagrants. And thus another hobo was created.
The popular image of the hobos as unique to the Depression is a little awry. Economic upheaval certainly swelled their ranks, but in America, hobos had first appeared after the Civil War, with war-weary veterans riding the rails looking for work. By the time the Depression hit, there was an extensive hobo culture in the United States, complete with its own slang and a rough code of ethics.
Hobos were top of the heap in the vagrant hierarchy, the “knights of the road.” They were migrant workers, generally unskilled, willing to stay in one place for a paying job but unwilling to commit to settling down. When the job was done or he had made enough money, he moved on. Tramps were the next step down – wanderers who were willing to work but only when absolutely necessary. Lowest in the pecking order were the bums who stayed put and relied on the kindness of strangers for their survival. Regardless of rank, all the vagrants had one thing in common – the road. More or less constantly on the move, they had to quickly learn how to provide for themselves without the creature comforts, which before the Depression hit had begun to include many modern conveniences.
Cooking arrangements were one thing hobos excelled at, whether on the road or in one of the many hobo camps, or jungles, that sprung up at railroad crossings outside of towns. A campfire in a ring of rocks is the traditional view of outdoor cookery, but the hobos quickly learned that it’s not terribly fuel-efficient. One solution to this problem was the hobo stove, an ancestor of the rocket stove. Relying on convection to draw a huge volume of air into a combustion chamber, hobo stoves were easily fabricated from tin cans and other metal scraps that were easy to come by in a world before recycling and large municipal landfills. Most were assembled on the spot and served for a meal or two before being abandoned, but some actually had insulation between double walls and clever arrangements of the fuel shelf to feed automatically as the fuel burned away. Scraps of wood, pinecones, newspapers and cardboard – a hobo stove will eat almost anything, and burn hot enough that even damp fuel isn’t a problem.
Often finding himself with time on his hands, many a hobo kept himself busy with arts and crafts projects in camp. Making hobo nickels was a popular way to pass the time, and often resulted in a trade item far more valuable than the base value of the starting material. The Indian head figure on the US Buffalo nickels of the day were modified with tools fabricated from old nails and files; metal was pushed around the coin to create features on the figure, usually a bowler hat and facial hair. A ‘bo could trade the miniature bas-relief sculpture for a good meal; today genuine hobo nickels from the Depression era command high prices from collectors.
Radio: Razor Blades and Copper Pipe
Unless the hobo was flopping in town or at a really well-equipped jungle, chances are pretty good he wasn’t listening to the radio too much. From our 21st century outlook, it’s sometimes hard to appreciate how new and exciting radio was and the impact it had on everyday life in America during the Depression. Radio connected the nation in a way no other medium ever had. That the Depression did not kill this infant technology in its cradle is a testament to both its power as a medium – families would stop making payments on almost everything else so they could keep their radio sets – and to the tenacity of early electronics hobbyists, who learned to keep radios alive and even to fabricate them from almost nothing.
Although tube-type superheterodyne receivers were widely available all through the Depression, crystal sets were still a popular and sometimes necessary hacker project during the Depression. Relying on nothing more than a tuned circuit and a detector connected to an antenna and high-impedance headphones, a crystal set was able to pick up strong AM broadcasts and sometimes even shortwave stations. The earliest detectors were crystals of galena probed by a tiny “cat’s whisker” wire, but metal oxides could also form the necessary rectifying junction, leading to detectors built out of razor blades and safety pins. Crystal radio skills would serve many a Depression-era farm boy well during the next decade as they went off to war in Europe and the Pacific; there they created foxhole radios to listen in on broadcasts without the risk of a more sophisticated radio set, whose local oscillator could be detected by the enemy.
Receivers weren’t the only area in which Depression-era hackers made an impact. As commercial broadcasting took off, so did amateur radio, and few commercial transmitters were available to satisfy the burgeoning ham market. Depression-era hams had to home-brew almost everything and came up with some beautiful designs that modern glowbug hams recreate with loving attention to detail. A popular transmitter back in the day was based on the Hartley oscillator (PDF link). Using only a single triode tube and a tuned circuit with coils wound from 1/4″ copper tubing, Hartley transmitters could be built on a literal breadboard from scraps and widely available parts. Tuned to the 40- or 80-meter band, or even down to the 160-meter band, a Hartley or the closely related Tuned-Not-Tuned (TNT) or Tune-Plate-Tuned-Grid (TPTG) continuous-wave (CW) transmitters could put out enough power to work coast-to-coast contacts, or QSOs. Modern hams pay homage to the Depression-era pioneers of amateur radio with regular “QSO Parties” using replica Hartleys – most with bypass capacitors to keep the lethal voltages their forebears had to deal with off the coils.
The Great Depression lasted through the 1930s in America, finally dissipating just before the country mobilized for World War II. With factories suddenly working beyond capacity to supply the war effort, unemployment figures quickly plummeted, and the austere practices of the Depression were generally rolled back. Hobo culture declined and amateur radio was shut down by the federal government for the duration of the war, but neither the war effort nor full employment could kill the hobo spirit — modern hobos still ply the rails to this day. And the skills and mindsets developed by Depression-era social and electronics hackers paved the way for a lot of what was to come in the post-war years.
The cool thing with crystal radios is that they are solely powered by the incoming radio waves. However, it usually means listening to your AM radio station with an earpiece and even then, depending on the antenna length, ground connection, and radio station, it can be quite hard to hear.
Even though it is cheating, [Steven] decided to make an amplifier for all the different crystal radios he had made over the years. His design, based on an LM386 amplifier was firstly tested on a breadboard and then permanently soldered onto a perfboard. To make the complete system easy to transport, he opted for a peanut butter jar where he embedded the speaker in the cap. The on/off switch and volume controls are mounted on the side, and easy alligator clips are used for the antenna connection.
The final result is not the one shown in the picture above as [Steven] painted the jar black, giving it a sweet look.