FM Signal Detection The Pulse-Counting Way

Compared to the simple diode needed to demodulate AM radio signals, the detector circuits used for FM are slightly more complicated. Wrapping your head around phase detectors, ratio detectors, discriminators, and quadrature detectors can be quite an exercise. There’s another demodulation method that’s not so common, but thankfully it’s also pretty easy to understand: the pulse counting detector.

As [Allan (W2AEW)] notes in the video below, pulse counting is a bit of a misnomer. Pulse counting works by generating a narrow, fixed-width square wave pulse at a set point in the received FM signal’s waveform, usually at the zero-crossing point. Since the frequency of the modulated carrier changes, the duty cycle of the resulting pulse train varies. That means there will be a fixed number of pulses, but by taking the average voltage of the pulse train, we can tease out the original audio frequency signal.

Simple in theory is often more complicated in practice, and [W2AEW] goes into some detail about those complications, such as needing to use a down-converter to make the peak-to-peak frequency deviation in the pulse train more easily detectable. As is his style, he walks us through a test circuit to prove that the theory works in practice. A simple two-transistor circuit generates the pulses at the zero-crossing point, a low-pass filter cleans up the signal, and a cheap audio amplifier reproduces the original audio. It’s a crude circuit to be sure, relying on the stray capacitance of the breadboard to work, but it proves the point and serves as a jumping-off point for further experiments – perhaps using an Arduino to count the pulses?

We always enjoy [W2AEW]’s videos and learn a lot from them. Not long ago we featured another of his videos talking about the mysteries of RF modulation; SSB, anyone?

Continue reading “FM Signal Detection The Pulse-Counting Way”

Hiding Data In Music Might Be The Key To Ditching Coffee Shop WiFi Passwords

In a move guaranteed to send audiophiles recoiling back into their sonically pristine caves, two doctoral students at ETH Zurich have come up with an interesting way to embed information into music. What sounds crazy about this is that they’re hiding data firmly in the audible spectrum from 9.8 kHz to 10 kHz. The question is, does it actually sound crazy? Not to our ears, playback remains surprisingly ok.

You can listen to a clip with and without the data on ETH’s site and see for yourself. As a brief example, here’s twelve seconds of the audio presenting two versions of the same clip. The first riff has no data, and the second riff has the encoded data.

You can probably convince yourself that there’s a difference, but it’s negligible. Even if we use a janky bandpass filter over the 8 kHz -10 kHz range to make the differences stand out, it’s not easy to differentiate what you’re hearing:

After many years of performing live music and dabbling in the recording studio, I’d describe the data-encoded clip as having a tinny feedback or a weird reverb effect. However, you wouldn’t notice this in a track playing on the grocery store’s speaker. Continue reading “Hiding Data In Music Might Be The Key To Ditching Coffee Shop WiFi Passwords”

ARM Board Transmits FM

There is more than a casual link between computer people and musicians. Computers have created music since 1961 when an IBM7094 sang the song Daisy Bell (later inspiring another computer, the HAL 9000, to do the same).

[Vinod.S] wanted to create music on an STM32F407 Discovery board, but he also wanted it to play on his FM radio. He did it, and his technique was surprising and straightforward. The key is that the ARM processor on the Discovery board uses an 8MHz crystal, but internally (using a phase-locked loop, or PLL) it produces a 100MHz system clock. This happens to be right in the middle of the FM radio band. Bringing that signal back out of the chip on a spare output pin gives you the FM carrier.

That’s simple, but a carrier all by itself isn’t sufficient. You need to FM modulate the carrier. [Vinod.S] did the music playback in the usual way and fed the analog signal via a resistor to the crystal. With some experimentation, he found a value that would pull the crystal frequency enough that when multiplied up to 100MHz, it would produce the desired amount of FM deviation. You can see a video of the whole thing in action, below.

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The Basics Of Frequency Modulation

fm-modulation

[brmarcum] takes us back to analog building block basics with his Frequency Modulation and Demodulation tutorial. Frequency Modulation (FM) sounds simple at first, but understanding the electronics behind modulation and  demodulation of an FM signal can be confusing. We’ve covered the basics before, but FM is so tightly associated with broadcast radio that searches often become muddled with references to RF, stereo, antennas, and transmitters.

[brmarcum] hopes to fill that gap with a simple circuit that modulates an audio signal to FM, then demodulates and amplifies it to be played on a small speaker. He used a Digilent Analog Discovery kit in his experiments, but an oscilloscope (an older analog scope would be perfect here) would work for output. Signal generation duties could easily be handled by a 555 circuit at the low end, and a computer sound card at the higher end.

[brmarcum] obviously put some time into his tutorial, but it’s not a tome of FM modulation. He’s broken down the modulation and demodulation circuits into their basic op-amp stages with examples of what the signal should look like on a scope after each stage. That’s the beauty here. By building and testing each section, anyone new to analog can learn how things work. In places where the theory behind what’s going on gets too in-depth for an Instructable, [brmarcum] gives links to Wikipedia.