Artists have been incorporating the golden ratio in their work for many hundreds of years, and it is thought that when proportions are in line with this ratio, it tends to be more aesthetically pleasing. With that in mind, the clock that [Philippe] created must mathematically be the best looking clock we’ve ever featured, even if it is somewhat difficult to tell time from it.
The clock is made up of squares which represent the first five numbers of the Fibonacci sequence. The squares are backlit with LEDs, which will illuminate red for the hour, green for the minute, and blue representing the overlap of hours and minutes. Simply add up the red and blue squares to get the hour, and add the green and blue squares to get the minutes. The minutes are displayed in 5 minute increments since there aren’t enough blocks though, so you’ll also have to multiply. Confused yet? If not, it turns out that there are several ways to display certain times using this method, any of which can be randomly selected by the clock. [Philippe] reports that there are 16 different ways to represent 6:30, for example.
The clock is driven by an ATmega328P and is housed in a wooden case. There are schematics and code available on [Philippe]’s site if you want to build your own, there are detailed descriptions of how to tell time with this clock. You’ll probably need those. If you like getting confused by clocks, you might also like this one as well.
Continue reading “Fibonacci Clock Is Hard To Read, Looks Good”
[John] modeled several 3D sculptures in Rhino containing similar geometric properties to those found in pinecones and palm tree fronds. As the segments grow from those objects in nature, they do so in approximately 137.5 degree intervals. This spacing produces a particular spiral appearance which [John] was aiming to recreate. To do so, he used a Python script which calculated a web of quads stretched over the surface of a sphere. From each of the divisions, stalk-like protrusions extend from the top center outward. Once these figures were 3D printed, they were mounted one at a time to the center of a spinning base and set to rotate at 550 RPM. A camera then films the shape as it’s in motion at a 1/2000 sec frame rate which captures stills of the object in just the right set of positions to produce the illusion that the tendrils are blooming from the top and pouring down the sides. The same effect could also be achieved with a strobe light instead of a camera.
