Shoot Instax Film In A Polaroid Camera With The Aid Of Tape

December 21, 2025 by Lewin Day No comments

Polaroid cameras have been very popular for a very long time and are especially hot gifts this year. Fresh film is easy to find but relatively expensive. In contrast, Fuji’s Instax line of instant film and cameras aren’t as well established, but the film is easy to find and cheap. You might like to shoot cheap Instax film in your Polaroid camera. Thankfully, [Nick LoPresti] figured out how to do just that.

You can’t just slam an Instax cassette in an old Polaroid camera and expect it to work. The films are completely different sizes, and there’s no way they will feed properly through the camera’s mechanisms at all. Instead, you have to get manual about things. [Nick] starts by explaining the process of removing Instax film sheets from a cassette, which must be done without exposure to light if you want the film to remain useful. Then, if you know what you’re doing, you can tape it in place behind the lens of an old-school Polaroid camera, and expose it as you would any other shot. The chemistry is close enough that you’ll have a fair chance of getting something with passable exposure.

Once exposed, you have to develop the film. Normally, a Polaroid camera achieves this by squeezing the film sheet out through rollers to release the developer and start the process. Without being able to rely on the camera’s autofeed system, you need to find an alternative way to squeeze out the chemicals and get the image to develop. [Nick] recommends a simple kitchen rolling pin, while noting that you might struggle with some uneven chemical spread across the sheet. Ultimately, it’s a fussy hack, but it does work. It might only be worthwhile if you’ve got lots of Instax film kicking around and no other way to shoot it.

Instant cameras can seem a little arcane, but they’re actually quite simple to understand once you know how they’re built. You can even 3D print one from scratch if you’re so inclined. Video after the break.

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In Film, What’s Old May Still Be New Again

June 6, 2025 by Jenny List 15 Comments

We recently published an affectionate look at a Polaroid Land camera, whose peel-apart instant film is long out of production except for a very few single exposure packs form a boutique manufacturer. All that was left was a discussion of modifying it for conventional roll film, or perhaps hacking a modern back-to-front Polaroid sheet into it.

Never say never though, because along come the Chinese company Light Lens Lab with a short announcement at the end of a post talking about grain structures and anti-halation layer materials for their black and white film.

Lastly, with our future development plan, we are currently developing and researching instant peel-apart film, with plans on producing and making available black and white peel-apart film by 2025 in various format. We aim to have an update on our packaging and test shot for the next development/research progress installment. We are also researching, developing and producing colour reversal films that consist of a dye-incorporating development process, commonly known as K-14, for 135 and 120 formats in 2026.

So there you go, no sooner has Hackaday declared a format unavailable, than it shows every sign of reappearing. At this point we’d like to take the opportunity to report that McDonalds Szechuan Chicken McNugget sauce will never ever be available again. Continue reading “In Film, What’s Old May Still Be New Again” →

Falling Down The Land Camera Rabbit Hole

May 15, 2025 by Jenny List 24 Comments

It was such an innocent purchase, a slightly grubby and scuffed grey plastic box with the word “P O L A R O I D” intriguingly printed along its top edge. For a little more than a tenner it was mine, and I’d just bought one of Edwin Land’s instant cameras. The film packs it takes are now a decade out of production, but my Polaroid 104 with its angular 1960s styling and vintage bellows mechanism has all the retro-camera-hacking appeal I need. Straight away I 3D printed an adapter and new back allowing me to use 120 roll film in it, convinced I’d discover in myself a medium format photographic genius.

But who wouldn’t become fascinated with the film it should have had when faced with such a camera? I have form on this front after all, because a similar chance purchase of a defunct-format movie camera a few years ago led me into re-creating its no-longer-manufactured cartridges. I had to know more, both about the instant photos it would have taken, and those film packs. How did they work? Continue reading “Falling Down The Land Camera Rabbit Hole” →

Zink Is Zero Ink — Sort Of

March 31, 2025 by Al Williams 37 Comments

When you think of printing on paper, you probably think of an ink jet or a laser printer. If you happen to think of a thermal printer, we bet you think of something like a receipt printer: fast and monochrome. But in the last few decades, there’s been a family of niche printers designed to print snapshots in color using thermal technology. Some of them are built into cameras and some are about the size of a chunky cell phone battery, but they all rely on a Polaroid-developed technology for doing high-definition color printing known as Zink — a portmanteau of zero ink.

For whatever reason, these printers aren’t a household name even though they’ve been around for a while. Yet, someone must be using them. You can buy printers and paper quite readily and relatively inexpensively. Recently, I saw an HP-branded Zink printer in action, and I wasn’t expecting much. But I was stunned at the picture quality. Sure, it can’t print a very large photo, but for little wallet-size snaps, it did a great job.

The Tech

Polaroid was well known for making photographic paper with color layers used in instant photography. In the 1990s, the company was looking for something new. The Zink paper was the result. The paper has three layers of amorphochromic dyes. Initially, the dye is colorless, but will take on a particular color based on temperature.

The key to understanding the process is that you can control the temperature that will trigger a color change. The top layer of the paper requires high heat to change. The printer uses a very short pulse, so that the top layer will turn yellow, but the heat won’t travel down past that top layer.

The middle layer — magenta — will change at a medium heat level. But to get that heat to the layer, the pulse has to be longer. The top layer, however, doesn’t care because it never gets to the temperature that will cause it to turn yellow.

The bottom layer is cyan. This dye is set to take the lowest temperature of all, but since the bottom heats up slowly, it takes an even longer pulse at the lower temperature. The top two layers, again, don’t matter since they won’t get hot enough to change. A researcher involved in the project likened the process to fried ice cream. You fry the coating at a high temperature for a short time to avoid melting the ice cream. Or you can wait, and the ice cream will melt without affecting the coating.

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Retrogadgets: Oscilloscope Cameras

November 11, 2024 by Al Williams 23 Comments

Today, if you want to get a picture from your oscilloscope — maybe to send to a collaborator or to stick in a document or blog post — it is super easy. You can push an image to a USB stick or sometimes even just use the scope’s PC or web interface to save the picture directly to your computer. Of course, if it is on the computer, you could use normal screen capture software. But that hasn’t always been the case. Back in the days when scopes were heavy and expensive, if you wanted to capture an image from the tube, you took a picture. While you might be able to hold up your camera to the screen, they made specific cameras just for this purpose.

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Polaroid In An Instant

July 31, 2024 by Al Williams 23 Comments

Edwin Land, were he alive, would hate this post. He wanted to be known for this scientific work and not for his personal life. In fact, upon his death, he ordered the destruction of all his personal papers. However, Land was, by our definition, a hacker, and while you probably correctly associate him with the Polaroid camera, that turns out to be only part of the story.

It was obvious that Land was intelligent and inquisitive from an early age. At six, he blew all the fuses in the house. He was known for taking apart clocks and appliances. When his father forbade him from tearing apart a phonograph, he reportedly replied that nothing would deter him from conducting an experiment. We imagine many Hackaday readers have similar childhood stories.

Optics

He was interested in optics, and at around age 13, he became interested in using polarized light to reduce headlight glare. The problem was that one of the best polarizing crystals known — herapathite — was difficult to create in a large size. Herapathite is a crystalline form of iodoquinine sulfate studied in the 1800s by William Herapath, who was unable to grow large sizes of the crystal. Interestingly, one of Herapath’s students noticed the crystals formed when adding iodine to urine from dogs that were given quinine.

Land spent a year at Harvard studying physics, but he left and moved to New York. He continued trying to develop a way to make large, practical, light-polarizing crystals. At night, he would sneak into labs at Columbia University to conduct experiments.

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Reviving A Sensorless X-Ray Cabinet With Analog Film

January 26, 2024 by Dan Maloney 12 Comments

In the same way that a doctor often needs to take a non-destructive look inside a patient to diagnose a problem, those who seek to reverse engineer electronic systems can greatly benefit from the power of X-ray vision. The trouble is that X-ray cabinets designed for electronics are hideously expensive, even on the secondary market. Unless, of course, their sensors are kaput, in which case they’re not of much use. Or are they?

[Aleksandar Nikolic] and [Travis Goodspeed] strongly disagree, to the point that they dedicated a lot of work documenting how they capture X-ray images on plain old analog film. Of course, this is nothing new — [Wilhelm Konrad Roentgen] showed that photographic emulsions are sensitive to “X-light” all the way back in the 1890s, and film was the de facto image sensor for radiography up until the turn of this century. But CMOS sensors have muscled their way into film’s turf, to the point where traditional silver nitrate emulsions and wet processing of radiographic films, clinical and otherwise, are nearly things of the past. Continue reading “Reviving A Sensorless X-Ray Cabinet With Analog Film” →