Testing Severely Neglected VHS Tapes And CDs

Check your tape for spider nests before rewinding. (Credit: Brady Brandwood, YouTube)
Check your tape for spider nests before rewinding. (Credit: Brady Brandwood, YouTube)

Physical media has a certain amount of durability associated with it, a quality which is naturally determined by the way that they’re stored. Generally this does not involve being abandoned on the porch of a dilapidated, abandoned house where the elements and any passing critter can have their way with it.

Exactly how playable would these VHS tapes and CDs still be? Whether it was out of a sense of burning curiosity, or for a similar reason that [Brady Brandwood] has a habit of adopting former seafood critters like lobsters as adorable pets, these items got recently collected and put to the test.

Normally VHS tapes are kept safely in a little sleeve or box in a dry, cool place, similar to CDs and DVDs. These particular items had however been left for at least a decade out in the open amidst the ransacked remains of abandoned homes. This meant that the VHS tapes were full of dirt and debris, and at least in one case with a spider nest that jammed up the thrift-store VHS/DVD combo player.

The CDs were cleaned and tried in a G5 iMac, with the obvious results there being that as long as the shiny layer with the data was intact, they worked fine. While a damaged disc tried to play somewhat, even the amazing audio CD error-correcting algorithms can not compensate for see-through gashes.

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HD On A VHS Tape? How Did They Do It?

There was a period from the 1970s to the mid-2000s or so when a fixture underneath the family TV set was a VHS videocassette recorder. These were a masterpiece of cramming a color video signal into the restricted bandwidth of an affordable 1970s helical-scan tape deck, which was achieved by clever use of frequency shifting and FM carrier modulation. Very few of us will have had the ultimate iteration of the VHS format though, W-VHS, which managed the same trick but with HD video. But how? [Superchromat] is here with the answer.

W-VHS used a frequency modulated carrier, but instead of splitting luminance and chrominance in the frequency domain like its VHS ancestor, it did so in the time domain in the same way as some 1980s satellite TV standards did. Each line first contained the color information, then the brightness. Thus it sacrificed some color resolution and a little horizontal image resolution, but kept a much higher vertical image resolution. In the video below the break we go into significant detail about the compromises required to pull this off, and if you watch it through you’ll learn something about magnetic tape recording as well as FM.

The W-VHS standard is largely forgotten now as a last hurrah for the format, but it’s still in the sights of the VHS Decode project. The work in this video is helping them retrieve the highest quality images from these tapes, by capturing the raw RF from the heads and using DSP techniques to decode them.

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Marion Stokes Fought Disinformation With VCRs

You’ve likely at least heard of Marion Stokes, the woman who constantly recorded television for over 30 years. She comes up on reddit and other places every so often as a hero archivist who fought against disinformation and disappearing history. But who was Marion Stokes, and why did she undertake this project? And more importantly, what happened to all of those tapes? Let’s take a look.

Marion the Librarian

Marion was born November 25, 1929 in Germantown, Philadelphia, Pennsylvania. Noted for her left-wing beliefs as a young woman, she became quite politically active, and was even courted by the Communist Party USA to potentially become a leader. Marion was also involved in the civil rights movement.

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USB Video Capture Devices: Wow! They’re All Bad!!

[VWestlife] purchased all kinds of USB video capture devices — many of them from the early 2000s — and put them through their paces in trying to digitize VHS classics like Instant Fireplace and Buying an Auxiliary Sailboat. The results were actually quite varied, but almost universally bad. They all worked, but they also brought unpleasant artifacts and side effects when it came to the final results. Sure, the analog source isn’t always the highest quality, but could it really be this hard to digitize a VHS tape?

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Video Tape Hides Video Player

While it might not be accurate to say VHS is dead, it’s certainly not a lively format. It continues on in undeath thanks to dedicated collectors and hobbyists, some of whom may be tempted to lynch Reddit user [CommonKingfisher] for embedding a video player inside a VHS tape.

Miniaturization in action. The video player probably cost about the same as the original VHS when you account for inflation.

The hack started with a promotional video card via Ali Express, which is a cheap enough way to get a tiny LCD player MP4 playing micro. As you can see, there was plenty of room in the tape for the guts of this. The tape path is obviously blocked, so the tape is not playable in this format. [CommonKingfisher] claims the hack is “reversible” but since he cut a window for the LCD out of the casing of the cassette, that’s going to be pretty hard to undo. On the other hand, the ultrasonic cutter he used did make a very clean cut, and that would help with reversibility.

The fact that the thing is activated by a magnetic sensor makes us worry for the data on that tape, too, whether or not the speaker is a peizo. Ultimately it doesn’t really matter; in no universe was this tape the last surviving copy of “The Matrix”, and it’s a lot more likely this self-playing “tape” gets watched than the VHS was going to be. You can watch it yourself in the demo video embedded below.

VHS nostalgia around here usually involves replicating the tape experience, rather than repurposing the tape. We’re grateful to [George Graves] for the tip. Tips of all sorts are welcome on our friendly neighborhood tips line.

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RedBox In The 80s: Meet The VHS Vending Behemoth

Redbox was a company with a moderately interesting business model—it let you rent DVDs from automated kiosks. It’s an idea so simple it’s almost surprising it didn’t appear sooner. Only, it did—all the way back in the VHS age!

Meet the Video Vendor. YouTuber [SpaceTime Junction] was able to track down one of these rare machines, which apparently formerly served an Ohio rental outlet called Kohnen’s. It’s a monstrous thing that stands taller and about three times wider than traditional vending machines, and it could hold up to 320 tapes in its robotic magazine. It’s got lashings of woodgrain, a green-on-black CRT, and the beautiful kind of clicky keys that went away after the 1980s.

[SpaceTime Junction] has a bunch of videos up on the machine, and you even get to see it powered up.  It’s a little difficult to see what’s going on, because the machine is something like nine feet wide and it’s all shot in vertical video. There isn’t a whole lot of content on these obscurities out there, so this is a great place to start. Apparently, there were recently a hundred or more of these found living in a Texas warehouse according to Reddit, so we might see more of these popping up online soon. [SpaceTime Junction] has toured that facility, too.

You can read more about the fall of Redbox, or the cleanup afterwards, in our prior coverage.

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The 1987 Videonics Editing System

Videonics: The Dawn Of Home Video Editing, Revisited

Here’s a slice of history that will make any retro-tech fan grin: before TikTok and iMovie, there was a beast called the Videonics DirectED Plus. This early attempt at democratizing video editing saved enthusiasts from six-figure pro setups—but only barely. Popular Science recently brought this retro marvel back to life in a video made using the very system that inspired it. Picture it: 1987, VHS at its peak, where editing your kid’s jazz recital video required not just love but the patience of a saint, eight VCRs, three Videonics units, two camcorders, and enough remotes to operate a space shuttle.

The Videonics DirectED Plus held promise with a twist. It offered a way to bypass monstrous editing rigs, yet mastering its panel of buttons felt like deciphering hieroglyphs. The ‘Getting Started’ tape was the analog era’s lifeline, often missing and leaving owners hunting through second-hand stores, forgotten basements, and enthusiast forums. Fast forward to today, and recreating this rig isn’t just retro fever—it’s a scavenger hunt.

The 1987 Videonics Editing SystemOnce assembled, the system resembled a spaghetti junction of cables and clunky commands. One wrong button press could erase precious minutes of hard-won footage. Still, the determination of DIY pioneers drove the machine’s success, setting the stage for the plug-and-play ease we now take for granted.

These adventures into retro tech remind us of the grit behind today’s seamless content creation. Curious for more? Watch the full journey by Popular Science here.

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