Retrotechtacular: Ford Model T Wheels, Start To Finish

There’s no doubt that you’ll instantly recognize clips from the video below, as they’ve been used over and over for more than 100 years to illustrate the development of the assembly line. But those brief clips never told the whole story about just how much effort Ford was forced to put into manufacturing just one component of their iconic Model T: the wheels.

An in-house production of Ford Motors, this film isn’t dated, at least not obviously. And with the production of Model T cars using wooden spoked artillery-style wheels stretching from 1908 to 1925, it’s not easy to guess when the film was made. But judging by the clothing styles of the many hundreds of men and boys working in the River Rouge wheel shop, we’d venture a guess at 1920 or so.

Production of the wooden wheels began with turning club-shaped spokes from wooden blanks — ash, at a guess — and drying them in a kiln for more than three weeks. While they’re cooking, a different line steam-bends hickory into two semicircular felloes that will form the wheel’s rim. The number of different steps needed to shape the fourteen pieces of wood needed for each wheel is astonishing. Aside from the initial shaping, the spokes need to be mitered on the hub end to fit snugly together and have a tenon machined on the rim end. The felloes undergo multiple steps of drilling, trimming, and chamfering before they’re ready to receive the spokes.

The first steel component is a tire, which rolls down out of a furnace that heats and expands it before the wooden wheel is pressed into it. More holes are drilled and more steel is added; plates to reinforce the hub, nuts and bolts to hold everything together, and brake drums for the rear wheels. The hubs also had bearing races built right into them, which were filled with steel balls right on the line. How these unsealed bearings were protected during later sanding and grinding operations, not to mention the final painting step, which required a bath in asphalt paint and spinning the wheel to fling off the excess, is a mystery.

Welded steel spoked wheels replaced their wooden counterparts in the last two model years for the T, even though other car manufacturers had already started using more easily mass-produced stamped steel disc wheels in the mid-1920s. Given the massive infrastructure that the world’s largest car manufacturer at the time devoted to spoked wheel production, it’s easy to see why. But Ford eventually saw the light and moved away from spoked wheels for most cars. We can’t help but wonder what became of the army of workers, but it probably wasn’t good. So turn the wheels of progress.

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How To Lace Cables Like It’s 1962

Cable harnesses made wire management a much more reliable and consistent affair in electronic equipment, and while things like printed circuit boards have done away with many wires, cable harnessing still has its place today. Here is a short how-to on how to lace cables from a 1962 document, thoughtfully made available on the web by [Gary Allsebrook] and [Jeff Dairiki].

It’s a short resource that is to the point in all the ways we love to see. The diagrams are very clear and the descriptions are concise, and everything is done for a reason. The knots are self-locking, ensuring that things stay put without being overly tight or constrictive.

According to the document, the ideal material for lacing cables is a ribbon-like nylon cord (which reduces the possibility of biting into wire insulation compared to a cord with a round profile) but the knots and techniques apply to whatever material one may wish to use.

Cable lacing can be done ad-hoc, but back in the day cable assemblies were made separately and electrically tested on jigs prior to installation. In a way, such assemblies served a similar purpose to traces on a circuit board today.

Neatly wrapping cables really has its place, and while doing so by hand can be satisfying, we’ve also seen custom-made tools for neatly wrapping cables with PTFE tape.

Retrotechtacular: How Not To Use Hand Tools

Whatever you’re doing with your hand tools, by the US Army’s lights, you’re probably doing it wrong. That seems to be the “Green Machine’s” attitude on pliers and screwdrivers, at least, the main stars of this 1943 War Department training film on the horrors of tool abuse.

As kitschy as the film might be, they weren’t wrong. That’s especially true about the dreaded slip-joint pliers, which seem to find their way onto everyone’s list of unloved tools and are shown being used for their true purpose — turning nuts and bolt heads from hexagons into circles. Once that gore is wrapped up, we’re treated to the proper uses of pliers, including the fascinating Bernard-style parallel jaw pliers. We can recall these beauties kicking around the bottom of Dad’s tool kit and being entranced by the mechanism used to keep the jaws parallel and amplify the force applied. Sadly, those pliers are long gone now; Tubalcain did a great review of these pliers a few years back if you need a refresher.

A selection of screwdrivers gets the same treatment, complete with dire warnings against using them as prybars and chisels. Also against the Army Way is using the wrong size screwdriver for the job, lest you strip the head of the screw or break the tool itself. It has to be said that the Plomb Tool Company of Los Angeles, which produced the film, made some fantastic-looking screwdrivers back in the day. The square shanks on some of those straight screwdrivers are enormous, and the wooden handles look so much more comfortable than the greebled-up plastic nonsense manufacturers seem to favor these days. Also interesting is the reference to the new-fangled Phillips screw, not to mention the appearance of a Yankee-style spiral ratcheting screwdriver, another of Dad’s prized acquisitions that thankfully is still around to this day.

What strikes us about these military training films is how many of them were produced. No subject seemed too mundane to get a training film made about it, and so many were made that one is left wondering how there was any time left for soldiering after watching all these films. But really, it’s not much different today, when we routinely pull up a random YouTube video to get a quick visual demo of how to do something we’ve never tried before. The medium may have changed, but visual learning is still a thing.

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Retrotechtacular: The Other Kind Of Fallout Show

Thanks to the newly released Amazon Prime series, not to mention nearly 30 years as a wildly successful gaming franchise, Fallout is very much in the zeitgeist these days. But before all that, small-F fallout was on the minds of people living in countries on both sides of the Iron Curtain who would have to deal with the aftermath of a nuclear exchange.

Uwaga! Pył promieniotwórczy  (“Beware! Radioactive Dust”) is a 1965 Polish civil defense film from film studio Wytwórnia Filmów Oświatowych. While the Cold War turning hot was not likely to leave any corner of the planet unscathed, Poland was certainly destined to bear the early brunt of a nuclear exchange between the superpowers, and it was clear that the powers that be wanted to equip any surviving Polish people with the tools needed to deal with their sudden change in circumstances.

The film, narrated in Polish but with subtitles in English, seems mainly aimed at rural populations and is mercifully free of the details of both fallout formation and the potential effects of contact with radioactive dust, save for a couple of shots of what looks like a pretty mild case of cutaneous radiation syndrome.

Defense against fallout seems focused on not inhaling radioactive dust with either respirators or expedient facemasks, and keeping particles outside the house by wearing raincoats and boots, which can be easily cleaned with water. The fact that nowhere in the film is it mentioned that getting fallout on your clothes or in your lungs could be largely avoided by not going outside is telling; farmers really can’t keep things running from the basement.

A lot of time in this brief film is dedicated to preventing food and water from becoming contaminated, and cleaning it off if it does happen to get exposed. We thought the little tin enclosures over the wells were quite clever, as were the ways to transfer water from the well to the house without picking up any contamination. The pros and cons of different foods are covered too — basically, canned foods dobry, boxed foods zły. So, thumbs up for Cram, but you might want to skip the YumYum deviled eggs.

Dealing with the potential for a nuclear apocalypse is necessarily an unpleasant subject, and it’s easy to dismiss the advice of the filmmakers as quaint and outdated, or just an attempt to give the Polish people a sense of false hope. And that may well be, but then again, giving people solid, practical steps they can take will at least give them some agency, and that’s rarely a bad thing.

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Retrotechtacular: Some Days You Just Can’t Get Rid Of A Nuclear Bomb

It may seem a bit obvious to say so, but when a munition of just about any kind is designed, little thought is typically given to how to dispose of it. After all, if you build something that’s supposed to blow up, that pretty much takes care of the disposal process, right?

But what if you design something that’s supposed to blow up only if things go really, really wrong? Like nuclear weapons, for instance? In that case, you’ll want to disassemble them with the utmost care. This 1993 film, produced by the US Department of Energy, gives a high-level overview of nuclear weapons decommissioning at the Pantex plant in Texas. Fair warning: this film was originally on a VHS tape, one that looks like it sat in a hot attic for quite a few years before being transferred to DVD and thence to YouTube. So the picture quality is lousy, in some points nearly unwatchably so. Then again, given the subject matter that may be a feature rather than a bug.

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Retrotechtacular: The Master Hands Of The Early Automotive Industry

When motion pictures came along as a major medium in the 1920s or so, it didn’t take long for corporations to recognize their power and start producing promotional pieces. A lot of them are of the “march of progress” genre, featuring swarms of workers happy in their labors and creating the future with their bare hands. If we’re being honest, a lot of it is hard to watch, but “Master Hands,” which shows the creation of cars in the 1930s, is somehow more palatable, mostly because it’s mercifully free of the flowery narration that usually accompanies such flicks.

“Master Hands” was produced in 1936 and focuses on the incredibly labor-intensive process of turning out cars, which appear to be the Chevrolet Master Deluxe, likely the 1937 model year thanks to its independent front suspension. The film is set at General Motors’ Flint Assembly plant in Flint, Michigan, and shows the entire manufacturing process from start to finish. And by start, we mean start; the film begins with the meticulous work of master toolmakers creating the dies and molds needed for forging and casting every part of the car. The mold makers and foundrymen come next, lighting their massive furnaces and packing the countless sand molds needed for casting parts. Gigantic presses stamp out everything from wheels to frame rails to body panels, before everything comes together at the end of the line in a delicate ballet of steel and men.

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Retrotechtacular: Rebuilding A Fire-Ravaged Telephone Exchange

Those who haven’t experienced the destruction of a house fire should consider themselves lucky. The speed with which fire can erase a lifetime of work — or a life, for that matter — is stunning. And the disruption a fire causes for survivors, who often escape the blaze with only the clothes on their backs, is almost unfathomable. To face the task of rebuilding a life with just a few smoke-damaged and waterlogged possessions while wearing only pajamas and slippers is a devastating proposition.

As bad as a residential fire may be, though, its impact is mercifully limited to the occupants. Infrastructure fires are another thing entirely; the disruption they cause is often felt far beyond the building or facility involved. The film below documents a perfect example of this: the 1975 New York Telephone Exchange fire, which swept through the company’s central office facility at the corner of 2nd Avenue and 13th Street in Manhattan and cut off service to 300 blocks of the East Village and Lower East Side neighborhoods.

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