Hackaday likes clocks, a lot. Speaking personally, from my desk I can count at least eight clocks, of which seven are working. There’s normal quartz movement analog clocks, fun automatic wristwatches, run-of-the-mill digital clocks, a calculator watch, and a very special and very broken Darth Vader digital clock/radio combo that will get fixed one day — most likely. Every clock is great, and one of life’s great struggles is to see how many you can amass before you die. The more unique the clock is, the better, and nothing (so far) tops [Antonella Perucca]’s Chinese Remainder Clock.
Oh, there was a time when you could prototype just about everything on a breadboard. The CPU in your computer came in a DIP package, and there were no BGA packages. to be found anywhere. In the forty years since then, chips have gotten smaller, packages have gotten more cramped, and you can barely hand-solder the coolest chips anymore. No worries — companies are still spitting out dev boards with 0.1″ headers, but there’s a problem: they don’t fit on a solderless breadboard. They’re too wide. Our world is falling apart.
[Luc] had a problem when he was playing with a few NodeMCU dev boards. These are too wide for a breadboard. [Luc] came up with not just one solution, but two. This is how you prototype with dev boards that are too large.
The solution came to [Luc] when he realized the center of every breadboard has no electrical connections, and was simply held together by a little piece of plastic. Yes, he took a hacksaw to the breadboard. This is technically a hack.
With two halves of a solderless breadboard torn asunder, [Luc] had an easy way to prototype with dev boards that are just too wide. But there is a simpler solution [Luc] realized after he destroyed a breadboard: those ubiquitous solderless breadboards have detachable power rails. If you simply take one of those power rails off, you have an easy way to use two breadboards across a module that’s too wide for one solderless breadboard.
Is this a hack? Oh, absolutely. [Luc] used a hacksaw. It’s also a nice reminder of a common trick that the noobies might not know. Thanks for that, [Luc].
Sometimes a mix of old and new is better than either the old or new alone. That’s what [Brad Carter] learned when he was given an old 1990s sound board with a noisy SCSI drive in it. In case you don’t know what a sound board is, think of a bunch of buttons laid out in front of you, each of which plays a different sound effect. It’s one way that radio DJ’s and podcasters intersperse their patter with doorbells and car crash sounds.
Before getting the sound board, [Brad] used a modern touchscreen table but it wasn’t responsive enough to get a machine gun like repetition of the sound effect when pressing an icon in rapid succession. On the other hand, his 1990s sound board had very responsive physical buttons but the SCSI hard drive was too noisy. He needed the responsiveness of the 1990s physical buttons but the silence of modern solid state storage.
And so he replaced the sound board’s SCSI drive with an SD card using a SCSI2SD adaptor. Of course, there was configuration and formatting involved along with a little trial and error to get the virtual drive sizes right. To save anyone else the same difficulties, he details all his efforts on his webpage. And in the video below you can see and hear that the end result is an amazing difference. Pressing the physical buttons gives instant sound and in machine gun fashion when pressed in rapid succession, all with the silence of an SD card.
One of the core tenets of free and open source software licenses is that you’re being provided source code for a project with the hope that you’ll “pay it forward” if and when you utilize that code. In fact some licenses, such as the GNU Public License (GPL), require that you keep the source code for subsequent spin-offs or forks open. These are known as viral licenses, and the hope is that they will help spread the use of open source as derivative works can’t turn around and refuse to release their source code.
Unfortunately, not everyone plays by the rules. In a recent post on their blog, Printed Solid has announced they are ending their relationship with Chinese manufacturer Creality, best known for their popular CR-10 printer. Creality produces a number of printers which make use of Marlin, a GPLv3 licensed firmware that runs (in some form or another) a large majority of desktop 3D printers. But as explained in the blog post, Printed Solid has grown tired with the manufacturer’s back and forth promises to comply with the viral aspects of the GPL license.
Rather than helping to support a company they believe is violating the trust of the open source community, they have decided to mark down their existing stock of Creality printers to the point they will be selling them at a loss until they run out. In addition, for each Creality printer that is sold Printed Solid has promised to make a $50 USD donation to the development of Marlin saying: “if Creality won’t support Marlin development then we will.”
As is often the case when tempers are high and agreements break down, Printed Solid has also pulled back the curtain a bit as to the relationship they have had thus far with the manufacturer. According to the blog post, Printed Solid claims that some models of Creality printers have had a 100% fault rate, and that the company needed to repair and tweak the machines before sending them out to customers. The not so subtle implication being that Creality printers have been benefiting from the work Printed Solid has been doing on their hardware, and that purchasing a unit direct from the manufacturer could be a dicey proposition.
Today is the start of the Musical Instrument Challenge. This newest part of the 2018 Hackaday Prize asks you to go far beyond what we’re used to seeing from modern musical instrumentation. Twenty entries will be awarded $1,000 each and go on to compete in the final round of the Hackaday Prize.
Imagine music without the electric guitar amp, violin, two turntables and a microphone, the electric drum pad, or in the absence of autotune. Maybe that last one made you groan, but autotune is a clever use of audio manipulation and when used to augment the music (rather than just to correct off-key voices) it shows its value as a new tool for creativity.
Musicians have always been hackers. The story of Brian May’s handmade guitar — the Red Special — is one of not being able to buy it, so he built it. Unlocking emotion in the listener has always meant finding new and different ways to use sound. This is a natural motivator to re-imagine and invent new ways of doing that. That first hand-built guitar got him in the door, but iterative improvements to the tremolo bar, the pickups, and even just the mechanical engineering of the neck made it a new instrument that you’ve heard in every Queen performance since.
So what’s next? What does a brand new instrument, interface, tool, or trick look like? That’s what we want to see from this Hackaday Prize challenge. From instrument makers to the people who write software for sampling, synthesizing, sequencing, and manipulating sound, we’re looking for things that let others make music. These creations are the tools of the trade that help more people unlock their musical creativity. Show off your work by sharing all the details of your design, and demonstrate the music you can make with it.
You have until October 8th to put your entry up on Hackaday.io. The top twenty entries will each get $1,000 and go on to the finals where cash prizes of $50,000, $20,000, $15,000, $10,000, and $5,000 await.
It’s often said that necessity of the mother of invention, but as a large portion of the projects we cover here at Hackaday can attest, curiosity has to at least be its step-mother. Not every project starts with a need, sometimes it’s just about understanding how something works. That desire we’ve all felt from time to time, when we’ve looked at some obscure piece of hardware or technology and decided that the world would be a slightly better place if we cracked it open and looked at what spilled out.
That’s precisely the feeling Eric O’Callaghan had when he looked out the window of his Philadelphia apartment a few years back and saw something unusual. Seemingly overnight, they had built an automated Indego bike sharing station right across the street. Seeing the row of light blue bicycles sitting in their electronic docks, he wondered how the system worked, and what kind of data they might be collecting. He didn’t need to rent a bike, he hadn’t even ridden one in years, but he suddenly had a strong urge to go across the street and learn as much as he could about this system.
He recently presented those findings during FOSSCON 2018 at the International House in Philadelphia, in the hopes that others might be interested in getting involved. Currently Eric is one of the only people who’s investigating the public data Indego offers, and as his personal MySQL database has now surpassed 15 million rows of data, he’s hoping to get some developers with big data experience into the fray. His approach to making this data useful is an interesting one which I’ll dive into after the break.
If you’ve done much 3D printing, you probably curse how plastic warps as it cools down and heats. There’s nothing more upsetting than watching a six hour print start curling off the bed and starting its inexorable march to the trash can. However, researchers at Carnegie Mellon have found a way to harness that tendency to warp with heat to make self-folding structures like those seen in the video below. There’s a paper about how it works available, too.
The Thermorph process uses commercially-available 3D printers, but requires special software. You might wonder why you would want to fold, say, a rose, when you could just print it as a fully-formed 3D model. The paper suggests that printing self-folding structures is faster and can save up to 87% on print times for the right models.