The Red Special: Brian May’s Handmade Guitar

June 13, 2017 by 58 Comments

Guitarists are a special breed, and many of them have a close connection with the instruments they play. It might be a specific brand of guitar, or a certain setup required to achieve the sound they’re looking for. No one has a closer bond with an instrument than Brian May to his Red Special. The guitar he toured with and played through his career with Queen and beyond had very humble beginnings. It was built from scratch by Brian and his father Harold May.

A young Brian May playing the brand new Red Special. Note the disk magnets of the original handmade pickups

It was the early 1960’s and a young teenaged Brian May wanted an electric guitar. The problem was that the relatively new instruments were still quite expensive — into the hundreds of dollars. Well beyond the means of the modest family’s budget. All was not lost though. Brian’s father Harold was an electrical engineer and a hacker of sorts. He built the family’s radio, TV, and even furniture around the house. Harold proposed the two build a new electric guitar from scratch as a father-son project. This was the beginning of a two-year odyssey that resulted in the creation of one of the world’s most famous musical instruments.

Brian was already an accomplished guitarist, learning first on his dad’s George Formby Banjo-ukulele, and graduating to an Egmond acoustic guitar. Brian’s first forays into electric guitars came from experimenting with that Egmond. If you look close, you can even see the influence it had on the final design of the Red Special.

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A Queen Mystery: The Legend Of The Deacy Amp

May 8, 2017 by 56 Comments

It sounds like a scene from a movie. A dark night in London, 1972. A young man walks alone, heading home after a long night of practicing with his band. His heavy Fender bass slung over his back, he’s weary but excited about the future. As he passes a skip (dumpster for the Americans out there), a splash of color catches his attention. Wires – not building power wires, but thinner gauge electronics connection wire. A tinkerer studying for his Electrical Engineering degree, the man had to investigate. What he found would become rock and roll history, and the seed of mystery stretching over 40 years.

The man was John Deacon, and he had recently signed on as bassist for a band named Queen. Reaching into the skip, he found the wires attached to a circuit board. The circuit looked to be an amplifier. Probably from a transistor radio or a tape player. Queen hadn’t made it big yet, so all the members were struggling to get by in London.

Deacon took the board back home and examined it closer. It looked like it would make a good practice amplifier for his guitar. He fit the amp inside an old bookshelf speaker, added a ¼ “ jack for input, and closed up the case. A volume control potentiometer dangled out the back of the case. Power came from a 9-volt battery outside the amp case. No, not a tiny transistor battery; this was a rather beefy PP-9 pack, commonly used in radios back then. The amp sounded best cranked all the way up, so eventually, even the volume control was removed. John liked the knobless simplicity – just plug in the guitar and play. No controls to fiddle with.

And just like that, The Deacy amp was born.

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Tesla Coil Guitar Amp

December 7, 2008 by 18 Comments

[youtube=http://www.youtube.com/watch?v=JnmZZNWzZPc]

You’ve probably seen musical Tesla coils already. People have wired them up to computers and keyboards to make them serve as dangerous and awesome speakers. This video popped up of someone playing his guitar through one. It is rough, and not very good at polyphony, but still cool. We would like to see several coils, split by different filters to be able to hear more of the guitar chords. If only someone had rigged these up for Queen when Flash Gordan was made.

Oreo Construction: Hiding Your Components Inside The PCB

January 18, 2019 by 73 Comments

In recent months, the ability to hide components inside a circuit board has become an item of interest. We could trace this to the burgeoning badgelife movement, where engineers create beautiful works of electronic art. We can also attribute this interest to Bloomberg’s Big Hack, where Jordan Robertson and Michael Riley asserted Apple was the target of Chinese spying using components embedded inside a motherboard. The Big Hack story had legs, but so far no evidence of this hack’s existence has come to light, and the companies and governments involved have all issued denials that anything like this exists.

That said, embedding components inside a PCB is an interesting topic of discussion, and thanks to the dropping prices of PCB fabrication (this entire project cost $15 for the circuit boards), it’s now possible for hobbyists to experiment with the technique.

But first, it’s important to define what ‘stuffing components inside a piece of fiberglass’ is actually called. My research keeps coming back to the term ’embedded components’ which is utterly ungooglable, and a truly terrible name because ’embedded’ means something else entirely. You cannot call a PCB fabrication technique ’embedded components’ and expect people to find it on the Internet. For lack of a better term, I’m calling this ‘Oreo construction’, because of my predilection towards ‘stuf’, and because it needs to be called something. We’re all calling it ‘Oreo construction’ now, because the stuf is in the middle. This is how you do it with standard PCB design tools and cheap Chinese board houses.

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Let The Musical Instrument Challenge Begin!

August 27, 2018 by 25 Comments

Today is the start of the Musical Instrument Challenge. This newest part of the 2018 Hackaday Prize asks you to go far beyond what we’re used to seeing from modern musical instrumentation. Twenty entries will be awarded $1,000 each and go on to compete in the final round of the Hackaday Prize.

Imagine music without the electric guitar amp, violin, two turntables and a microphone, the electric drum pad, or in the absence of autotune. Maybe that last one made you groan, but autotune is a clever use of audio manipulation and when used to augment the music (rather than just to correct off-key voices) it shows its value as a new tool for creativity.

Musicians have always been hackers. The story of Brian May’s handmade guitar — the Red Special — is one of not being able to buy it, so he built it. Unlocking emotion in the listener has always meant finding new and different ways to use sound. This is a natural motivator to re-imagine and invent new ways of doing that. That first hand-built guitar got him in the door, but iterative improvements to the tremolo bar, the pickups, and even just the mechanical engineering of the neck made it a new instrument that you’ve heard in every Queen performance since.

So what’s next? What does a brand new instrument, interface, tool, or trick look like? That’s what we want to see from this Hackaday Prize challenge. From instrument makers to the people who write software for sampling, synthesizing, sequencing, and manipulating sound, we’re looking for things that let others make music. These creations are the tools of the trade that help more people unlock their musical creativity. Show off your work by sharing all the details of your design, and demonstrate the music you can make with it.

You have until October 8th to put your entry up on Hackaday.io. The top twenty entries will each get $1,000 and go on to the finals where cash prizes of $50,000, $20,000, $15,000, $10,000, and $5,000 await.

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Bohemian Rhapsody On Old Hardware

April 19, 2009 by 24 Comments

[youtube=http://www.youtube.com/watch?v=Ht96HJ01SE4]

Here’s another junk music performance to add to the list. [bd594] put together this rendition of Queen’s Bohemian Rhapsody on assorted computing equipment. The lead piano sound is from an Atari 800XL. Lead guitar is a Texas Instruments TI-99/4a. An 8inch floppy plays bass while a HP ScanJet 3C covers the vocals. He had to dub the scanner four times to get all of the vocal parts. He wanted to use four independent scanners but the prices on eBay were forbidding. The use of oscilloscopes to show the wave forms in the video is a nice touch. Check out our post about Radiohead’s Nude for more examples of this.

[via adafruit]