Apple System 7… On Solaris?

While the Unix operating systems Solaris and HP-UX are still in active development, they’re not particularly popular anymore and are mostly relegated to some enterprise and data center environments They did enjoy a peak of popularity in the 90s during the “wild west” era of windowed operating systems, though. This was a time when there were more than two mass-market operating systems commercially available, with many companies fighting for market share. This led to a number of efforts to get software written for one operating system to run on others, whether that was simply porting software directly or using some compatibility layer. Surprisingly enough it was possible in this era to run an entire instance of Mac System 7 within either of these two Unix operating systems, and this was an officially supported piece of Apple software.

The software was called the Macintosh Application Environment (MAE), and was an effort by Apple to bring Macintosh System 7 applications to various Unix-based operating systems, including Solaris and HP-UX. This was a time before Apple’s OS was Unix-compliant, and MAE provided a compatibility layer that translated Macintosh system calls and application programming interfaces (APIs) into the equivalent Unix calls, allowing Mac software to function within the Unix environments. [Lunduke] outlines a lot of the features of this in his post, including some of the details the “scaffolding” allowing the 68k processor to be emulated efficiently on the hardware of the time, the contents of the user manual, and even the memory management and layout.

What’s really jarring to anyone only familiar with Apple’s modern “walled garden” approach is that this is an Apple-supported compatibility layer for another system. At the time, though, they weren’t the technology giant they are today and had to play by a different set of rules to stay viable. Quite the opposite, in fact: they almost went out of business in the mid-90s, so having their software run on as many machines as possible would have been a perk at the time. While this era did have major issues with cross-platform compatibility, there was some software that attempted to solve these problems that are still in active development today.

Thanks to [Stephen] for the tip!

William Blake Was Etching Copper In 1790

You may know William Blake as a poet, or even as #38 in the BBC’s 2002 poll of the 100 Greatest Britons. But did you know that Blake was also an artist and print maker who made illuminated (flourished) books?

Blake sought to marry his art with his poetry and unleash it on the world. To do so, he created an innovative printing process, which is recreated by [Michael Phillips] in the video after the break. Much like etching a PCB, Blake started with a copper sheet, writing and drawing his works backwards with stopping varnish, an acid-resistant varnish that sticks around after a nitric acid bath. The result was a raised design that could then be used for printing.

Cleaning up the ink smudges before printing.

Blake was a master of color, using few pigments plus linseed or nut oil to create pastes of many different hues. Rather than use a brayer, Blake dabbed ink gently around the plate, careful not to splash ink or get any in the etched-away areas. As this was bound to happen anyway, Blake would then spend more time wiping out the etched areas than he did applying the ink.

Another of Blake’s innovations was the printing process itself. Whereas traditionally, illuminated texts must be printed in two different workshops, one for the text and the other for the illustrations, Blake’s method of etching both in the same plate of copper made it possible to print using his giant handmade press.

Want to avoid censorship and print your own ‘zines? Why not build a proofing press?.

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Make Your Own 1970s Magnetic Stripe Cards

We’re now all used to near-limitless storage on flash and other semiconductor technologies, but there was a time when persistent storage was considerably less easy to achieve. A 1970s programmable calculator from Sharp approached the problem with magnetic strips on special cards, and since [Menadue] has one with no cards, he set about making his own.

These cards are a little different to the credit-card-style cards we might expect, instead they’re a narrow strip with a magnetic stripe down their centre. The unusual feature can be found at the edge, where a row of perforations provide the equivalent of a clock line.

The newly manufactured cards have the clock slots machined along their edges, and then the magnetic part formed from self-adhesive magnetic strip. This last thing is a product we were not aware existed, and can think of plenty of possible applications.

The result as you can see in the video below the break are some cards with variable reliability. There’s a suggestion that white cards might work less well with the infrared light used in the clock detector, also a suspicion the low batteries make reading less easy, but still he’s able to retrieve a stored program. An extinct medium is revived.

Longtime readers will know we’ve spent time in calculator country before.

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Retrotechtacular: The $175,000 Laser Printer

Laser printers today are cheap and readily available. But in 1976, they were the height of printing technology. The IBM 3800 was the $175,000 printer to have in that year. (Video, embedded below.) But you couldn’t have one on your desktop. Even if you could afford it, the thing is the size of a car, and we don’t even want to guess what it weighs. The printer took tractor-fed continuous form paper and could do 167 pages a minute at about 150 dots per inch (actually 180 x 144). For the record, that was as much as 1.7 miles of paper an hour!

In those days, people who would use this printer traditionally had massive banks of noisy impact printers. We imagine this device saved many data processing person’s hearing. Compared to a modern laser printer, though, it needed a lot of maintenance. For example, the initial models needed a xenon flash lamp replaced every month, although later models could go years on one bulb. Looking at some of the hardware in the video, it was probably made closer to the end of life for these printers which were made through 1999.

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Converting A Polaroid SX70 Camera To Use 600 Film

These days, it’s possible to buy a number of different Polaroid instant cameras new off the shelf. That’s largely thanks to the retro resurgence that has buoyed interest in everything from vinyl records to analog synthesizers. However, if you’re truly old-school, you might still be rocking a vintage Polaroid SX-70 camera. Thankfully, there’s a way to convert these old rigs to work properly with the more popular modern 600 film.

The interesting thing about the SX-70 camera design is that its shutter speed and aperture setting are essentially linked together as the aperture and shutter assembly are combined into one unit with a variable tear-drop shaped opening. Thus, the timing of the shutter opening and closing and the extent to which it opens are what determines exposure and aperture.

Thankfully, [Jake Bright] has learned a lot about these unique cameras and exactly how this complex system operates. He shares his tips on firstly restoring the camera to factory-grade operation, and then the methods in which they may be converted to work with modern film. Fundamentally, it’s about changing capacitors or resistors to change the shutter/aperture timing. However, do it blindly and you’ll have little success. You first need to understand the camera’s mechanics, pneumatics, and its “Electric Eye” control system before you can get things dialed in just so.

We’ve seldom seen such a great deep dive into a camera outside of full-fat engineering documentation. [Jake] should be commended on his deep understanding and command of these fine instant cameras from yesteryear. May the Polaroid picture never die. Video after the break. Continue reading “Converting A Polaroid SX70 Camera To Use 600 Film”

Noble Graphs: Displaying Data With Neon Like Its 1972

In the days before every piece of equipment was an internet-connected box with an OLED display, engineers had to be a bit more creative with how they chose to communicate information to the user. Indicator lights, analog meters, and even Nixie tubes are just a few of the many methods employed, and are still in use today. There are, however, some more obscure (and arguably way cooler) indicators that have been lost to time.

[Aart Schipper] unearthed one such device while rummaging around in his father’s shed: a pair of Burroughs Bar Graph Glow-Transfer Displays. These marvelous glowing rectangles each have two bars (think the left and right signals on an audio meter, which is incidentally what they were often used for), each with 201 neon segments. Why 201, you may ask? The first segment on each bar is always illuminated, acting as a “pilot light” of sorts. This leaves 200 controllable segments per channel. Each segment is used to “ignite” its neighboring segment, something the manufacturer refers to as the “Glow-Transfer Principle.” By clever use of a three-phase clock and some comparators, each bar is controlled by one analog signal, keeping the wire count reasonably low.

Don’t get us wrong, the warm, comforting glow of Nixie tubes will always have a special place in our hearts, but neon bar graphs are just hard to beat. The two do have a similar aesthetic though, so here’s hoping we see them used together in a project soon.

Thanks to [Jan] for the tip!

Restoration Of A Thinkpad 701C

This is like ASMR for Hackers: restoration specialist [Polymatt] has put together a video of his work restoring a 1995 IBM Thinkpad 701c, the famous butterfly keyboard laptop. It’s an incredible bit of restoration, with a complete teardown and rebuild, even including remaking the decals and rubber feet.

[Polymatt] runs Project Butterfly, an excellent site for those who love these iconic laptops, offering advice and spare parts for restoring them. In this video, he does a complete teardown, taking the restored laptop completely apart, cleaning it out, and replacing parts that are beyond salvaging, like the battery, and replacing them. Finally, he puts the whole thing back together again and watches it boot up. It’s a great video that we’ve put below the break and is well worth watching if you wonder about how much work this sort of thing involves: the entire process took him over two years.

We’ve covered some of his work in the past, including the surprisingly complicated business of analyzing and replacing the Ni-Cad battery that the original laptop used. Continue reading “Restoration Of A Thinkpad 701C”