Turning A Tiny Linux Box Into A Synthesizer

August 16, 2013 by Brian Benchoff 9 Comments

waveforms

For all the cool things the Raspberry Pi, BeagleBone, and other low-power Linux boards can do, there’s one thing we haven’t seen much of: creating music with software synthesizers. Yes, soft synths have been around for ages now, but compiling them for these ARM boards is something we haven’t seen much of (to say nothing of the Linux audio system). Luckily, [Paul] and [Trev] have put together a tutorial for making synthesizers on these small Linux boards using Csound, the premier audio programming language for Linux.

[Paul] and [Trev] have already put together a few Csound instruments that include a Vangelis-inspired synth, a Lorenz Strange Attractor FM synth, a drum machine, and a classic monophonic style synth. All these instruments are ready to play on a Raspi or BeagleBone and we’re sure we’ll see a few more applications of this great tool for creating musical instruments as more musicians are turned onto these small Linux boards.

The RPC: A Stand-alone MIDI Workstation

August 14, 2013 by Marsh 11 Comments

raspiMidiRPC

Not just another pretty enclosure, this shiny little red box is [Lauri’s] stand-alone MIDI workstation. The build uses an Arduino Mega 2560 to handle the MIDI inputs and outputs. It communicates via serial with a Raspberry Pi that acts as a sequencer and oversees all user interactions. The Pi’s SD card offers convenient storage for your work, though we wish it was easily ejectable from the front of the box and not trapped under the hood. [Lauri’s] RPC also squeezes in the necessary USB hub for the RasPi and an HDMI-to-VGA converter. As an all-in-one solution, this is a sleek little box that–once paired with some software for arpeggiators, chord harmonies, and scales–will be a handy MIDI sequencer with robust control ready to be conveniently mounted on your rack.

Now all you’ll need is something to plug in. Why not check out the custom MIDI recorder we featured last week, or the organ-to-MIDI keyboard conversion for inspiration.

[Thanks Teemu]

Custom Made MIDI Recorder For An 8 Year Old Girl

August 9, 2013 by Brian Benchoff 6 Comments

recorder

[KDM] over at The Controller Project forums let us know about a cool project he’s been working on: a MIDI recorder for an 8-year-old girl born with two digits per hand.

The recorder – a simple woodwind instrument usually made of plastic – is a staple of grade school music classes the world over. It’s an excellent introduction to the performing arts, but for those with two fingers per hand, the fingering is a little difficult.

[KDM] contacted a manufacturer of these instruments and they were kind enough to send over a half-dozen for his experimentations. He drilled out these recorders on a lathe and started work on a simple circuit to turn this recorder into a MIDI instrument. A simple PIC micro and a few buttons were used, with a DIN 5 port on the horn of the instrument.

The build works, but we’re thinking with a small electronic wind sensor, this instrument could easily become a full-fledged MIDI wind controller that could be easily and cheaply reproduced for other budding musicians with special needs.

Oh, one more thing. We’d like to give a big shout out to the giant dork who started The Controller Project. A lot of Hackaday readers know how to work a microcontroller and a soldering iron, so how about heading over to their forums and doing some good with your skills?

Making A Real Instrument Out Of A Kaoss Pad And Ribbon Controllers

August 1, 2013 by Brian Benchoff 6 Comments

swinger

MIDI guitars have been around since the 80s, and nearly without exception they are designed as direct, one-to-one copies of their acoustic and electric brethren. [Michael] has been working on turning this convention on its head with the Misa Tri-Bass, a MIDI guitar designed to be the perfect guitar-shaped synthesizer interface.

The tri-bass doesn’t produce any sound itself; instead, it’s a polyphonic MIDI controller with three channels controlled by three ribbon controllers on the neck. The body contains a huge touch screen divided into four MIDI channels, essentially turning this guitar into an instrument designed for electronic music first, and not an acoustic instrument kludged into filling an electronic role.

Unlike a whole lot of other digital guitar-shaped MIDI controllers, the tri-bass is actually made out of wood. Yes, the neck is made out of maple (inlaid with the three ribbon controllers, of course), and the body comes directly from a tree, with the styling inspired by a forgotten retro-modern design. It’s an impressive piece of kit, and we can’t wait to see [Michael]’s handiwork in the hands of digital guitarists the world over.

You can check out a video of [Michael] rockin out below.

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FLAMEnco Guitar

July 31, 2013 by Brian Benchoff 11 Comments

flamenco

[John] says, “I noticed an unfortunate lack of many flamethrower guitars on the web so I filled the need. ” That’s just awesome by us.

This series of guitar-mounted flamethrowers started with a small build, able to shoot a six-foot flame for about 40 seconds. Yes, very theatrical, but not something you’d want to change out after every song. From there the builds progressed to systems with more barrels, more fuel tanks, and a huge system that shoots 18-foot long flames colored with standard pyrotechnic supplies.

It should go without saying that this stuff probably isn’t something you should try at home. That being said, you really have to admire the craftsmanship and tenacity to make a guitar mounted flamethrower. Just don’t bring it to an indoor gig.

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Touch Control For Every Key On The Keyboard

July 30, 2013 by Brian Benchoff 22 Comments

keys

Of all the musical instruments out there, the keyboard is among the worst for changing the pitch and timbre of individual notes. Wind and stringed instruments can do this easily in the hands of a skilled player, but outside the wheel and joystick controls of a few electronic keyboards, tickling the ivories means the only thing you can really change about how something sounds is the volume.

TouchKeys wants to put an end to this severe lack of dynamics available on keyboard instruments. Basically, it turns every single key on a keyboard into a multi-touch sensor, allowing any keyboardist to change the pitch, filter, timbre, or any other parameter of their instrument simply by moving their finger around on a key.

TouchKeys works by overlaying all the keys on a keyboard with circuit boards that plug into a module hidden under the hood. These boards are studded with capacitive sensing points, allowing a computer to recognize where the player is touching each key, and modifying filters or volume for each key independently.

The TouchKeys Kickstarter is offering a kit to equip a 25-key keyboard with these sensors for about $550. A hefty price tag, but hopefully we’ll see this tech in real production keyboards in the future.