A man's hands are shown holding a microphone capsule with a 3D-printed part on top of it, with a flared metal tube protruding from the plastic.

2025 Component Abuse Challenge: Playing Audio On A Microphone

Using a speaker as a microphone is a trick old enough to have become common knowledge, but how often do you see the hack reversed? As part of a larger project to measure the acoustic power of a subwoofer, [DeepSOIC] needed to characterize the phase shift of a microphone, and to do that, he needed a test speaker. A normal speaker’s resonance was throwing off measurements, but an electret microphone worked perfectly.

For a test apparatus, [DeepSOIC] had sealed the face of the microphone under test against the membrane of a speaker, and then measured the microphone’s phase shift as the speaker played a range of frequencies. The speaker membrane he started with had several resonance spikes at higher frequencies, however, which made it impossible to take accurate measurements. To shift the resonance to higher frequencies beyond the test range, the membrane needed to be more rigid, and the driver needed to apply force evenly across the membrane, not just in the center. [DeepSOIC] realized that an electret microphone does basically this, but in reverse: it has a thin membrane which can be uniformly attracted and repelled from the electret. After taking a large capsule electret microphone, adding more vent holes behind the diaphragm, and removing the metal mesh from the front, it could play recognizable music.

Replacing the speaker with another microphone gave good test results, with much better frequency stability than the electromagnetic speaker could provide, and let the final project work out (the video below goes over the full project with English subtitles, and the calibration is from minutes 17 to 34). The smooth frequency response of electret microphones also makes them good for high-quality recording, and at least once, we’ve seen someone build his own electrets. Continue reading “2025 Component Abuse Challenge: Playing Audio On A Microphone”

Better Noise Reduction With Science

Most noise-blocking headphones fall into two categories: they use some kind of material to absorb or scatter noise, or they use active cancellation that creates a signal to oppose the noise signal. As you’ve probably noticed, both of these approaches have limitations. Now, Swiss scientists think they have a new method that will work better. In Nature Communications, they describe a noise cancellation system that moves air by using ionization instead of a conventional transducer.

With the cool name plasmaacoustic metalayers, the technique uses a controlled corona discharge to create very thin layers of plasma between a metal grid and thin wires. With no voltage, sound passes freely. Applying a voltage across the assembly produces ions and moves air with very low inertia, unlike a typical speaker. By controlling the reverse pressure of air, the system can cancel incoming noise picked up by a microphone.

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Refurbishing A Classic Electrostatic Speaker PSU

Sometimes a project takes longer than it should to land in the Hackaday in-tray, but when we read about it there’s such gold to be found that it’s worth sharing with you our readers despite its slight lack of freshness. So it is with [Andrew Back]’s refurbishment of his Quad electrostatic speaker system power supply, it may have been published back in August but the glimpse it gives us into these legendary audio components is fascinating.

The inner workings of an electrostatic loudspeaker
The inner workings of an electrostatic loudspeaker

An electrostatic speaker is in effect a capacitor with a very large surface area, of which one plate is a flexible membrane suspended between two pieces of acoustically transparent mesh that form the other plates. A very high DC bias voltage in the multiple kilovolts region is applied across the capacitor, and the audio is superimposed upon it at a peak-to-peak voltage of somewhere under a kilovolt through a step-up transformer from the audio amplifier. There are some refinements such as that the audio is fed as a push-pull signal to the opposing mesh plates and that there are bass and treble panels with different thickness membranes, but these speakers are otherwise surprisingly simple devices.

The problem with [Andrew]’s speakers became apparent when he took a high voltage probe to them, one speaker delivered 3 kV from its power supply while the other delivered only 1 kV. Each supply took the form of a mains transformer and a voltage multiplier board, so from there it became a case of replacing the aged diodes and capacitors with modern equivalents before applying an insulating layer for safety.

Electrostatic speakers are no stranger to Hackaday, we’ve taken an in-depth look at them in the past. You may also find some of our colleague [Steven Dufresne]’s writing on the matter to be of interest, on measuring high voltages, and his experience wrangling high voltage.

Electrostatic Loudspeakers: High End HiFi You Can Build Yourself

If you have an interest in audio there are plenty of opportunities for home construction of hi-fi equipment. You can make yourself an amplifier which will be as good as any available commercially, and plenty of the sources you might plug into it can also come into being on your bench.

There will always be some pieces of hi-fi equipment which while not impossible to make will be very difficult for you to replicate yourself. Either their complexity will render construction too difficult as might be the case with for example a CD player, or as with a moving-coil loudspeaker the quality you could reasonably achieve would struggle match that of the commercial equivalent. It never ceases to astound us what our community of hackers and makers can achieve, but the resources, economies of scale, and engineering expertise available to a large hi-fi manufacturer load the dice in their favour in those cases.

The subject of this article is a piece of extreme high-end esoteric hi-fi that you can replicate yourself, indeed you start on a level playing field with the manufacturers because the engineering challenges involved are the same for them as they are for you. Electrostatic loudspeakers work by the attraction and repulsion of a thin conductive film in an electric field rather than the magnetic attraction and repulsion you’ll find in a moving-coil loudspeaker, and the resulting very low mass driver should be free of undesirable resonances and capable of a significantly lower distortion and flatter frequency response than its magnetic sibling.
Continue reading “Electrostatic Loudspeakers: High End HiFi You Can Build Yourself”