Hackaday Links: April 12, 2020

April 12, 2020 by Dan Maloney 14 Comments

Anyone who worked in the tech field and lived through the Y2K bug era will no doubt recall it as a time seasoned with a confusing mix of fear and optimism and tempered with a healthy dose of panic, as companies rushed to validate that systems would pass the rollover of the millennium without crashing, and to remediate systems that would. The era could well have been called “the COBOL programmers full-employment bug,” as the coders who had built these legacy systems were pulled out of retirement to fix them. Twenty years on and a different bug — the one that causes COVID-19 — is having a similarly stimulative effect on the COBOL programmer market. New Jersey is one state seeking COBOL coders, to deal with the crush of unemployment insurance claims, which are killing the 40-year-old mainframe systems the state’s programs run on. Interestingly, Governor Phil Murphy has only put out a call for volunteers, and will apparently not compensate COBOL coders for their time. I mean, I know people are bored at home and all, but good luck with that.

In another throwback to an earlier time, “The Worm” is back. NASA has decided to revive its “worm” logo, the simple block letter logo that replaced the 50s-era “Meatball” logo, the one with the red chevron bracketing a starfield with an orbiting satellite. NASA switched to the worm, named for the sinuous shape of the letters and which honestly looks like a graphic design student’s last-minute homework assignment, in the 1970s, keeping it in service through the early 1990s when the meatball was favored again. Now it looks like both logos will see service as NASA prepares to return Americans to space on their own launch vehicles.

Wait a minute, what happens when we stand this thing upright?

Looking for a little help advancing the state of your pandemic-related project? A lot of manufacturers are trying to help out as best they can, and many are offering freebies to keep you in the game. Aisler, for one, is offering free PCBs and stencils for COVID-19 prototypes. It looks like their rules are pretty liberal; any free and open-source project that can help with the pandemic in any way qualifies. Hats off to Aisler for doing their part.

And finally, history appears to have been made this week in the amateur radio world with the first direct transatlantic contact on the 70-cm band was made. It seems strange to think that it would take 120 years since transatlantic radio became reduced to practice by the likes of Marconi for this accomplishment to occur, but the 70-cm band is usually limited to line of sight, and transatlantic contacts at 430 MHz are usually done using a satellite as a relay. The contact was between stations FG8OJ on Guadaloupe Island in the Caribbean — who was involved in an earlier, similar record on the 2-meter band — and D4VHF on the Cape Verde Islands off the coast of Africa, and used the digital mode FT8. The 3,867-km contact was likely due to tropospheric ducting, where layers in the atmosphere form a refractive tunnel that can carry VHF and UHF signals much, much further than they usually go. While we’d love to see that record stretched a little more on each end, to make a truly transcontinental contact, it’s still quite an accomplishment, and we congratulate the hams involved.

An Elegant Timepiece From Paper And A Fistful Of Servos

August 12, 2013 by Marsh 14 Comments

Segments rise from a sheer white surface to reveal the time in this papercraft digital / analog clock build by [Jacky Mok].

New York-based designer [Alvin Aronson] is responsible for the original, titled “D/A Clock,” which he built as a student at RISD using Corian instead of paper. [Aronson]’s design is also massive in comparison. It measures one meter wide by a half meter tall. Without access to either a 3D printer or to a laser cutter, [Jacky] instead reduces the scale of his interpretation and relies on cardstock as the primary construction material. His experience with papercraft typography leads to a design that anyone with an Exacto knife and a slice of patience should find manageable. [Jacky] ignores the Exacto option, however, and cuts his pieces with a tool we saw earlier this year: the Silhouette Portrait.

The clock’s electronics include an Arduino Uno, a servo motor controller, twenty-eight servos and an RTC breakout board that handles timekeeping. Each servo drives its own segment by sliding a paperclip forward or backward inside a small, hollow aluminum rod. Though we’re still holding out for a video of the finished papercraft build, you can watch a video of Aronson’s original clock after the break and see what inspired [Jacky’s] design.

Need another clock to envy? Last month’s build by [ebrithil] uses twenty-two servos to individually spin the segments. If you prefer that your clocks light up, [Aaron’s] o-scope transformation has you covered.

Continue reading “An Elegant Timepiece From Paper And A Fistful Of Servos” →

DIY SMD Stencils Made With A Craft Cutter

December 27, 2012 by Brian Benchoff 44 Comments

Unless you’d like to spend hours with a toothpick and a tub of solder paste, stencils are the way to go whenever you’re placing SMD parts. While most commercial and industrial SMD stencils are made out of laser cut stainless steel, [Peter] figured out a piece of plastic and a $300 craft cutter is equally well suited for the job.

[Peter] has spent some time making SMD stencils out of polyester film in the form of overhead transparency sheets. This turned out to be a wonderful material; it’s dimensionally stable, commonly available, and just the right thickness suggested for SMD stencils. The polyester film was cut on a Silhouette Cameo, basically a desktop-sized vinyl cutter aimed at the craft market.

Stock, the Silhouette Cameo rounds off corners, not something [Peter] wanted with features only fractions of a millimeter. He came up with a tool to convert the paste layer of a Gerber file into separately drawn line segments, allowing him to cut SMD stencils for 0.3 mm pitch components.

It’s a great piece of work to make very fine pitch stencils, but we’re wondering if this tool could be used on the much less expensive Cricut paper and vinyl cutter that is unfortunately locked down with some very restrictive software.