[Manuel] has been playing around with [Johnny Lee]’s Wiimote head tracking code. He’s posted a preliminary port outlining the code in the Processing environment. It relies on darwiinremoteOSC so you won’t see this outside of OSX, but it should help you out if you’re trying to do this is in Processing on another platform.
[via Create Digital Motion]
[Peter Kirn] from Create Digital Music has an article up highlighting many of the great music and visual performance pieces planned for The Last HOPE on Friday night. If you are around New York and not accustomed to hacking conferences, this could be a great excuse to go check it out. Here are some of our favorite projects.
Continue reading “Music and visual arts at The Last HOPE”
Create Digital Music has been watching the Asus Eee PC closely. The laptop’s portable nature and low price-cheaper than a turntable-have made them desirable to both producers and performers. CDM has collected links to many people that are figuring out how to leverage the lightweight rig. [Dan Stowell] put together a tutorial for SuperCollider, the real time audio synthesis engine. The machine is good for simple text based tracker software too. On the Windows side, a lot of software, like Guitar Rig, can be enabled with just a little display driver hacking. This really makes us wonder when we’ll see the first Eee PC keytar mod.
[Peter Nyboer] has written an extensive post about his experience with AudioCubes
. Aside from their unique glowing exterior, these cubes are an innovative way to control and even produce audio tracks. Four faces of each cube are equipped with IR sensors to detect distance and communicate with other cubes. The cubes also have USB, a rechargeable battery, and audio in/out. Moving your hands around the sensors changes the MIDI output of the cube. Changing the cubes’ orientation and distance from each other also changes the signal. Max/MSP
are both supported out of the box, but that doesn’t mean it’ll be easy to get started. [Peter] makes an important point: unlike traditional instruments, there’s no obvious way to get started. At 400euro for 2 cubes and 650euro for 4 cubes, these devices aren’t exactly being given away, but it’s great to see new interfaces being imagined. A video of [Peter]’s first experiments with the cubes is embedded below; read his full post
to see more footage of the cubes in action… and naturally we’d love to see any DIY versions of this you can come up with.
Continue reading “AudioCubes by Percussa”