There is a family of old photographic chemistries based on iron compounds which, like the blueprint, are exposed using UV light. Ironically, the digital camera revolution which has made everything else in our photographic lives much easier, has made it harder to experiment around with these alternative methods. [David Brown] is making a UV photographic printer to change that.
[David]’s application has a lot in common with PCB printers that use a UV-sensitive resist, only [David] needs greyscale, and it might also be nice if it could work with wet paper. This makes it a more challenging project than you might think, but we like the cut of [David]’s jib.
Like some of the other UV exposer projects, [David]’s uses a rotating mirror to scan across the to-be photograph’s surface. Unlike the other ones that we’ve seen, the exposer hangs from two linear rails. Other printers move the paper underneath a stationary scanning head, which seems a mechanically simpler arrangement. We’re excited to see how this goes.
The mass media are funny in the way they deal with new technology. First it’s all “Wow, that’s Cool!”, then it’s “Ooh, that’s scary”, and finally it’s “BURN THE WITCH!”. Then a year or so later it’s part of normal life and they treat it as such. We’ve seen the same pattern repeated time and time again over the years.
Seasoned readers may remember silly stories in the papers claiming that the Soviets could somehow use the technology in Western 8-bit home computers for nefarious purposes, since then a myriad breathless exclusives have predicted a youth meltdown which never materialised as the inevitable result of computer gaming, and more recently groundless panics have erupted over 3D printing of gun parts. There might be a British flavour to the examples in this piece because that’s where it is being written, but it’s a universal phenomenon wherever in the world technologically clueless journalists are required to fill column inches on technical stories.
The latest piece of technology to feel the heat in this way is the multirotor. Popularly referred to as the drone, you will probably be most familiar with them as model-sized aircraft usually with four rotors. We have been fed a continuous stream of stories involving tales of near-misses between commercial aircraft and drones, and there is a subtext in the air that Something Must Be Done.
Are multirotors unfairly being given bad press? It certainly seems that way as the common thread among all the stories is a complete and utter lack of proof. But before we rush to their defence it’s worth taking a look at the recent stories and examining their credibility. After all if there really are a set of irresponsible owners flying into commercial aircraft then they should rightly be bought to book and it would do us no favours to defend them. So let’s examine each of those incident reports from that BBC story.
We’re not sure what FESTO is advertising with their odd flying beach ball. Amongst inspirational music it gently places its translucent appendage over a water bottle and then engulfs it with an unsettling plastic sound. With a high pitched whine it hovers away with its prey and deposits it in the hand of a thirsty business man, perhaps as a misguided nurturing instinct.
Despite discovering a new uncanny valley, the robot is pretty cool. It appears to a be a hybrid airship/helicopter on a small-scale. The balloon either zeros out the weight of the robot or provides slightly more lift. It’s up to the propellers to provide the rest.
We like the carbon fiber truss around the drone. It’s a really slick build with barely an untamed wire. This seems like a much safer design than a quadcopter for indoor flying. If its end effector wasn’t so creepy it would be even cooler. Video after the break.
The Japanese X-ray telescope Hitomi has been declared lost after it disintegrated in orbit, torn apart when spinning out of control. The cause is still under investigation but early analysis points to bad data in a software package pushed shortly after an instrument probe was extended from the rear of the satellite. JAXA, the Japanese space agency, lost $286 million, three years of planned observations, and a possible additional 10 years of science research.
Hitomi, also known as ASTRO-H, successfully launched on February 17, 2016 but on March 26th catastrophe struck, leaving only pieces floating in space. JAXA, desperately worked to recover the satellite not knowing the extent of the failure. On April 28th they discontinued their efforts and are now working to determine the reasons for the failure, although a few weeks ago they did provide an analysis of the failure sequence at a press conference.