A Buzzing, Flashing Phone Ringer For The Elderly

October 11, 2023 by Kristina Panos 8 Comments

For a lonely person, elderly or otherwise, the sound of a ringing phone can be music to the ears, unless of course it’s another spam call. But what good is a phone when you can’t hear it well enough to answer?

[Giovanni Aggiustatutto] was tasked with building an additional ringer for a set of cordless landline phones belonging to an elderly friend. Rather than try to intercept the signal, [Giovanni] chose to simply mic up the phone base that’s connected to the phone port on the router and send a signal over Wi-Fi to a second box which has a loud piezo buzzer and a handful of LEDs.

At the heart of this build is a pair of ESP8266 Wemos D1 minis and an Arduino sound sensor module inside a pair of really nice-looking 3D printed boxen that may or may not have been inspired by an IKEA air quality sensor. On the receiving side, a green LED indicates the system is working, and the red LEDs flash as soon as a call comes in.

All the code, schematics, and STL files are available for this build, and between the Instructable and the build video after the break, you should have no trouble replicating it for the hard-of-hearing in your life.

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Tiny Tape Cartridge Remembered And A Teardown

October 10, 2023 by Al Williams 9 Comments

If you want to add sound to something these days, you usually store it digitally. Microcontrollers are cheap and fast, and you can hold a lot of audio on a small flash card or in a ROM. But back “in the day,” storing audio was often done with tape. If you wanted something you could automate, you often turned to an endless loop tape. They had the advantage of not needing rewinding and had a way to sense spots on the tape (usually the start). The 8-track, for example, was an endless loop tape, and radio stations used “carts” (technically Fedelipak cartridges). But what if you wanted to build something tiny? Bandai had the answer, and [Tech Moan] shows the 1986-era tiny carts.

In the US, these appear to be mainly in the realm of novelty items. [Tech Moan] has an Elvis figurine that sings thanks to the tape and a diminutive jukebox. He suspects these must have been used in something else, perhaps in the Japanese market.

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Could Moon Dust Help Reduce Global Temperatures?

October 10, 2023 by Lewin Day 66 Comments

The impacts of climate change continue to mount on human civilization, with warning signs that worse times are yet to come. Despite the scientific community raising an early warning as to the risks of continued air pollution and greenhouse gas output, efforts to stem emissions have thus far had minimal impact. Continued inaction has led some scientists to consider alternative solutions to stave off the worst from occurring.

Geoengineering has long been touted as a potential solution for our global warming woes. Now, the idea of launching a gigantic dust cloud from the moon to combat Earth’s rising temperatures is under the spotlight. However, this very sci-fi solution has some serious implications if pursued, if humanity can even achieve the feat in the first place.

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Auto Xylophone Uses Homemade Solenoids

October 8, 2023 by Al Williams 26 Comments

Want to play the xylophone but don’t want to learn how? [Rachad]’s automatic xylophone might be just the ticket. It uses homemade solenoids to play tunes under computer control. Think of it as a player piano but with electromagnetic strikers instead of piano keys. You can hear the instrument in action in the video below.

Since the project required 24 solenoids, [Rachad] decided to build custom ones using coils of wire and nails. We were amused to see a common curling iron used as an alternate way to apply hot glue when building the coils. The other interesting part of the project was the software. He now uses a toolchain to convert MIDI files into a serial output read by the Arduino. Eventually, he wants to train an AI to read sheet music, but that’s down the road, apparently.

Honestly, we were a bit surprised that it sounded pretty good because we understand that the material used to strike the xylophone and the exact position of the strike makes a difference. We doubt any orchestra will be building one of these, but it doesn’t sound bad to us.

The last one of these we saw did have more conventional strikers if you want to compare. Honestly, we might have just bought the solenoids off the shelf but, then again, we don’t make our own relays either.

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Sine-wave Speech Demonstrates An Auditory One-way Door

October 7, 2023 by Donald Papp 41 Comments

Sine-wave speech can be thought of as a sort of auditory illusion, a sensory edge case in which one’s experience has a clear “before” and “after” moment, like going through a one-way door.

Sine-wave speech (SWS) is intentionally-degraded audio. Here are the samples, and here’s what to do:

Choose a sample and listen to the sine-wave speech version (SWS). Most people will perceive an unintelligible mix of tones and beeps.
Listen to the original version of the sentence.
Now listen to the SWS version again.

Most people will hear only some tones and beeps when first listening to sine-wave speech. But after hearing the original version once, the SWS version suddenly becomes intelligible (albeit degraded-sounding).

These samples were originally part of research by [Chris Darwin] into speech perception, but the curious way in which one’s experience of a SWS sample can change is pretty interesting. The idea is that upon listening to the original sample, the brain — fantastic prediction and learning engine that it is — now knows better what to expect, and applies that without the listener being consciously aware. In fact, if one listens to enough different SWS samples, one begins to gain the ability to understand the SWS versions without having to be exposed to the originals. In his recent book The Experience Machine: How Our Minds Predict and Shape Reality, Andy Clark discusses how this process may be similar to how humans gain fluency in a new language, perceiving things like pauses and breaks and word forms that are unintelligible to a novice.

This is in some ways similar to the “Green Needle / Brainstorm” phenomenon, in which a viewer hears a voice saying either “green needle” or “brainstorm” depending on which word they are primed to hear. We’ve also previously seen other auditory strangeness in which the brain perceives ever-increasing tempo in music that isn’t actually there (the Accelerando Illusion, about halfway down the list in this post.)

Curious about the technical details behind sine-wave speech, and how it was generated? We sure hope so, because we can point you to details on SWS as well as to the (free) Praat software that [Chris] used to generate his samples, and the Praat script he wrote to actually create them.

Hackaday Podcast 239: Overclocking, Oscilloscopes, And Oh No! SMD Out Of Stock!

October 6, 2023 by Al Williams 2 Comments

Elliot Williams and Al Williams got together again to discuss the best of Hackaday for a week, and you’re invited. This week, the guys were into the Raspberry Pi 5, CNC soldering, signal processing, and plasma cutting. There are dangerous power supplies and a custom 11-bit CPU.

Of course, there are a few Halloween projects that would fit in perfectly with the upcoming Halloween contest (the deadline is the end of this month; you still have time). OpenSCAD is about to get a lot faster, and a $20 oscilloscope might not be a toy after all. They wrap up by talking about Tom Nardi’s latest hardware conversion of DIP parts to SMD and how TVs were made behind the Iron Curtain.

Did you miss a story? Check out the links below. As always, tell us what you think about this episode in the comments!

Go ahead and download it!

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Just What Is Tone, In A Microphone?

October 5, 2023 by Jenny List 23 Comments

As long-time Hackaday readers will know, there is much rubbish spouted in the world of audio about perceived tone and performance of different hi-fi components. Usually this comes from audiophiles with, we’d dare to suggest, more money than sense. But oddly there’s an arena in which the elusive tone has less of the rubbish about it and it in fact, quite important. [Jim Lill] is a musician, and like all musicians he knows that different combinations of microphones impart a different sound to the recording. But as it’s such a difficult property to quantify, he’s set out to learn all he can about where the tone comes from in a microphone.

He’s coming to this from the viewpoint of a musician rather than an engineer, but his methodology is not diminished by this. He’s putting each mic on test in front of the same speaker at the same position, and playing a standard piece of music and a tone sweep through each. He doesn’t have an audio analyser, reference speaker and microphone, or anechoic chamber, so he’s come up with a real-world standard instead. He’s comparing every mic he can find with a Shure SM57, the go-to general purpose standard in the world of microphones for as long as anyone can remember, being a 1960s development of their earlier Unidyne series. His reasoning is that while its response is not flat the sound of the SM57 is what most people are used to hearing from a microphone, so it makes sense to measure the others against its performance.

Along the way he tests a huge number of microphones including famous and expensive ones from exclusive studios and finally one he made himself by mounting a cartridge atop a soda can. You’ll have to watch the video below the break for his conclusions, we can promise it’s worth it.

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