The Soviet RBMK Reactor: 35 Years After The Chernobyl Disaster

Thirty-five years ago, radiation alarms went off at the Forsmark nuclear power plant in Sweden. After an investigation, it was determined that the radiation did not come from inside the plant, but from somewhere else. Based on the prevailing winds at that time, it was ultimately determined that the radiation came from inside Soviet territory. After some political wrangling, the Soviet government ultimately admitted that the Chernobyl nuclear plant was the source, due to an accident that had taken place there.

Following the disaster, the causes have been investigated in depth so that we now have a fairly good idea of what went wrong. Perhaps the most important lesson taught by the Chernobyl nuclear plant disaster is that it wasn’t about one nuclear reactor design, one control room crew, or one totalitarian regime, but rather the chain of events which enabled the disaster of this scale.

To illustrate this, the remaining RBMK-style reactors — including three at the Chernobyl plant — have operated without noticeable issues since 1986, with nine of these reactors still active today. During the international investigation of the Chernobyl plant disaster, the INSAG reports repeatedly referred to the lack of a ‘safety culture’.

Looking at the circumstances which led to the development and subsequent unsafe usage of the Chernobyl #4 reactor can teach us a lot about disaster prevention. It’s a story of the essential role that a safety culture plays in industries where the cost of accidents is measured in human life.

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Retrotechtacular: Renewable Energy, 1948 Edition

If you’ve got 10 minutes, how about a quick break to watch a video about renewable clean electric power? Must be a recent video, right? Nope. The Coronet Instruction Film below is from 1948 and covers using rivers to generate power. Hydropower isn’t a new idea, of course, and the film starts out with an old-fashioned water wheel. That’s not really what they are driving at, though.

The announcer sounds just like the guy who narrated all the film strips you saw in school. There are some good vintage shots of Niagra Falls and some other dams. The video also makes some economic arguments about hydroelectric versus coal and why some rivers aren’t suitable for power generation.

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The False Alarm That Nearly Sparked Nuclear War

The date was September 26, 1983. A lieutenant colonel in the Soviet Air Defence Forces sat at his command station in Serpukhov-15 as sirens blared, indicating nuclear missiles had been launched from the United States. As you may have surmised by the fact you’re reading this in 2021, no missiles were fired by either side in the Cold War that day. Credit for this goes to Stanislav Petrov, who made the judgement call that the reports were a false alarm, preventing an all-out nuclear war between the two world powers. Today, we’ll look at what caused the false alarm, and why Petrov was able to correctly surmise that what he was seeing was an illusion.

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History Of Closed Captions: The Analog Era

Closed captioning on television and subtitles on DVD, Blu-ray, and streaming media are taken for granted today. But it wasn’t always so. In fact, it was quite a struggle for captioning to become commonplace. Back in the early 2000s, I unexpectedly found myself involved in a variety of closed captioning projects, both designing hardware and consulting with engineering teams at various consumer electronics manufacturers. I may have been the last engineer working with analog captioning as everyone else moved on to digital.

But before digging in, there is a lot of confusing and imprecise language floating around on this topic. Let’s establish some definitions. I often use the word captioning which encompasses both closed captions and subtitles:

Closed Captions: Transmitted in a non-visible manner as textual data. Usually they can be enabled or disabled by the user. In the NTSC system, it’s often referred to as Line 21, since it was transmitted on video line number 21 in the Vertical Blanking Interval (VBI).
Subtitles: Rendered in a graphical format and overlaid onto the video / film. Usually they cannot be turned off. Also called open or hard captions.

The text contained in captions generally falls into one of three categories. Pure dialogue (nothing more) is often the style of captioning you see in subtitles on a DVD or Blu-ray. Ordinary captioning includes the dialogue, but with the addition of occasional cues for music or a non-visible event (a doorbell ringing, for example). Finally, “Subtitles for the Deaf or Hard-of-hearing” (SDH) is a more verbose style that adds even more descriptive information about the program, including the speaker’s name, off-camera events, etc.

Roughly speaking, closed captions are targeting the deaf and hard of hearing audience. Subtitles are targeting an audience who can hear the program but want to view the dialogue for some reason, like understanding a foreign movie or learning a new language.

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Weren’t We Supposed To Live In Plastic Houses In The Future?

Futurism is dead. At least, the wildly optimistic technology-based futurism of the middle years of the 20th century has been replaced in our version of their future by a much more pessimistic model of environmental challenges and economic woes. No longer will our flying cars take us from our space-age wonder-homes to the monorail which will whisk us through sparkling-clean cities to our robotised workplaces, instead while we may have a global computer network and voice controlled assistants we still live in much the same outdated style as we did decades ago. Our houses are made from wood and bricks by blokes with shovels rather than prefabricated by robots and delivered in minutes, and our furniture would be as familiar to a person from the 1950s as it is for us.

A Plastic Future That Never Quite Happened

There was a time when the future of housing looked remarkably different. Just as today we are busily experimenting with new materials and techniques in the type of stories we feature on Hackaday, in the 1950s there was a fascinating new material for engineers and architects to work with in the form of plastics. The Second World War had spawned a huge industry that needed to be repurposed for peacetime production, so almost everything was considered for the plastic treatment, including houses. It seemed a natural progression that our 21st century houses would be space-age pods rather than the pitched-roof houses inherited from the previous century, so what better way could there be to make them than using the new wonder material? A variety of plastic house designs emerged during that period which remain icons to this day, but here we are five or six decades later and we still don’t live in them. To find out why, it’s worth a look at some of them, partly as a fascinating glimpse of what might have been, but mostly to examine them with the benefit of hindsight.

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Hershey Fonts: Not Chocolate, The Origin Of Vector Lettering

Over the past few years, I kept bumping into something called Hershey fonts. After digging around, I found a 1967 government report by a fellow named Dr. Allen Vincent Hershey. Back in the 1960s, he worked as a physicist for the Naval Weapons Laboratory in Dahlgren, Virginia, studying the interaction between ship hulls and water. His research was aided by the Naval Ordnance Research Calculator (NORC), which was built by IBM and was one of the fastest computers in the world when it was first installed in 1954.

The NORC’s I/O facilities, such as punched cards, magnetic tape, and line printers, were typical of the era. But the NORC also had an ultra-high-speed optical printer. This device had originally been developed by the telecommunications firm Stromberg-Carlson for the Social Security Administration in order to quickly print massive amounts of data directly upon microfilm.

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Unicode: On Building The One Character Set To Rule Them All

Most readers will have at least some passing familiarity with the terms ‘Unicode’ and ‘UTF-8’, but what is really behind them? At their core they refer to character encoding schemes, also known as character sets. This is a concept which dates back to far beyond the era of electronic computers, to the dawn of the optical telegraph and its predecessors. As far back as the 18th century there was a need to transmit information rapidly across large distances, which was accomplished using so-called telegraph codes. These encoded information using optical, electrical and other means.

During the hundreds of years since the invention of the first telegraph code, there was no real effort to establish international standardization of such encoding schemes, with even the first decades of the era of teleprinters and home computers bringing little change there. Even as EBCDIC (IBM’s 8-bit character encoding demonstrated in the punch card above) and finally ASCII made some headway, the need to encode a growing collection of different characters without having to spend ridiculous amounts of storage on this was held back by elegant solutions.

Development of Unicode began during the late 1980s, when the increasing exchange of digital information across the world made the need for a singular encoding system more urgent than before. These days Unicode allows us to not only use a single encoding scheme for everything from basic English text to Traditional Chinese, Vietnamese, and even Mayan, but also small pictographs called ‘emoji‘, from Japanese ‘e’ (絵) and ‘moji’ (文字), literally ‘picture word’.

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