Musical Hacks

1472 Articles

3D Printing A Piano Action

November 13, 2025 by 13 Comments

Part of the reason there are always free pianos on your digital classifieds listing of choice is that, at least economically speaking, a piano is less of a musical instrument and more of a complicated machine that can and will wear out (not to mention the physical difficulty of actually moving one). Once a piano reaches that point, whether through age, use, or neglect, at that point it’s to intents and purposes worthless. But still, they’re essentially just machines. [Toast] figured that, since 3D printers not only can print all kinds of other machines and musical instruments alike, he would take a stab at combining these two and made his own 3D printed piano.

A piano’s action is the mechanical linkage between the keys and the strings of the piano themselves. Over many hundreds of years this has developed into a complicated series of levers which not only rapidly strike strings when a key is pressed, but also mute the strings while the key is not being pressed and strike the strings in a way that the hammer won’t be pressed into the strings if the player leaves their finger on a key. Rather than try to recreate all of this in meticulous detail, [Toast] has swapped out the strings for a series of tubes which, unlike strings, do not much change their musical behavior if the hammer remains on the tube after being struck. This greatly simplifies the action (and cost) of his miniature piano.

The piano works by positioning hammers above these tubes, which strike downwards when a musician depresses the keys. Rubber bands return the hammers to their upright positions after the key is lifted. The instrument went through a few stages of design as well where [Toast] refined the size and shape of the tubes as well as improved the way by which the hammers are attached to the keys.

Is it still a piano if it has pipes instead of strings? Perhaps, but at the very least we can all agree that he’s built a working keyboard action capable of producing music, if not an outright definitionally-accurate piano. It’s an interesting build that we hope to see more iterations of in the future, if not to build a more functionally accurate 3D printed piano action then to see what is possible from a 3D printer in the piano space. Despite their complexity and weight, pianos are a fundamental and popular instrument in the Western music tradition and we’ve seen many interesting builds around them like this modern player piano built with a series of solenoids. Continue reading “3D Printing A Piano Action” →

2025 Component Abuse Challenge: Relay Used As Guitar Pickup

November 13, 2025 by 16 Comments

We’ve all built projects that are a rats’ nest of wiring and feature creep, but the best projects in the end are usually those that use a simple solution to elegantly solve a problem. [Kauz] had been thinking about a unique type of electric guitar pickup for a while and rather than purchase an expensive option or build a complex microcontroller-based system he found his elegant solution in the form of a common electronic component.

The core of this idea is that guitar pickups are essentially coils of wire, and are surprisingly similar to the coils of wire found in electromechanical relays. [Kauz] has used six small relays, left them unmodified, and then built an amplifier circuit for each to allow the vibrations of the guitar strings to resonate in the relay coils, eventually producing a sound. Not only do the relays work perfectly well as pickups, but [Kauz] also created a mixing board that allows the six relays to be combined into two channels, allowing for options like stereo sound for different strings directly out of the guitar or for different effects to be applied to different strings.

The build also allows for some interesting options in future versions as well. [Kauz]’s plans are eventually to build this into an instrument which can output polyphonic MIDI signals, where various strings can behave as different instruments. In theory, with six circuits six different instruments can be produced, and we’re excited to see what the next versions will look and sound like. In the meantime, be sure to check out some other guitar pickups we’ve seen that use even simpler parts found lying around the workbench.

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Photo of breadboards and bench oscilloscope

Programming The 6581 Sound Interface Device (SID) With The 6502

November 10, 2025 by 6 Comments

Over on YouTube, [Ben Eater] pursues that classic 8-bit sound. In this video, [Ben] integrates the MOS Technology 6581 Sound Interface Device (SID) with his homegrown 6502. The 6581 SID was famously used in the Commodore line of computers, perhaps most notably in the Commodore 64.

The 6581 SID supports three independent voices, each consisting of a tone oscillator/waveform generator, an envelope generator, and an amplitude modulator. These voices are combined into an output filter along with a volume control. [Ben] goes into detail concerning how to configure each of these voices using the available facilities on the available pins, referencing the datasheet for the details.

[Ben]’s video finishes with an 8-bit hit from all the way back in October 1985: Monty on the Run by Rob Hubbard. We first heard about [Ben’s] musical explorations back in June. If you missed it, be sure to check it out. It seems hard to imagine that demand for these chips has been strong for decades and shows little sign of subsiding.

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Folding Lamp Becomes A Tasty Reverb Tank

November 3, 2025 by 6 Comments

If you’re a musician and you want a reverb effect, there are lots of ways to go about it. You can use software plugins, all kinds of rack-mount effects, or pedals. Or, as [David] has done, you could go with a lamp.

[David’s] build is straightforward enough in concept—he just chose a relatively unconventional item to use as a reverb tank. The lamp might seem like an odd choice, but it actually does a decent job at resonating because of its metal construction and the multiple springs that tension the structure. [David] turns the lamp into a reverb by fitting it with a Vidsonix Ghost audio transducer to put sound into the structure—picture the magnetic driver of a loudspeaker without the cone fitted, and you get the idea. Piezo elements were then used as contact mics to pick up reverberations from the lamp itself. Everything was assembled with a bunch of lab stands that give the build a rather nice aesthetic. The reverb time isn’t particularly long, but the sound is hauntingly beautiful.

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10 Cent Microcontroller Makes Tracker Music

October 29, 2025 by 17 Comments

We are absurdly spoiled these days by our microcontrollers. Take the CH32V00X family– they’ve been immortalized by meme as “the ten cent micro” but with a clock speed of 48MHz and 32-bit registers to work with, they’re astoundingly capable machines even by the standards of home computers of yore. That’s what motivated [Tim] to see if he could use one to play MOD files, with only minimal extra parts– and quite specifically no DAC.

Well, that’s part of what motivated him. The other part was seeing Hackaday feature someone use a CH32V003 making chiptune-like beeps. [Tim] apparently saw that post as a gauntlet thrown down, and he picked it up with an even smaller chip: the CH32V002, which he proceeded to turn into a MOD player. For those of you who slept through 80s and early 90s (or for those precocious infants reading this who hadn’t then yet been born), MOD files are an  electronic music format, pioneered on the Amiga home computers. Like MIDI, the file specifies when to play specific voices rather than encoding the sound directly. Unlike MIDI, MOD files are self-contained, with the samples/voices used being stored inside the file. The original version targeted four-channel sound, and that’s what [Tim] is using here.

As you can see from the demo video, it sounds great. He pulled it off by using the chip’s built-in PWM timer. Since the timer’s duty cycle is determined by a variable that can be changed by DMA, the CPU doesn’t end up with very much to do here. In the worst case, with everything in flash memory instead of SRAM, the CPU is only taxed at 24%, so there’s plenty of power to say, add graphics for a proper demo. Using the existing MODPlay Library, [Tim]’s player fits into 4kB of memory, leaving a perfectly-usable 12kB for the MOD file. As far as external components needed, it’s just an RC filter to get rid of PWM noise.

[Tim] has put his code up on GitHub for anyone interested, and has perhaps inadvertently cast down another gauntlet for anyone who wants to use these little RISC V microprocessors for musical tasks. If you can do better, please do, let us know.

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10 Cent Microcontroller Makes Music

October 23, 2025 by 11 Comments

Compared to the old 8-bit Arduinos, it’s incredible how cheap modern microcontrollers like the ESP32 have become. But there are even cheaper options out there if you don’t need that kind of horsepower, and are willing to do a little work yourself, as [atomic14] demonstrates.

The CH32V003 is a dirt cheap microcontroller—which can reportedly be had for as little as 10 cents if you know where to look. It’s not the most powerful chip by any means, boasting just 16 K flash, and 2 K of SRAM. However, it is a 32-bit RISC V machine, and it does run at 48 MHz—giving it a leg up on many 8-bit parts that are still out there.

Surprisingly there aren’t a whole lot of CH32V003 products for the maker market, so if you want to play with it, you’ll probably need to spin up your own boards. [atomic14] does just that, showing us how the chip can be put to good use by turning it into a little musical trinket. It’s a fun demo, and a great way to get to grips with programming on a new microcontroller platform.

It’s hard to get more chiptune than a 10 cent chip beeping its little head off. How could possibly justify spending tens of dollars modding a Game Boy when this exists, even if it sounds like a caffeinated greeting card?

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The PDP-1 Can Sound Hauntingly Beautiful

October 21, 2025 by 13 Comments

The chiptune music scene is largely rooted in the sounds of the original Nintendo Game Boy and the Commodore 64, while still welcoming a wide range of other hardware under its general umbrella. Still, few chip musicians show up to a gig hauling a PDP-1. That’s perhaps a shame, given that the 1950s era machine can produce beautiful music—as demonstrated by [Peter Samson] and [Joe Lynch].

The video demonstration was recorded at the Computer History Museum in Mountain View, California. [Peter Samson] is operating the PDP-1, which is running the Harmony Compiler—which allows the machine to play four individual voices. This is achieved by taking advantage of the PDP-1’s program flags, which are visible as six light bulbs on the control panel. Instructions can be used to turn these bulbs on and off. The Harmony Compiler works by switching the bulbs on and off fast enough to create audible square waves when the light bulb outputs are wired to a simple audio amplifier.

Using Harmony Compiler, [Joe] and [Peter] worked together to transcribe the song Olson by Boards of Canada to play on the PDP-1. The song is encoded on paper tape, and fed into the machine—which dutifully plays back the hauntingly beautiful melody.

If you’re interested in the code that achieved this, it’s blessedly available via Github. If you love stories about old computers playing music, we’ve got those too. Video after the break.

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